the difference between small freehand brushwork and big freehand brushwork
freehand brushwork can be divided into small freehand brushwork and big freehand brushwork. The big freehand brushwork highlights a big character, not a large amount of paper, but the big one is always relative. The main difference and performance of large and small freehand brushwork is in the form and spiritual realm of the picture: the small freehand brushwork pays attention to details, and the picture is more complicated, while the big freehand brushwork has great boldness of vision and general image. If you can write figures, landscapes or flowers and birds with great weather in a small painting, it will show the characteristics of great freehand brushwork. What is the genus of freehand brushwork? Minus strokes? It is closely combined with cursive script in calligraphy, and some even paint with wild grass. The representative painters of China's freehand brushwork include Liang Kai, Xu Wei, Shi Tao, Zhu Da, Qi Baishi, etc., and these painters all have high artistic accomplishment of calligraphy.
freehand brushwork painting pays attention to the expression of spiritual feelings, but not to the true representation of physical appearances. Great freehand brushwork pays attention to spirit, which is not only the painter's personal personality, but also the great freedom and liberation in dealing with the spirit of heaven and earth. Therefore, while emphasizing the expression of the painter's true feelings, the great freehand brushwork painting should also emphasize the wandering in everything, grasp the endless rhythm of the objective world as a whole, and be free from the constraints of physical phenomena such as time and space, decency, light color and perspective. This is the extremely high realm of harmony between man and nature pursued by China culture. The unity of heaven and man is both a realm with me and a realm without me. The unity of self and non-self is the realm of freehand brushwork. The essence of freehand brushwork painting is to dare to transcend the objective image world and express the human spirit and the feelings of the universe, which is a kind of life consciousness.
can you really do it today? Making? There are many painters, can you? Write? There are fewer and fewer painters, the times are progressing, but the brush is degenerating. ? Bone pencil? Being indifferent to contemporary painters, but emphasizing schematic decoration and the effect of texture making has become the mainstream phenomenon of Chinese painting today. There are few real freehand painters, and it is hard to find traces of the vigorous spirit of the Chinese nation in today's Chinese painting works.
Therefore, we must advocate the importance of calligraphy in China's freehand brushwork. Chinese characters are the most general and abstract paintings, which have important guiding significance for the selection of freehand brushwork paintings and the extraction of objects. The development history of China's freehand brushwork also fully proves this point. Wu Changshuo wrote Shi Guwen for decades, and painted with the round, dignified and pale lines of seal script, which reversed the weak trend of flower-and-bird painting in the late Qing Dynasty. Huang Binhong's works in his later years are invisible, and all shapes are transformed into lines of calligraphy, oblivious to things, oblivious to myself, and in a state of transformation, which gives great guiding significance to the development trend of freehand brushwork.
the famous painter Li Kuchan once said: The highest art is pushing cursive script. ? Qi Baishi once humbly recalled:? The regret of my life is that I haven't reached the point of painting in cursive script. ? Wild grass? It is the most difficult style to master in China's calligraphy, and it is also the most difficult to achieve a free and majestic realm. China's freehand brushwork is also a kind of exquisite painting and an extraordinary painting scene. The essence of China's calligraphy and painting art is enduring and has eternal charm. The fundamental spirit of freehand brushwork shows the crystallization of the artistic wisdom of Chinese painting, and it is also the highest art form in Chinese painting.
What's the difference between big freehand brushwork and small freehand brushwork
Paintings can be divided into meticulous brushwork, ink painting, freehand brushwork and half writing.
freehand brushwork is commonly known as "rough brush". It is required to focus on describing the artistic charm and spiritual connotation of objects through concise and summarized pen and ink, while ignoring the appearance and form of the objects described. It is generally believed that Xu Xi was the founder of freehand brushwork, and later generations commented that his paintings were written in a vertical and horizontal way without meaning, and he was the first person to record freehand brushwork in the history of painting. Freehand brushwork can be divided into small freehand brushwork and large freehand brushwork. Small freehand brushwork is combined with some meticulous painting methods, such as flower painting in the Southern Song Dynasty. Great freehand brushwork is crazy all the way, so it is easy and free. For example, the figures of Liang Kai in the Southern Song Dynasty, the birds of the Eighth National Congress, the landscapes of Shi Tao and the works of Wu Changshuo and Qi Baishi in modern times, the freehand brushwork is developed to the extreme.
The shape of great freehand brushwork is more relaxed, while the shape of small freehand brushwork is more rigorous. As long as you don't use the meticulous method of cross-hatching and layer-by-layer dyeing to draw, the shape is clear, which is a small freehand brushwork. If the form can only be understood, it is a freehand brushwork to draw mainly by splashing ink on paper. However, there is no strict distinction. Most of the large freehand brushwork is mixed with some small freehand brushwork, and some small freehand brushwork may also have large freehand brushwork. If all the paintings are splashed with ink and have no shape, it is no longer a freehand brushwork, but an abstract painting by Pollock.
What is the difference between a small freehand brushwork and a large freehand brushwork?
A large freehand brushwork and a small freehand brushwork can be understood in a shallow level as the degree of detail in expressing techniques and skills, such as painting a bird. A large freehand brushwork is smaller and more concise in expression, while a small freehand brushwork is more specific in expressing objects and images. However, you should also understand that Chinese painting pays attention to the painter's own emotional expression, and the freehand brushwork can better reflect the painter's true feelings (limited to good works). You can see Badashanren (freehand brushwork) and then Wang Xuetao (freehand brushwork).
Small freehand brushwork is between freehand brushwork and meticulous brushwork, that is, half-work and half-writing. Compared with large freehand brushwork, it pays more attention to local depiction (refer to the paintings of dogs painted by Sun Dahong, plum blossoms painted by Wang Chengxi, Gu Qingjiao and other painters for details); Great freehand brushwork is bold and unconstrained, and it pays more attention to expressing people's thoughts and feelings. For example, a series of painters such as Kai Liang, Qi Baishi, Wu Changshuo, etc. Most of their paintings are great freehand brushwork. You can collect these painters' paintings and compare them to understand! Wu Changshuo and Wang Chengxi both painted more plum blossoms, so we can compare their plum blossoms, which is more convenient and understandable.
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