Calligraphy techniques include folding the pen, lifting the pen, etc. The details are as follows:
1. Folding pen: one of the brushwork techniques, often used at turning points. For those who are square, the folding method is also used. , that is where the stippling wave begins and ends. Also called square pen. The beauty of the folded pen lies in its straight edges and corners, strong square strength, and strong strength in painful areas. The technique is like when writing a horizontal painting, the pen moves from left to right first, then goes from right to left, changing direction immediately, so it is easy to reveal edges and corners.
2. Lifting the pen: one of the brushwork techniques. Lifting and pressing in calligraphy are relative and interdependent. Just as Cao Cao of the Qing and Song dynasties' "General Commentary on Calligraphy" says, make the bones and flesh even, and the Qi and meridians connected, use full for sparse places and flat places, and use lift for dense and dangerous places. Full to get fat, extract thin. . Therefore, when writing lifting and pressing, you should pay attention to the changes in stroke thickness and the degree of virtuality and reality.
3. Rubbing the brush: Zhang Huaijin of the Tang Dynasty's "Yutang Brushwork" says that rubbing the brush means making rapid progress by hitting the edge, and it is used for the following three points. The frustrated pen is often used at the turning points of strokes and is one of the commonly used brushwork techniques. The technique is to lift the pen slightly after finishing the stroke, so that the tip of the pen can rotate and change the direction, so that the brushwork can be expressed more perfectly. It is worth noting that the strokes must be done in a controlled manner. If you push too hard, you will be out of touch, and if you do not do enough, you will be short of breath.
4. Scratching the pen: Qing Jianghe's "Exquisite Notes on Calligraphy's Authentic Calligraphy Techniques" states that squatting in the circle to grab straight, squatting sideways to grab, and grabbing in the air. Those who grab the short position take advantage of the short position. If the pen is dry, it will break, if the pen is wet, it will grab. If the pen is dry, it will grab. If the pen is wet, it will grab.