Steamed bun traditional calligraphy

China's calligraphy art is an organic, unified and harmonious world full of line contradictions. The overall harmony of calligraphy line combination is the inevitable reflection of human harmonious consciousness and the artistic externalization of national philosophy. What I want to bring to you is traditional calligraphy buns. I hope you like it.

Appreciation of traditional calligraphy "steamed stuffed bun";

Traditional calligraphy of steamed stuffed bun 1

Traditional calligraphy of steamed stuffed bun II

Steamed bun traditional calligraphy 3

The historical development of calligraphy composition;

Oracle Bone Inscriptions's concept of word independence is still not solid. It is often found that a part of a word is more closely related to the previous word or the latter word than to other parts of the word, which leads to unexpected changes after conjugation. This is one of the reasons why Oracle Bone Inscriptions gives people a sense of mystery and childlike innocence. Later generations often ignore this feature when studying Oracle Bone Inscriptions.

The parts of a single word that are increasingly dislocated correspond neatly to other words, indicating that people at that time were still trying to pursue neatness psychologically, just because the concept of word independence and writing skills were not mature? Dislocation? . This pursuit of neatness makes the composition quickly get rid of the childish state. From the Western Zhou Dynasty to the Warring States Period, Dakeding, Ding Yu, Wall Plate and Off-season White Plate show that Yue Zi's ability to keep the composition neat is constantly improving. These works are arranged neatly, such as Hou Ma's couplet and Ceng Houyi's bamboo slips. The two are closely related. The main wisdom of Zhongshan is the 4 19 Qi Jun Festival. This is more arranged. Of course, neatness has prepared important conditions for the development of calligraphy art? The ability to control the structure and position of words, but excessive neatness limits the expressive power of works, and works are often decorative. When neatness, as the main line of composition development, swept through almost everything, there was always a force of resistance, represented by disorder. It does everything possible to oppose and destroy neatness, and it represents the trend of forcing free expression.