I like Li Qingzhao because I like her words. When reading her works, I was surprised by her peerless talent. Even after eight hundred years, I can still feel her smile, joy, anger, sorrow, and joy. I believe everyone who likes her will feel this way. So, we might as well review our goddess again.
Li Qingzhao (1084-about 1155), also known as Yi'an Jushi, was a female poet in the Song Dynasty (Southern Song Dynasty) and a native of Zhangqiu, Qizhou (now Jinan, Shandong).
She was born into a scholarly family. His father, Li Gefei, was a Jinshi scholar. He was a student of Su Shi (one of the four bachelors after the Su family), and he was an official in the Ministry of Rites. She has lived in an official's family since she was a child and has a rich collection of books. She has been influenced by her family's literary atmosphere and is deeply influenced by her ears and eyes. She is also intelligent and talented.
In 1101, when Li Qingzhao was 18 years old, he married Zhao Mingcheng, a 21-year-old Tai student at the time, in Bianjing (now Kaifeng, Henan). They are committed to the collection, arrangement and research of epigraphy, calligraphy and painting. Like-minded people lead a happy life.
In 1127, Li Qingzhao was 44 years old. The Jin people in the northern part of the Song Dynasty invaded southward on a large scale, occupied Bianjing, captured Song Huizong and Qinzong's father and son, and went north. This was known as the "Jingkang Incident" in history, and the Northern Song Dynasty was destroyed. Li Qingzhao and his wife escorted 15 carts of books and utensils southward. When they arrived at Zhenjiang, Qian Boyan, the governor of Zhenjiang, abandoned the city. However, Li Qingzhao used his great wisdom and courage to escort these rare treasures to Jiangning Mansion in the spring of 1128. . Unfortunately, Zhao Mingcheng died of illness in Jiankang.
In 1131, Li Qingzhao went to Shaoxing, Zhejiang Province, and his paintings and calligraphy were stolen overnight. She was filled with grief and set up rewards and redemptions. At this point, most of the books and cultural relics were lost. After arriving in Hangzhou, all the books and cultural relics were lost. The wandering life of escape brought merciless torture, and the situation was very lonely.
Around 1143, Li Qingzhao collated and compiled Zhao Mingcheng's posthumous work "Inscriptions on the Stone".
In 1155, Li Qingzhao passed away quietly in extreme loneliness and desolation, with longing for his dead relatives and infinite disappointment that he could not return to his homeland. He was at least 73 years old.
Throughout Li Qingzhao’s life, it can be described as ups and downs. From a carefree girl in a boudoir to a homeless woman in the end, no matter what role she plays, Li Qingzhao has a temperament that makes people awe and praise her.
Li Qingzhao is a rare talented woman in ancient China. She is good at calligraphy and painting, is proficient in epigraphy, and is especially good at poetry. She is known as "the most talented woman throughout the ages". Her lyrics have been passed down through the ages and she is known as "a major lineage of lyricists". Her words are divided into early and late stages. In the early stage, he wrote mostly about his leisurely life, but in the later stage, he mostly lamented his life experience and had a sentimental mood.
Her lyrics have reached a state of artistic proficiency and formed her own unique artistic style - "Yi An Ti". She developed the graceful style of "the words are exhausted but the meaning is not exhausted, the meaning is exhausted but the emotion is not exhausted" to its peak, so that she won the status of "the master" of the graceful poets. Later generations thought that her lyrics "not only look down on women, but also want to overwhelm men". She was called "the greatest female poet in the Song Dynasty and the greatest female poet in the history of Chinese literature".
This is a dream poem. The author uses romantic artistic conception to describe the scene of the sea and sky in the dream and the questions and answers with the Emperor of Heaven. Tell your secrets and express your feelings. The scene is magnificent and majestic. This is a bold and unrestrained word that critics have praised as "without any trace of glamor", which is rare in her lyrics. The lyrics also imply the disappointment with the dark social reality of the Southern Song Dynasty and the pursuit and yearning for the ideal state.
At the beginning of the poem, a vast and magnificent picture of sea and sky is shown. Such a realm is open and atmospheric. It describes the scenes of sky, clouds, fog, stars, and thousands of sails, and accurately embeds several verbs in it, all in one go and closely connected.
The last two sentences of the first part are the questions of the Emperor of Heaven, and the second two sentences of the second part are the answers of the lyricist. Between the questions and answers, the tone continued without pause. "I reported that the road was long and the sun was setting," reflects the poet's painful experience of loneliness and helplessness in his later years. Its meaning is connected with "There are amazing sentences in learning poetry". It is the poet who confides in front of the Emperor of Heaven that he has no talent but has encountered misfortune and struggled hard, revealing his strong dissatisfaction with reality.
"Ninety Thousand Miles of Wind and Peng is doing something right" is deviated from the dialogue, but it still does not deviate from the main line. Because the action throughout the poem is crossing the sea and taking a boat, and the surrounding scene is the sea and the sky, which reminds us of the "Peng's migration in Nanming" in "Zhuangzi·Xiaoyaoyou", the water hits three thousand miles, and the one who surges upwards Ninety thousand miles."
Saying "Peng Zhengju" further highlights the strong wind. From reality to virtuality, the image becomes more majestic and the realm becomes more magnificent.
While the Dapeng was being raised high, the poet suddenly shouted: "The wind has stopped, and the boat has blown away the three mountains!" The momentum is majestic and indomitable!
Ci People turn over old scriptures to come up with new ideas, and they dare to use the wind of the Peng Tuan for nine days to blow to the three mountains. Their courage and high realm are rare in poetry. In the first part, it is written that the Emperor of Heaven asked where the poet had returned, but here it is stated that the fairy mountain in the sea was the poet's destination. Echoing from front to back, the structure is meticulous.
This poem integrates real life feelings into dreams, clever use of allusions, fantasy and reality, grandeur and majestic style, fully showing the bold and uninhibited side of the author's temperament, so it is said to be Li Qingzhao's unruly poem. An ordinary work.