"Learning books is mainly based on ancient monuments, but it is not suitable for people who are studying, so the monument is far away from me. Ancient paper and pen, and their application methods are different. What you can't learn is that you have your own way of doing things, and here you become a different face. Masterpieces are the product of the combination of the beauty of the ancients and their own diseases. "
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"All-around champion" Zhao Ziang said when introducing his experience in learning books:
"The predecessors got a few lines of ancient inscriptions and devoted themselves to research, so they can become famous all over the world."
Walking is the only way to learn calligraphy. If you study traditional calligraphy, choose Wang Xizhi. Unfortunately, most of Wang Xizhi's original works were taken to the grave by Emperor Taizong, and the only remaining "Sunny Post in the Snow" is also controversial.
Among the rubbings handed down from ancient times, Wang Xizhi's lower case letters are rare. It was not until the United States published a picture of Wang Xizhi's Tao Te Ching that everyone was refreshed. It turns out that the sages of books still have such exquisite lower case letters.
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Historically, there has been a controversy over whether Wang Xizhi changed to goose, whether it was Huang Tingjing or Tao Te Ching. According to the eighty biographies of Jin Shu Wang Xizhi, the change of goose is still Tao Te Ching.
The authenticity of the Tao Te Ching, also known as the book debate, is actually known to people with a little history of calligraphy:
1. Chu Suiliang is the museum for the identification of Wang Xizhi's original works designated by Emperor Taizong. This book of Tao Te Ching has the postscript of Chu Suiliang. You know, only works that have been appraised and inscribed by him will enter the Tang Palace.
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Second, there is the seal of the Song Dynasty "Xuanhe Pu Shu" collection. Song Huizong is also a master of calligraphy authenticity identification. With the help of Mi Fei and others, it is difficult to be included in Xuanhe Pu Shu.
As for how to live in the United States, it is still unknown. From this work alone, there is quite a natural and neutral temperament of Jin people. In the script, there is a quaint charm of official script and a leisurely attitude, which is beyond the reach of future generations.
I remember Tian fen once commented that it was not neat enough, and it was not as good as Tian Yingzhang's writing!
Here, I apologize to Tian Fen: Tian Yingzhang is the first in the universe, so it doesn't matter!
It's really a low-level aesthetic, which limits your horizons and doesn't know it!
Besides, regular script has been taboo since ancient times: straight and flat, and Wang Xizhi once said in "After Mrs. Wei's Painting":
If it is straight and similar, it looks like a symbol, the top and bottom are whole, and the front and back are flush, it is not a book, but it has its stippling ears.
The size, length and height of the whole word in Wang Xizhi's Tao Te Ching are naturally different, and the whole word and line take care of each other, which is varied and interesting.
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