------Appreciation of poetry, calligraphy and painting of "The Small Pond at the Temple Behind the Village"
I had the honor to work with Teacher Xue and gained a lot. Recently, I feel even more deeply that Teacher Xue’s talent and character are like the fragrance of a lotus, lasting and lasting.
"The small pond in the temple behind the village" is a seven-character quatrain written by Mr. .
Su Shi once highly praised Wang Wei’s poems for including paintings and poems, and the same is true for the poems written by Teacher Xue. What you read are poems, and what appears clearly before your eyes are pictures, which makes people chant for a long time, unable to stop, for a long time. revel. The poet used many images to cleverly combine them into a wonderful summer landscape and pastoral scenery, which is quite similar to the freehand style of Ma Zhiyuan in the Yuan Dynasty. "The teacher withered vines dims the crows, the small bridges and the flowing water of the people." There is no need for detailed description, just a simple The superposition of images gives people an artistic conception of vastness, desolation and loneliness. The same is true for the first two sentences of Teacher Xue's poem. The picture goes from far to near, and the five static images are all triggered by the word "one", which presents the reader with a quiet and distant picture - a tower on the lush hillside behind the village. It is a small temple that still retains its ancient style. In front of the temple stands a horse-tethering post that has gone through many vicissitudes of life. There is only one monk in the small temple. He carefully takes care of a small pond every day. In summer, the emerald lotus leaves in the pond are crowded together. , the lotus is in full bloom, curling up and down. Under the sunshine, the red and green colors correspond, and it is bright; in the glow of the morning glow, it is bright and moving, quiet and harmonious.
The last two sentences of the poem change from static to dynamic. The naughty and lovely breeze may be attracted by the elegant scenery here, and its heart is full of excitement. It stirs the lotus leaves and shakes the lotus gently, and the fragrance of the lotus is released. As the wisps of breeze drifted into the village, it slowly spread.
This poem contains stillness and movement, distance and nearness, and bright colors. The author of the whole poem is ingenious and uses six "one" characters to easily give readers a free world of leisure, tranquility, harmony and beauty. Here the lotus flowers are in full bloom, here are the fields of lotus leaves, here are the mist, and here are the mountains and rivers. It is bright and clean, the fragrance is permeated here, this is a pure land, this is a paradise... Reading this poem, I couldn't help but fall deeply in love with this place.
Lotus is a holy and elegant thing, a symbol of truth, goodness and beauty, and a symbol of sacred purity in Buddhism. As the saying goes, "One flower, one world, one leaf, one bodhi", "this "flower" is the lotus, This "leaf" is a lotus leaf. I think the monk's lotus was not only planted in the pond, but also in his heart. The lotus not only bloomed in the poem, but also bloomed in the poet's heart. Let's go!
Look at the finishing touch of the word "fragrance", which is very admirable! That fragrance is the fragrance of beautiful lotus flowers, and that fragrance is the fragrance of incense in the temple all year round. The scent is the scent of the plants and trees in nature. The scent is the noble scent in the monk’s soul. The scent is also the author’s personal charm as a teacher, his teaching beliefs, and his state of conduct... This scent lingers between heaven and earth. The smoke evaporates, spreads, and drifts into the village and into everyone's heart. It must be a beautiful village. There must be a smile on everyone's face, the lingering fragrance in everyone's hands, and the fragrance in their hearts. .
Looking at the calligraphy of Lou Xiaoyi, a disciple of Master Zhong Mingshan, the vice chairman of the Chinese Calligraphers Association, one can’t help but be surprised that such a charming woman’s calligraphy is so natural, free and elegant. The softness of the writing contains firmness, which can be said to be the complementation of yin and yang, the harmony of hardness and softness, proper density, and beautiful layout. It has high aesthetic value. The five "one" characters are arranged so cleverly, and the writing methods are different. The calligraphy. The profound attainments are commendable, and the artistic value of the entire calligraphy is self-evident.
It is wonderful that poetry can be incorporated into painting, and it is amazing that such poetry can be combined with such calligraphy. , such calligraphy is perfect with such a poem, and Teacher Yan’s paintings push this beauty to the extreme. The paintings that Teacher Yan paired with this poem have light and elegant colors, giving people a sense of emptiness and tranquility. . In the mainly ink and light green paintings, a few hints of crimson make the painting vivid and lively. The benevolent person enjoys the mountains, and the wise person enjoys the mountains and rivers. Although the poet, painter and writer. They are not the same person, but they are undoubtedly connected in spirit and have the same interests and pursuits. Under the brush, the natural landscape becomes the nature of the landscape.
As the ancients said, "Mountains and rivers are not as magnificent as poetry, and the most beautiful mountains and rivers are not as beautiful as paintings." How can the word "beautiful" be so poetic and picturesque! Poetry, calligraphy, and painting are three unique things. How can the word "wonderful" be so great! After tasting it for a long time, it seems that there is a delicate fragrance, how come the word "fragrance" is so important!