Li Fuyun Qin Li Calligraphy Exhibition Pictures
Chinese characters, also known as Chinese characters and Chinese characters, are widely used in the cultural circle of Chinese characters and belong to morpheme syllables of ideographic characters. They were invented and improved by China people in ancient times, and the exact history can be traced back to Oracle Bone Inscriptions in Shang Dynasty about 1300 BC. From Xiao Zhuan in Qin Dynasty to Xiao Zhuan in Han Dynasty, they were all named as "Chinese characters", and in Tang Dynasty, they became the standard of handwritten fonts used today-regular script. Chinese characters are the main characters that have been used for the longest time so far, and they are also the only characters that have been passed down to this day in various ancient writing systems. In China, Chinese characters are the main official languages of several generations. Calligraphy in a narrow sense generally refers to the methods and laws of writing Chinese characters with brush in later generations. Including writing, calligraphy, stippling, structure, layout, number of lines, composition and so on. For example, the pen refers to the palm and the five fingers are Qi Li; The pen carrying center is unfolded; Stippling is the same as a pen; The structure is shaped by words and echoes each other; The distribution is intricate, the density is appropriate, and the virtual and the real are born together, and the whole chapter is full of gas fields; Every word is ancient for literacy, and every word is big and small, and high is not as good as low.
Li Fuyun Qin Li Calligraphy Exhibition Pictures
For example, in the use of tools, there are many kinds of pens, such as writing brushes, hard pens, computer instruments, spray gun branding tools, carving knives, engraving machines, daily tools and so on. * * * mainly refers to hard hardware and daily tools that can be used for writing. Pigments not only use black ink blocks, inks, adhesives, chemicals, lacquered glazes, etc., but also are colorful and strange; There are too many varieties to list.
Calligraphy Art in the Eastern Han Dynasty and the Southern and Northern Dynasties
Calligraphy in Han Dynasty can be divided into two forms: one is the mainstream system of stone carvings in China; One is tile seal, and the other is bamboo and silk alliance calligraphy and ink. The Monument to Yun Qi in the Later Han Dynasty is a symbol of Han Li's maturity. Among the cliff stone carvings, the word * * * carved on the cliff is the most famous, such as Ode to Shimen, which is regarded as a masterpiece by calligraphers. At the same time, Cai Yong's "Shi Ping Jing" has reached the requirements of restoring ancient ways and creating interesting tires. Inscriptions are the most important art forms that reflect the times and rhythms, among which Feng Longshan, The West Chamber, Kong Zhou, Yi 'e, Chen Shi, Zhang Qian and Cao Quan are especially admired and imitated by later generations. It can be said that each monument is unique and has no similarities. The northern book is magnificent, while the southern book is simple, which embodies the different aesthetic pursuits of the "scholar" and "vulgar" classes. As for the tile seal and the simple silk script, it embodies the combination of artistry and practicality.
The prosperity of calligraphy art began in the Eastern Han Dynasty. Calligraphy theory's works appeared in the Eastern Han Dynasty, and the earliest calligraphy theory author was Yang Xiong at the turn of the Han Dynasty. The first calligraphy theory monograph was a cursive script written by Cui Yuan in the Eastern Han Dynasty.
Calligraphers in the Han Dynasty can be divided into two categories: one is calligraphers in the Han Dynasty, represented by Cai Yong. One is cursive writers, represented by Du Du, Cui Yuan and Zhang Zhi.
Bamboo slips calligraphy can best represent the characteristics of calligraphy in Han Dynasty. There are many inscriptions in the Eastern Han Dynasty. The inscriptions in this period were carved by Han Li, with square fonts, strict statutes and clear waves. At this time, the official script has reached its peak.
The creation and birth of cursive script in Han dynasty is of great significance in the history of calligraphy art, which indicates that calligraphy has become an art that can express the feelings of * * * and express the calligrapher's personality with high freedom. The primary stage of cursive script is cursive script. In the Eastern Han Dynasty, cursive script developed further and formed Cao Zhang. Later, Zhang Zhi founded modern calligraphy, namely cursive script.