Pen and ink are horizontal, vigorous, dangerous, full of pen power, spring insects and autumn snakes, fine pen Mo Miao, dragon and snake in the pen, dragon and snake at the bottom of the pen, spring breeze at the bottom of the pen, sweeping a thousand troops, old ink show, words see the heart, Ding Zhenkai grass, Ding Zhenyong grass, wood for three points, force through the back of the paper, pen like thunder, majestic, clouds open thousands of miles. Charm is changeable, phoenix falls and flies, phoenix dances dragonfly, phoenix falls and flies back, peaceful and smooth, foreign teachers are natural, ingenious, dragon and dragonfly dance, dragon and snake dance, Rowen tiger shakes, dragon stretches and bends, Yue Long lies with tiger, Rowen tiger shakes, dragon and snake dances. Natural and natural, self-interested, flowing, like a cone painting sand, vigorous, vigorous, moderate, concise, skilled, gorgeous and natural, superb skills, wonderful rejuvenation, Wang Yang wanton, Wang Yang Honghu, Wang Yang wanton, vigorous and powerful, began to write Huang Ting, beginners graffiti, Yan hungry, strong bones and muscles, calm and happy. You can't learn the sword, draw sand and ink, draw insect graffiti, be ingenious, smart and delicate, smart and unrestrained, smart and carefree, fat and thin, learn books in clinic, doodle with letters, pheasant, pheasant, tense, willow bones and muscles, tense, iron painting silver hook, Tang Linjin post, silkworm.
Full pen and ink: pen and ink are used freely and full. Describe calligraphy and poetry.
The dragon and snake in the pen: the dragon and snake jumped into the pen. Describe the vigorous and free brushwork of calligraphy. Also for the conductor.
Huang Ting: There is the Taoist classic Huang Tingjing, and the Jin people have the lower case Huang Tingjing. In the old days, there was an idiom to comment on calligraphy: "Writing Huang Ting at first is just right". Later, the metaphor was just right.
Spring earthworm autumn snake: metaphor for poor calligraphy, bending like the trajectory of spring earthworm autumn snake.
The sword was drawn from its sheath and the bow was opened. Describe the situation as tense and explosive. Later, it also refers to the vigorous and magnificent calligraphy.
2. There are two words to describe the Chinese characters written by calligraphers: pen and ink are used freely and incisively. Describe calligraphy and poetry.
The dragon and snake in the pen: the dragon and snake jumped into the pen. Describe the vigorous and free brushwork of calligraphy. Also for the conductor.
Spring earthworm autumn snake: metaphor for poor calligraphy, bending like the trajectory of spring earthworm autumn snake.
The sword was drawn from its sheath and the bow was opened. Describe the situation as tense and explosive. Later, it also refers to the vigorous and magnificent calligraphy.
For example, Zuo Qiuming wrote Chunqiu Zhuan, and summarized and explained the calligraphy of Chunqiu into several examples. Later, because of the classification examples, the style of the book was described as "draw inferences from one instance and draw inferences from another". See "Draw inferences from one instance".
Penetrating the back of the paper: Originally, calligraphy was vigorous and powerful, but now it is also used to describe vivid and profound poems.
Fly like a dragon, fly like a phoenix. The original description is unrestrained and magnificent. Nowadays, calligraphy is described as a lively, flexible and lifelike plastic arts of dragons and phoenixes.
Flying dragons and snakes: describe the vitality and vividness of calligraphy strokes. Su Shi's Xijiang Moon? Pingshantang: "I haven't seen the old fairy for ten years, and the dragon and snake fly to the wall."
Luan Piao Feng Bo: Luan: a legendary bird like a phoenix. Originally, calligraphy was used to describe chic. It is also a metaphor for the separation of husband and wife in high flyers.
Luan Xiang: Jane: Fly high. Metaphor calligraphy flying posture.
Beauty hairpin: describes the beauty of calligraphy or poetry style.
Get to the point: the original description of calligraphy is strong (according to legend? Wang Xizhi wrote on the board, and the ink penetrated into the board for three minutes. Now he has described profound and powerful analysis, description and discussion.
Iron painting silver hook: painting: strokes; Hook: hook. Describe the vigorous and beautiful calligraphy.
