The thin golden body itself lacks other changes because the rules are too clear. As Mr. Shen Congwen said, for Song Huizong, who has a strong artistic appreciation ability, a painting with two or three rows of crystals is great and not tacky.
The reason why she is difficult to learn is that it is a relatively small font, because Song Huizong's thin gold body is relatively pure, and the works imitated by later generations are not only weak in brushwork, but also fail to show its charm in charm. That is to say, at present, only Song Huizong can master this kind of brushwork, and people want to learn a certain degree of cultural literacy out of physiological needs, but this is not just the kind of calligraphy that is just an introduction. Many calligraphy lovers do not have a correct understanding of this font, ignoring his current calligraphy level, so there is no way to reflect the charm of thin gold body.
Moreover, when Song Huizong started to write, he absorbed many people's style characteristics and his own unique thoughts, so he wrote this kind of fonts without following the traditional calligraphy rules, but casually, so his fonts were very eclectic, so it was difficult for the breeder to change in diversity and lacked room for development, so it was very difficult to learn this font.
Although Song Huizong's historical reputation is not good, his skinny body has been recognized by the industry, and many people admire him. Therefore, Song Huizong's contribution to calligraphy is still great, and the thin gold body is really beautiful.