There is little reference to various materials about the ink mark of the continuation book spectrum. Yongping, known as the printed edition of Zhao Mengfu's regular script "Continued Book Spectrum", is a precious book in the Selected Paintings and Calligraphy of Famous Artists published by Japanese Datong Bookstore in Taishengxu (1922). This volume is at the end of the book (after the noon gate on September 10 of the first year, books and care, and children make friends). The volume is stamped and not appreciated by collectors such as Xiang, Dong Shi and Yang. It can be seen that this volume was still in China in the Ming Dynasty, and I don't know when it flowed into Japan. Now returning to the motherland can be said to be an orphan of a drop in the ocean. If it is a wall, it is precious. Today, through the compilation of the "Continued Book Review Note", it is made public and shared with the world. However, Zhao's book consists of only three parts, namely, general introduction, true calligraphy and pen writing, and fifteen parts, such as cursive script, running script and copying. Today, Feng Lao and I supplemented it to form this wall. Feng, who is over nine years old, has bright eyes and bright ears. He is also a night light and can write good books. Zhao was nearly eighty years old when he wrote this book. They are all famous calligraphers, enjoying Song He's old age and being famous for their exquisite calligraphy at home and abroad. They are also the treasures of China culture and the miracle of the people of China.
I love calligraphy very much, and because I was taught by Feng Lao, I have to ask questions day and night. My "notes" and "translation" were all inspired by Feng Lao and recorded, which made me feel very embarrassed. In the "explanation" section, Feng Lao personally took the lead. Now, I want to briefly describe the whole book, but it is limited to the level, and I hope the Greek family will correct me.
1. Jiang Kui and his music for the sequel
(1) A Brief Introduction to Jiang Kui's Life
Jiang Kui (1 163-2003) was born in Poyang (now Poyang, Jiangxi) in the Southern Song Dynasty. His name is Yao Zhang. He once lived in seclusion in Wu Kang, Zhejiang Province, adjacent to Baishi Cave. He was named the white stone Taoist, also known as the stone broom. When Qin Gui was a country, he was an official all his life, traveling between Hubei, Jiangxi, Anhui and Jiangsu, and died in Hangzhou. He is good at rhythm and poetry. His poetic style is exquisite, his words are particularly profound and beautiful, and his syllables are the best. He is highly respected by later generations, and he is an outstanding poet in the Southern Song Dynasty, even comparable to Du Gongbu. He is the author of Poems by Taoist Baishi, Songs by Taoist Baishi, Music Thoughts, Textual Research on Qin and Seraphim, Jiang Tieping, Textual Research on Partial Annotations of Poems, and sequels.
(B) Jiang Kui's calligraphy art
Jiang Kui is well versed in the art of calligraphy, and the book history comments on his calligraphy "skimming the powder and washing away the world". Because of his profound cultivation in calligraphy art, the written word is a clear word. There is a saying in Song Xiecai's Preface to the Book: "You are eager to learn and know everything. His calligraphy has won the ancient Wei and Jin dynasties, and his pen is vigorous and mature. Especially good at learning "Preface to Dingwu Lanting". " that
Textual research on the book Jiang Tieping enables the viewer to know its authenticity, its meaning and its reason, and then study its details, which is beneficial to calligraphy. Later generations thought: "Mi Fei, a critic in the Song Dynasty, had a close relationship with Huang Changrui. The critic said that Jiang's comments were above Mi Fei and Huang, which shows the essence of his research. The book Continued Book Spectrum is especially well received by readers. 」
(3) evaluation of the renewal of books.
The book Continued Book Spectrum has been included in the art category of Sikuquanshu. The summary said: "It is the language of his book. It is said that Tang Sun Guoting won the first prize in the book spectrum." It can be seen that this book by Chiang Kai-shek is a further elaboration of calligraphy theory described in Shu Pu. After careful discussion and efforts, it has always been valued by calligraphers. Deng Sanmu, a close friend, wrote "The Book Continuation", saying, "This is a must-read for calligraphy study. There is a saying: Jiang Baishi's Continued Book Spectrum summarizes the essence of the Preface to Book Spectrum in a popular prose style, and makes a concrete introduction. Combining with his own practice, he made a scientific analysis of the writing and learning methods and skills of truth, line and cursive script, as well as using pen, ink, knot and copy, and cited many examples to explain and explain. " Give the "Continued Book Rating" full affirmation.
(four) the spread version of the book spectrum.
As for the edition of this book, the Summary of Sikuquanshu briefly states: "This book is compiled by Wang's Yuan Supplement, with a total of 20 items: one is a general introduction, the other is a true book, the third is a pen, the fourth is a cursive script, the fifth is a pen, the sixth is an ink, the seventh is a running script, the eighth is a copy, the ninth is a book Dan, the tenth is a sentiment, and the eleventh is a blood vein." Its "dryness" and "strength and charm" are not recorded. "dry run" bet, see "pen j"; Bet on "strength and charm" see the article "sex" However, the theory of "Run J" is really wrong in the article "Using Ink". There is a word "pen" after calligraphy and cursive script, and the word "pen" after cursive script is eight methods, which is not on cursive script, so there are doubts and mistakes. The seventh volume of Pei Wenzhai's Calligraphy and Painting, all compiled, copied the first eight volumes, with the same order. If you copy the book below, Fiona Fang is nine, Xiangbei is ten, position is eleven, density is twelve, Fengshen is thirteen, speed is fourteen, strokes are fifteen, emotions are sixteen, blood is seventeen, and Shudan is eighteen. It has been slightly different, but "dryness and embellishment" and "strength and rhyme" have no purpose, and the cover foundation is slightly different, while its words are unabated.
