Appreciating the excellent calligraphy works of the Yellow Crane Tower, the poet came here with high hopes for the Yellow Crane Tower, but the immortal drove the crane without a trace, and the crane went empty, and an ordinary river tower was in front of him. ? The fairy of the past has flown away by the yellow crane, leaving only an empty Yellow Crane Tower. ? The gap between the beautiful vision and the ordinary river building has laid a lost background in the poet's heart and laid a potential foreshadowing for the expression of homesickness complex.
Cui Yideng's calligraphy high-definition picture of Yellow Crane Tower? Every tree in Hanyang has become clear due to sunlight, and Nautilus Island is covered with sweet grass. ? With a stroke of the pen, the legendary immortal, Yellow Crane and Yellow Crane Tower all became what the poet saw before his eyes, and the illusory legend became what he saw before his eyes. The clear sky in Wan Li, the trees in Hanyang City separated by water and the lush grass on Nautilus Island paint a picture of ethereal distance, which sets the stage for the poet's homesickness.
Introduction of Cui Hao 1. Cui Hao (h? O), born in Bianzhou (now Kaifeng City, Henan Province) in the Tang Dynasty, (about 704 AD? In 754, Emperor Xuanzong of the Tang Dynasty was a scholar in Kaiyuan 1 1 year (AD 723). His work "Yellow Crane Tower" was called by Yan Yu? The first seven laws? . He has a quick mind and is good at writing poems. He was a poet in the Tang Dynasty. Biography of Wen Yuan mentioned him together with Wang Changling, Gao Shi and Meng Haoran, but his official career was ups and downs and ended in failure. There are not many accounts about him in history, and the legends and stories about him in his hometown Bianzhou are rarely handed down. Old Tang book? Cui Hao's biography is so brief that he doesn't even mention his literary achievements. What are these for? It is worth thinking about. The works are passionate and magnificent. His works include Cui Haoji.