3. The four characters used to describe calligraphy are vigorous and plump, rich and graceful, soft and firm, covered with iron, vigorous and solid, magnificent, thunderous, Rowen Tiger Shock, vigorous and vigorous, vigorous and powerful, combining rigidity with softness, smooth and smooth, full of bones and muscles, full of fun, strewn at random and beautiful in the mean. The dragon and phoenix dance, with beautiful style, moves like a snake with a pen, which is smart, bold, steep, tall and straight, penetrating the back of the paper, penetrating the wood, combining rigidity with softness, showing the atmosphere, concise brushwork, skillful brushwork, flowing, hearty, pleasing to the eye, elegant and beautiful. Natural, elegant, smart, chic, simple, peaceful, peaceful, smooth, graceful, generous, natural stretch, natural, smart, smooth, lifelike, smooth in class, round and round, smooth in turns, learning from others, profound in skill, solemn and majestic, smooth in charm, vigorous and simple, changeable in charm, and changeable in thought.
4. Original publisher of words praising calligraphy: * * Asia
Words describing calligraphy and painting works Part I: Words describing calligraphy and painting works are natural, interesting and novel. Their extraordinary talent is like water burst its banks, which cannot be contained. The world is full of blue hands. You can't paint with sadness. The brushwork is like silkworms spinning silk, delicate and emotional. You can draw a simple outline when splashing ink, which is good for you. There are hills and valleys in the chest and verve in the pen. Your charm breeds elegance. The form of adjectives: fresh and elegant, vigorous and powerful, penetrating the paper back, beautiful and straight, graceful, casually laid out, without wearing shirts and shoes, Fiona Fang has both, one stroke at a time, and takes off his horse and flies away when he looks at it; Another example is the dragon flying in the sky. It comes from emptiness and returns to emptiness. Describe it with a pen: flowing water; Free swing; Dongda jumped down; Combine rigidity with softness; The Tibetan front is slightly exposed, and the exposed front is also subtle. The pen hanging place comes to an abrupt end, such as a sharp knife, and the pen hanging place has a positive side, either curved or straight; The pressure is clear and the bond is firm; It is also coarse and fine, not naughty and violent, but also the middle side, not dry and moist. Pen and ink are used freely and incisively. Describe calligraphy and poetry. The dragon and snake in the pen: the dragon and snake jumped into the pen. Describe the vigorous and free brushwork of calligraphy. Also for the conductor. Huang Ting: There is the Taoist classic Huang Tingjing, and the Jin people have the lower case Huang Tingjing. In the old days, there was an idiom commenting on calligraphy, which was just right when Huang Tingchu wrote it. Later, the metaphor was just right. Spring earthworm autumn snake: metaphor for poor calligraphy, bending like the trajectory of spring earthworm autumn snake. The sword was drawn from its sheath and the bow was opened. Describe the situation as tense and explosive. Later, it also refers to the vigorous and magnificent calligraphy. For example, Zuo Qiuming made a biography of Spring and Autumn Annals and put it.
5. What are the good words and sentences that describe calligraphy works?
1, pen full of ink b ǐ h ā n mò b m: o
Pen and ink are used freely and incisively. It describes calligraphy and poetry.
2, the pen to the dragon snake bǐ zǒu lóng shé
The dragon and snake pranced in the fence. Describe the vigorous and free brushwork of calligraphy.
3, dragon and phoenix dance w incarnation
Fly like a dragon, fly like a phoenix. The original description is unrestrained and magnificent. Nowadays, calligraphy is described as a lively, flexible and lifelike plastic arts of dragons and phoenixes.
4. Dragons and snakes are flying.
Describe the vigorous and vivid strokes of calligraphy. Su Shi wrote in the poem "Xijiang Yuepingshan Hall": "I haven't seen the old fairy for ten years, and the dragon and snake fly to the wall."
5. Luan Piao Feng Bo LUN piāo fèng bó
Luan: the legendary phoenix. Originally, calligraphy was described as unrestrained and uninhibited, and it was also compared to the separation of husband and wife in high flyers.
6. Luan Simao von Zhou Luan xiá von zh.
Fly high. Metaphor calligraphy flying posture. Beauty hairpin: describes the beauty and diversity of calligraphy or poetry style.