The annotation of the sequel is based on Pei Wenzhai's Calligraphy and Painting. Only a few words are different in Zhao Meng's book. Feng Yiwu's book refers to Pei Wenzhai's book, and chooses the good and follows it in order to perfect it.
Second, Zhao Meng and Fa Tie's "Continued Book Music"
1) Zhao Meng's life.
Zhao Meng (1254-11322) was born in Song Xue Road. There is a gull-wave pavilion in the house, which is called gull-wave. Meng was born in Huzhou (Tang Dynasty, then Zhejiang) and was the son of Qin. My father and grandparents were both officials in the Song Dynasty, who were good at calligraphy and painting and had a rich collection. Meng worked as a local assistant minister in the Song Dynasty when he was young. Wu Song, who taught herself at home, devoted herself to painting and calligraphy. Ministers were sent to search in the south of the Yangtze River, and more than 20 people, headed by Meng, were awarded the Ministry of War and moved to Jixian College for a bachelor's degree. Injong for three years (13 16), with a bachelor's degree in Hanlin. After his death, he chased Wei Guogong, whose name was Wen Min.
(B) Zhao Meng's calligraphy art
Zhao Meng is versatile and well-bred. He was good at poetry and music, and Yuan Chengzong compared him to Li Bai in Tang Dynasty and Su Wu in Song Dynasty. Critics believe that his paintings were "influenced by the Tang Dynasty and expanded in the Northern Song Dynasty", which created a new style of painting in the Yuan Dynasty. His calligraphy was mainly learned from Erwang, and Li Yong also participated. He has a beautiful style and is unique. He crossed the Song Dynasty and went straight to the Jin and Tang Dynasties, which had a great influence on that time and later generations. He is called "Zhao Ti". Among Zhao's various styles, orthography, calligraphy and cursive script are the most outstanding achievements, especially regular script is not as good as that of Song people. There are many inscriptions in the Yuan Dynasty, and many traces of calligraphy have been handed down to this day. The famous ones are Sanmen Collection, Miao Yan Temple Collection, Danba Monument, Shen Fu Guanji, Autumn Cemetery Collection, Biography of Ji 'an, Postscript of Lanting Thirteen, and Continued Book Spectrum.
Zhao Mengfu's calligraphy, whether true or false, cursive script, official script and seal script, was free and unrestrained, and dominated at the turn of the Song and Yuan Dynasties. His book Trace fully shows the beauty and vitality of Chinese characters, and is known as the "loose snow style", which has almost influenced the writing style of a generation. So at that time, it was regarded as a treasure by monks in India and Japan, passed around and spread abroad. According to the postscript of Zhao's calligraphy Continued Book Spectrum: "On September 10th of the first year (132 1), we signed a friendly contract with Gu. The money is Zi Ang's, stamped with Zhao Ziang's seal. It is known that it was originally a long scroll of ink, and it was printed with "Bamboo Head Stone" at the end of the text. About the collection of this volume, there are famous collectors in Ming Dynasty, such as Xiang's collection, and chapters and sentences of Dong Shi and Yang Jiazang, which are vivid in my mind. People think this book is an original work of Zhao.
Zhao signed the book by Gu, an old friend of Meng for 30 years. In September of the fifth year of Yan (13 18), Zhao wrote an inscription on the heavy river map: "After a day, the good husband's deputy ambassador grew up and asked for paintings, intending to be lazy." A good husband has a gentle language, harmonious colors and a friendship of 30 years. How is it possible! When I was in Jixian Hospital. According to Zhao, in the 29th year of Zhiyuan, Renchen was a doctor in the first month (1292) and a straight bachelor in Jixian College. Maybe I became friends with Gu He in Jixian Hospital. If it was 132 1 year, they would have been friends for about 40 years when they stayed with them in Jixian Hospital in 1292.
According to Ren Daobin's Zhao Meng Nian, on April 25th, the sixth year of Yan (13 19), Meng sent his hometown back to Dadu and died on a ship in Linqing. Meng and his son sent the coffin back. 132 1 September 10, I passed by the meridian gate, which is very important information, because in the book "Year of the Department", Song Xueweng made ink bamboo for the master until August 12 of the first year of Zhi. 1October 15, in winter, Shu Meng wrote "Record of the Immortal Building of Zixing Temple on Jiaxing Road". But there is no record of life in September. Therefore, on September 10th, the first year (132 1 year), Xushupu, a book written by Tong Wu, became an important document to fill the gap. Look at the value of this volume.
Zhao Juan bears the imprint of collectors such as Xiang, Dong Shi and Yang in Ming Dynasty, so it is still in China in Ming Dynasty. However, this calligraphy post after Shoushi came from Japan, and it was published in Selected Paintings and Calligraphy of Famous People published by Ren Xudazheng's Japan Datong Book Association. There is no record in China, so this post has become an orphan in China. Today, I translated the comments in detail and made them public, and I got a glimpse of Song Xueweng's calligraphy in his later years. Song Lian, a writer in the Ming Dynasty, said, "(Song Xue) Gong's book in his later years is a wonderful pen, and he entered the right army with great orders. This comment is the fairest. When Shu Meng wrote this volume, he was nearly 80 years old. The wind of heaven and earth and the ups and downs of wine are admirable, and it is a rare masterpiece among the "scattered snow bodies".