Pictures of winning works of regular script calligraphy Enjoy pictures of winning works of regular script calligraphy 1
Figure 2 Award-winning works in regular script
Figure 3 Award-winning works in regular script
Figure 4 Award-winning works in regular script
Five elements of the creation of regular script calligraphy award-winning works
Horizontal and vertical: mainly to shape a stable character. Although some strokes are oblique, such as oblique horizontal and vertical, the overall situation of the whole word is stable. What is that? Awkward? Want it, too? Tilt or not? . This is the charm of calligraphy. For example? Positive and rich? .
Density and symmetry: so-called? It's easy to go, but it's airtight, okay? Generally speaking, lines with fewer strokes can be thicker, and lines with more strokes can be thinner. This will make the words more symmetrical. Like what? Eye, field? .
Distinguish between primary and secondary: in the combination of Chinese characters, radicals are always in a secondary position, and they should be isomorphic with the main body, modest and not self-centered. Like what? Throw, shine? .
The echo of stippling: stippling and structure should pay attention to each other, meet each other, set each other off, and care for each other, so that they have internal relations, so that the pen can be broken and the meaning can be alive. Like what? Big, first and eighth? .
Uneven change: refers to the same strokes and parts of a word, which should be changed as much as possible to avoid repetition and similarity of strokes and structures. Like what? Lin and Yan? .
Back-to-back symmetry: pointing and drawing should be attached to a gesture. That is, the opening, closing, wrapping and stretching of the gesture should present different postures. Pay attention to the coordination and unification of fonts. Like what? North India? .
Regular script arrangement
There are many difficulties in learning how to arrange whole words in a composition. The four famous places of interest inscribed by Ou Yangxun are all rearranged after cutting and pasting. If you can't see the whole paper rubbings of the whole monument, you can't imagine the whole structure of the whole monument. Even if we can directly face the original tablet in Ou Kai, due to the influence of the political system at that time, Ou Yangxun failed to completely handle the whole writing method from the artistic point of view, and after years of weathering, some writing has peeled off on its own. The Thirty-six Laws on the Structure of Ou Yangxun mainly talks about the structural methods of characters, but there are also methods to deal with characters, such as: seeing the big from the small, seeing the big from the small, seeing the big from the small, controlling the size and so on. The structural methods of some words are actually related to the text structure, such as coverage, repetition, top hat and so on. There are also some structural methods of words that can be applied to the direction of the whole word text structure, such as concession, avoidance, variation, filling in gaps, meaning connection and so on.
If an independent word becomes a radical, it still cannot be written in the size of an independent word, and it must be large and small. Like this word? One? And then what? Mouth? ,? Up? In the world? Hey? .
On the contrary, some strokes are extremely sparse, and some strokes need to be enlarged to write, such as? Lonely? The word si,? Ning? The solitary hook of this word? Owe? The word si,? Ge? The point of the word. From the perspective of composition, many calligraphy theorists think that from small to large means? A point becomes a word, and a word is the master of the whole article?
We should pay full attention to the first word, especially the decisive role of the first pen. Although this stroke is small, it determines the size and thickness of the strokes written later, as well as the size of the whole word, and the face of the article is also small.
Although one stroke is important, other significant strokes are also important and cannot be ignored. ? A little loss, if a beautiful woman's illness lasts for a day, a painting will lose its strength, like a strong fold? Every meaningful stroke will affect the overall situation of the whole work.
Of course, on the whole, we must first pay attention to the layout. ? Generally speaking, the walls of the house are friends of Judah, and the walls have been destroyed. Ann asked the screen embroidery worker, this is a general trend, so you must know? (Ge Shouzhi). If the layout is out of order, the whole word will be extremely inappropriate or even fragmented. Focus on the big picture and start small, which is necessary for writing good words.