Zheng Banqiao is a famous poet, painter and calligrapher in history. Zheng Banqiao was famous all over the world when he was young. So, which dynasty did Zheng Banqiao belong to? Follow me on Shengduoduo Decoration Network to take a look!
Which dynasty did Zheng Banqiao belong to?
Zheng Banqiao (1693-1765), formerly known as Zheng Xie, also named Kerou, Haoli'an, also known as Banqiao, known as Mr. Banqiao, was born in Xing, Jiangsu Hua Ren, whose ancestral home is Suzhou, was a calligrapher, painter and writer in the Qing Dynasty. He was a scholar of Kangxi, a scholar in the tenth year of Yongzheng, and a Jinshi in the first year of Qianlong (1736). He was the magistrate of Fan County and Weixian County in Shandong Province. He had outstanding political achievements. He later lived in Yangzhou and made a living by selling paintings. He was an important representative of the "Eight Eccentrics of Yangzhou".
Zheng Banqiao only painted orchids, bamboos and stones throughout his life. He claimed to be "the orchid that never fails in all seasons, the evergreen bamboo with hundred knots, the unbeatable stone through the ages, and the unchanging person through the ages." His poetry, calligraphy and painting are known as the "Three Wonders" in the world. He is a relatively representative literati painter in the Qing Dynasty. His representative works include "Building Bamboos and New Bamboos", "Clear Lights", "Orchid and Bamboo Fragrance", "Gan Valley and Chrysanthemum Spring", "Crossing Orchids and Thorns", etc. He is the author of "Collection of Zheng Banqiao".
Main Achievements
Calligraphy Art
Zheng Banqiao’s calligraphy uses official script mixed with regular script and calls himself “Six and a Half Calligraphy”. It is called "Banqiao body". Zheng Banqiao's calligraphy art, which mostly uses orchids, grass, bamboo and stone, is his soul, is unique in the history of Chinese calligraphy.
The composition of Zheng Banqiao's calligraphy works is also very distinctive. He can intersperse the size, length, square and circle, fatness and thinness, and density, like "streets paved with random stones", and there are rules in the indulgence. It seems to be a casual stroke, but when viewed as a whole, it produces a jumping and lively rhythm.
Painting Art
Thin and Strong Bamboo Painting
Zheng Banqiao’s bamboo paintings are “like Po Gong, with more and less disorderly, less and less sparse, free from the customs of the times, and beautiful” Extremely powerful." "Portraits of Scholars in the Qing Dynasty" says that he spent two-thirds of his life painting bamboo portraits. He once wrote in a poem: "For forty years, I have been painting bamboo branches, writing my thoughts at night during the day, and cutting away all the redundant and thin things. , the time of painting is the time of maturity.” Through observation and the practice of artistic creation, he refined the theory of "bamboo in the eye", "bamboo in the heart" and "bamboo in the hand". "Bamboo in the eyes" is the real scene of nature, the observation of nature and the experience of painting from it; "bamboo in the heart" is the conception during artistic creation; "bamboo in the hand" is the realization of artistic creation. He organically integrates subjectivity and objectivity, phenomenon and imagination, reality and art, creating a realm of learning from nature but being higher than nature. (To learn more about decoration prices, please pay attention to Shengduoduo Decoration Network)
Peak Stone Picture
Zheng Banqiao's bamboo paintings are unique, and so are his stone paintings. No matter how ruthless the stones in nature are, they come alive in his paintings, such as the stones in "Picture of Pillars and Stones". This is also a common subject in previous paintings, but it is rarely expressed as the main image. However, Zheng Banqiao uniquely painted an isolated peak rock in the center of the painting, but it has the spirit of soaring into the sky, surrounded by nothingness and no background. Orchid pictures
Zheng Banqiao also has many paintings with orchids as the theme, which also express some new content. They use the title of painting and poetry to express his views on various things.
Poems on Paintings
Poems on paintings in his writing are not only ideological and lyrical in content, but also more artistic and interesting in form. Poems on paintings can fully reflect the artistic taste of "the same origin of calligraphy and painting" and "the same brushwork". Most of the inscriptions and postscripts of traditional painters are inscribed in the blank spaces of the paintings to balance the paintings, but the "Eight Eccentrics of Yangzhou" The inscriptions have broken away from the conventions of traditional Chinese paintings and "literati paintings" inscriptions and poems. Especially Zheng Banqiao's blending of calligraphy and painting has become a unique way of expressing images. Zheng Banqiao's introduction is inseparable from each other.
Officials govern the Qingming Festival
Zheng Banqiao cared about the people and shared their worries. In the spring of the sixth year of Qianlong (1741), Zheng Banqiao, who passed the imperial examination and passed the imperial examination, was sent to Fan County, Shandong Province as the county magistrate, and began his 12-year official career. He strives to be simple and solemn when serving as an official, and regards etiquette such as arranging the Yamen and shouting as a fetter.
In order to observe the people's sentiments and visit people's sufferings, he often did not sit in a sedan chair, blow gongs to clear the way, or use signs of "avoid" or "be quiet". He wore casual clothes and straw sandals to visit the countryside. Even if we go to inspect at night, there is only one person holding a lantern with the word "Banqiao" written on it to guide the way. Because he often "sleeped leisurely on the mountain to watch the plowing" in plain clothes, "he came to ask questions from the government several times", but no trace of him could be found.