7. Get to the heart of the problem.
Calligraphy used to be descriptive, but now its analysis, description and discussion are more profound and powerful. Similar characters permeate the back of the paper, which appropriately describes the roots of calligraphy.
Good sentences:
1, take a pen and daub it a few times, and a flying dragon will jump out of the paper. The dragons he painted are lifelike, magnificent and varied. Chen Rong often doesn't draw the whole dragon, or the dragon's head, or the dragon's claws, flickering, as if to smell its sound, as if to see its shape, and splashing ink into clouds, spraying water to melt the fog, which is wonderful, and it is called "Suo Wenglong" (as Chen Rong said).
2. The fonts are staggered, big and small, open and closed, and the line thickness changes obviously and fluctuates. The last line is crooked, so crooked that it is almost overwhelming. But this tendency is not blunt, but more freedom, which embodies his arbitrary side and has his own style. Chen Rong took a steep stance, and his writing was oblique or positive, heavy or light, with a beauty of "she began to vent her anger like a thunderbolt". He writes quickly, with a strong pen and great effort.
3. Gu Mo lightly grinds a few perfumes, and the new bath in the inkstone pool is full of light, either strong or tactfully, or graceful and beautiful, or vigorous and brave, or like the spring breeze, or like the deep and cold when the north wind enters the customs.
4. Wang Xizhi has a deep understanding of real calligraphy, calligraphy and calligraphy. His real books are ingenious and dense, opening up a new realm; His grass is long and thick; His running script is full of charm and strength. People call his words "floating like clouds, agile like dragons"; "Yue Long heaven, the tiger lies in the phoenix pavilion".
5, a pen, if the field of vision is out of control, the horse will fly and go; Another example is the dragon flying in the sky, which comes from nothingness and returns to nothingness. It is almost crazy and contains the aura of heaven and earth.
6, publicity, not tied at all, even the whole line is put down, like a fairy to escape, come and go without a trace.
7. I borrowed a wisp of flying smoke from a meandering stream, polished an inkstone lightly with my hand, and laid a blank sheet of paper for my mood.
8. In one stroke, if the field of vision is out of control, the horse will fly and leave; Another example is the dragon flying in the sky, which comes from nothingness and returns to nothingness. It is almost crazy and contains the aura of heaven and earth.
9. Calligraphy incorporates the perseverance, boldness and enterprising spirit of Confucianism, and also includes the emptiness, dispersion, quietness and leisure of Laozi and Zhuangzi, and often omits the worldly glitz in brushwork in order to be ethereal and far-reaching.
10, although paternal, is not a new coincidence. Judging from its character potential, it is as thin as a dead tree in the middle of winter; Look at his handwriting, if you are hungry.
6. Words to describe painting Words to describe painting are:
Háng yún liú shuǐ: Describe the natural and unconstrained style of the article, just like floating clouds and flowing water.
Dà qì páng bó: a vast and boundless representation. Describe momentum.
Chshén rüHuà: refers to the magical realm. Extremely superb realm. Describe the achievements of literature and art.
Huēzìrú: describes drawing, writing, writing and writing freely.
Dēng fēng zào jí: refers to knowledge, skills, etc. Reach the highest level or achievement.
Make sentences:
1. This article is scattered in form and meaning, and is worth reading.
The water of the Yellow River keeps flowing downwards. Magnificent, majestic!
3. Qi Baishi's shrimp painting has reached a superb level. No one knows how many live shrimps he observed and how many times he drew them.
The young calligrapher is free in the eyes of the public.
After years of exploration, grandpa's root carving technology has reached the peak level.
7. Describe idioms with good calligraphy, such as walking the dragon and snake, penetrating the back of the paper, dancing with dragons and phoenixes, walking in clouds and flowing water, sticking to the ribs and sticking to the bones.
First, the pen walks the dragon snake
Interpretation of vernacular Chinese: With a stroke of the pen, you can show the expression of dragon and snake dancing together.
Said by: cursive script song: "It seems to smell ghosts and gods, and you always see dragons and snakes."
Dynasty: Tang Dynasty
Author: Li Bai
I seem to be frightened by a ghost. At that time, I only saw the dragon and snake leave.
