Appreciation of Lu Zhongnan's Calligraphy Works

Lu Zhongnan is a famous calligrapher in contemporary China, and his calligraphy works are deeply loved and appreciated by people. Let's enjoy their works together. The following are the calligraphy works of Lu Zhongnan that I compiled for you. I hope it works for you!

Appreciation of Lu Zhongnan's Calligraphy Works

Pictures of Lu Zhongnan's Calligraphy Works 1

Pictures of Lu Zhongnan's calligraphy works 2

Picture 3 of Lu Zhongnan's Calligraphy Works

Figure 4 of Lu Zhongnan's calligraphy works

Lu Zhongnan's resume

1985 to 1987, Lu Zhongnan studied in the calligraphy class of the former Department of Education of Beijing Normal University, and studied under Mr. Ouyang Zhongshi. Win in 1986? National TV Book Lu Zhongnan Committee Law Competition? First prize, joined the China Calligraphers Association in the same year. He used to be a member of China Calligraphers Association, deputy secretary-general of China Modern Hard Pen Calligraphy Research Association, deputy director of China Calligraphers Association Hard Pen Calligraphy Committee, judge of China Hard Pen Calligraphy Competition, judge of National Hard Pen Calligraphy Competition for Primary and Secondary School Students, and consultant of China Famous Painting and Calligraphy Institute, and enjoyed special government allowance from the State Council.

The regional style of calligraphy

The emergence and development of calligraphy are strictly limited in time and space. In the development of calligraphy, due to the limitation of time and space, calligraphy shows distinct regional and spatial characteristics and becomes the main field and content of calligraphy geography research.

Calligraphy can be divided into feminine and masculine styles, and movable fonts such as running script and cursive script and static fonts such as regular script, official script and seal script.

Region and times are important conditions for forming a certain regional style and font similarity. Due to the influence of regional environment, the overall style of northern calligraphy is generally broad and magnificent. Masculine? Beauty is usually a static font, such as kai, Li and zhuan, but the overall style of calligraphy in the south is beautiful and elegant? Feminization Generally speaking, dynamic fonts such as lines and grass are the most beautiful. Although this division is too simple, its trend is roughly the same in ancient and modern times. Style. The natural environment and humanistic environment in a certain geographical environment have an impact on calligraphy, forming regional differences in calligraphy.

Specifically, the difference of regional background affects the font, form, style, writing carrier, rhythm and brushwork of calligraphy. The obvious similarities and differences of calligraphy styles mainly come from different natural and human environments in the north and south regions.

First, the natural geographical environment in the regional background affects people's psychology and temperament. The harsh living environment in the north faces vast plains, boundless deserts and majestic mountains and rivers. Under the influence of this environment, people naturally have a rough, heroic, open and simple nature. The natural conditions in the south are superior, the mountains and rivers are beautiful, the water and soil are soft, the spring flowers and the autumn moon are drizzling, which makes people feel softer and more delicate.

Secondly, the direct influence of regional background differences leads to different calligraphy styles. It is difficult for the Southern School calligraphy, which represents female beauty, to show the vast atmosphere of grassland, and it is also difficult for the Northern School calligraphy, which represents masculine beauty, to be suitable? Small bridge and flowing water? Like poetry and painting. However, the difference of human environment, especially the development of modern transportation and frequent communication, makes this style more complicated in the formation process.

Due to the continuous spread of calligraphy regional space, the spread of calligraphy regional space has been formed. On the one hand, its formation is related to the influence of calligraphy itself, on the other hand, it is related to its propaganda and communication, and it is also related to people's aesthetic consciousness, customs, language and religion in a certain area. This has caused the timing difference of calligraphy communication.