Tang Bohu's calligraphy is also unique. His calligraphy is just like his nickname. His calligraphy is elegant and graceful, his pen moves like a dragon and a snake, he moves like a dragon and a snake, and his movements are unconventional. He seems to have no strength, but in fact he has hidden strength inside. It is difficult for ordinary people to copy. His calligraphy is very rare, but the inscriptions in his paintings show that he was very accomplished in calligraphy.
"Album of Falling Flower Poems" and "Manxing" are Tang Bohu's representative works, and they are also relatively well-preserved works, which well express the characteristics of Tang Bohu's calligraphy. His calligraphy can be traced back to the Jin and Tang dynasties, especially thanks to Zhao Meng's brushwork, with gentle and graceful stipples and a slightly sideways style to the knotted characters. Although there are weak comments, the lines are filled with a transcendent and bookish atmosphere, like an elegant man strolling leisurely among the trees in Langyuan, which is thought-provoking. The entire scroll is completed in one go, with precise and delicate brushwork. The posture is tilted to the right and full of vivid gestures.
The main form of Tang Bohu's calligraphy is Luo Hua Tie, which is a kind of calligraphy that expresses the elegance of calligraphy. The writing is vigorous and heavy, similar to regular script, and the words are clearly explained. Some of them look like pecking at words, but in terms of structure, the center of gravity is depressed. It looks steady and stable. The pen is used in all directions, but in terms of structure, it is square and regular. In each character, the thickness of the strokes does not change much. But sometimes the words vary greatly from word to word. Shizhen commented: "Bohu entered Wuxing Hall, but he has weak ears."
Tang Bohu once learned from many calligraphy masters, and he was really a versatile calligrapher by combining the skills of all calligraphy masters. . He studied extensively from Zhao Zi'ang, Li Yong, Yan Zhenqing, and Mi Fu, and focused on different styles at different times, thus forming a constantly changing stage appearance. Generally speaking, the changes in his calligraphy style can be divided into four periods.