For example, grandpa's writing brush strokes is like writing dragons and snakes in one go.
Second, the force penetrates the back of the paper.
Interpretation of vernacular Chinese: force: pen power. Tou: yes. Describe the vigorous and powerful calligraphy; The nib almost pierces the back of the paper. It is also a metaphor for literary works with profound thoughts or superb skills in depicting characters.
Said by: "Zhang Changshi's Twelve-character brushwork": "It often tries to make it pass through the back of the paper, which is extremely successful."
Dynasty: Tang Dynasty
Author: Yan Zhenqing
Translation: They are sharp and often want him to penetrate the back of the paper, which is the highest level of success.
Ex.: His handwriting is very good, which penetrates the back of the paper.
Third, dragon and phoenix dance
Vernacular interpretation: such as dragonfly; Like a phoenix dancing. It turns out that the mountain is winding; Magnificent and majestic. Old superstition; Thought it was imperial weather. Now describe calligraphy as elegant and colorful. Multi-fingered cursive.
From: "Watching the Loyalty Monument": "Long-eyed Mountain, plenty of water, while the dragon and the phoenix dance, shines in Lin 'an. "
Dynasty: Song Dynasty
Author: Su Shi
Tianmu Mountain is the birthplace of carrying water, with winding mountains and concentrated in Lin 'an.
Example: His cursive script is flying like a dragon and a phoenix, and he is worthy of being a famous calligrapher.
Fourth, running water.
Vernacular interpretation: describe the article as natural and unconstrained; Like floating clouds and flowing water.
From: "The Book of Pushing Officials with Xie": "Calligraphy and poetry are all familiar; Roughly like a flowing cloud, it has no definite quality at first, but it often advances in what it does and often stops in what it can't stop. "
Dynasty: Song Dynasty
Author: Su Shi
Translation: The essays of Buddhist poems seem mature; Generally speaking, like floating clouds and running water, there is no fixed form, but it often starts in the right place and often ends in the inevitable place.
Example: This article is scattered in form and meaning, and is worth reading.
Five, strict care
Vernacular interpretation: Yan: Tang Dynasty calligrapher Yan Zhenqing; Liu: Liu Gongquan, a calligrapher in the Tang Dynasty. Yan Liu's and Yan Liu's calligraphy are both powerful, but their styles are different. Also known as excellent calligraphy.
From: Bachelor of Arts "Sacrificing Stone": "The pen of the pen, Yan Gu."
Dynasty: Song Dynasty
Author: Fan Zhongyan
Man Qing's pen and Yan Liu's calligraphy.
For example, after several years, he has learned very well and his strokes are quite imposing.
8. What words describe calligraphy and painting? They are gold inlaid with jade, shredded paper, lifelike, well-read, urgent, painting godson, steep painting style, legacy, pen and ink horizontal posture, long snake, broken foot, ancient style and so on.
1, incisive, pronunciation: rùmùsānfēn, an idiom in China; Interpretation: It describes the vigorous brushwork of calligraphy, and also refers to a profound and thorough insight into articles or things. Source: Zhang Huaiguan Wang Xizhi's passage. The hero of the story is Wang Xizhi.
2. The finale is an idiom, pronounced y ā ju à n zh and zu ò, which is interpreted as the most outstanding work in poetry, calligraphy and painting, and can surpass other similar works. Pronunciation: Please bring your paper to the exhibition.
3, lifelike, xǔ xǔ rú shēng, is an idiom to describe the vivid artistic image in painting and sculpture, just like living. Qin Mu's Shrimp Fun: The shrimps in these paintings are lifelike because of his in-depth observation of the life of real shrimps, and the changes and descriptions of pen and ink have reached a very high level.
4. Antique, pronounced gǔ sè gǔ xiāng, an idiom in China, describes the classical and elegant colors and feelings of utensils, paintings and calligraphy. Hu's "Dong Qing Lu": "Ancient paintings are colored ink, or light ink, with dust as ink, which is ancient and lovely."
5. Flowing clouds and flowing water is an idiom, pronounced as xíng yún liú shuǐ, which means flowing clouds in the sky and flowing water in the river. Ou Yangyuqian's Peach Blossom Fan Act I: "The stuff of playboy is still flowing."