Liu Er's nephew asks for handwriting translation.

The full text of Liu Er's nephew's handwriting (original).

It is not enough to retreat into the mountains. Only by reading thousands of books can you understand God.

Your family has its own yuan and feet, so don't be tired of asking people about chickens.

A piece of running script and two poems, and then a good beard is as silky as silk.

When you are eager to preach family law, what you want to see is the sincerity of the pen.

Liu Er-nephew asks for full-text handwritten translation (translation);

People who practice calligraphy should read more books, and only when the books are read well can the characters have lasting appeal; And blindly writing, that is, practicing with a rotten pen, may not be able to write good things.

Calligraphy can't be done overnight. There are only a few lines on the paper, which seems to be a stroke of a pen. In essence, if you don't think hard day by day until your temples turn gray, you can reach the handy writing realm. So there is no need to "rush to pass on the family law."

Liu Er-nephew asked for an explanation in calligraphy;

Liu's second nephew: long name, second name Liu Bi. Son of Su Shi's sister-in-law Liu Zhongyuan and grandson of calligrapher Liu Jin.

Retreating the pen like a mountain: the story of retiring the pen into the grave with the calligrapher Zhi Yong of the Southern Dynasties. Li Chuo's Book of History in the Tang Dynasty: "The grandson of the right army (the grandson of Wang Xizhi VII) bravely presented 800 copies of thousands of words, which were scattered among the people, and each temple in the south of the Yangtze River kept one copy. Yonghong lived in Yongxin Temple in Xing Wu and studied for many years. After that, he had ten jars of Logger Vick, each counting stones. People come to look for books and titles, such as the city and households, so they are wrapped in iron leaves, which is called' iron gate limit'. After that, I took a pen and named it' Returning the Tomb' and wrote my own inscription. " Su Shi believes that the art of calligraphy can't rely on the hard work of bald pens, and high-grade calligraphy needs a high degree of cultural accomplishment. Reading thousands of books, with profound knowledge and mutual infiltration of knowledge and art, can make people understand the spirit, make hands and eyes extraordinary and innovative. These two poems have profound implications and are resistant to the human body.