"Picking Mulberries? Double Ninth Festival" is one of Chairman Mao's early works. This poem describes the scenery of the battlefield during the Double Ninth Festival. The lines of the poem are filled with the spirit of revolutionary optimism, expressing the calm, joyful and joyful mood of the poet and the Red Army soldiers in the arduous fighting life. It is also one of the themes that calligraphers like to use in their creations. Below is the calligraphy work "Picking Mulberries? Double Ninth Festival" that I compiled for you. I hope it will be useful to you!
"Picking Mulberries? Double Ninth Festival" calligraphy works Appreciate
Picture 1 of the calligraphy work "Picking Mulberries? Double Ninth Festival"
Picture 2 of the calligraphy work "Picking Mulberries? Double Ninth Festival"
Picture 3 of the calligraphy work "Picking mulberries? Double Ninth Festival"
Appreciation of "Picking mulberries? Double Ninth Festival"
"Picking mulberries? Double Ninth Festival"
Author: Mao Zedong
Life is easy but it is hard to grow old.
Every year is Double Ninth Festival.
Today is the Double Ninth Festival,
The yellow flowers on the battlefield are especially fragrant.
The annual autumn breeze is strong,
It is not like the spring scenery,
It is better than the spring scenery.
The sky over the vast river is filled with frost.
Exquisite appreciation:
On the journey to western Fujian, during the Double Ninth Festival, the poet was moved by the scenery. Therefore, after reading this poem, people feel heroic and optimistic, and the sea and sky are vast. Magnificent.
Bi Fujian and singer Robin Zhou have been friends for many years and talk about everything. In programs such as "Dream Theater" and "51 Seven Days of Fun" hosted by Bi Fujian, Zhou Yanhong is a frequent guest.
In the segment of the program, in order to give the audience an unexpected surprise, the humorous Lao Bi casually grabbed Zhou Yanhong, flirted with him, and then quietly splashed ink on the spot. , took action in person and showed off his unique skills to the audience on the spot - a modern sketch of the music industry version of the talented music industry girl Zhou Yanhong.
Looking at Zhou Yanhong’s surprised performance, Bi Fujian laughed, with a proud performance smile on his face and said to the audience: Whoever can guess the winner of today’s session, I will marry Zhou Yanhong. !?Lao Bi then silenced the audience meaningfully: "Of course, the masterpiece I present to you is this sketch of Zhou Yanhong." ?Hearing what Lao Bi said, the scene burst into laughter. What's even more interesting is that after hearing what Lao Bi said, Zhou Yanhong, who was still in a daze, looked at Bi Fujian lovingly and said: "Lao Bi, when did you draw this? Others said you have a crush on me. This time there is evidence!" Hearing this, Lao Bi's tone was gloomy. How sad that autumn is the period of energy, and the grass and trees are swaying and decaying. ?Since Yu's "Nine Bian" written by Chu and Song Dynasties in the Warring States Period, the sadness of autumn has become a traditional theme in Chinese classical poetry. The previous poems and lyrics based on the theme of the Double Ninth Festival used the desolate, desolate and rustling autumn scenery to convey resentment and resentment, and few of them did not contain the word "sad". For example, Wang Wei's "I know from afar that my brothers have climbed to the heights, and there is one less person planted with dogwood trees"; Du Fu's "Where are the brothers and sisters in depression? The war is declining and the two sides are urging each other"; Du Mu's "It's rare to open your mouth to smile in this world, and you must return home with your head covered with chrysanthemums"? , Su Shi's "Everything is just a dream in the end, rest, tomorrow the yellow flowers and butterflies will also be sad" and so on, or describe the loneliness and coldness of traveling in a foreign country, or describe the loneliness and coldness of traveling in a foreign country, or express the sadness and pain of worrying about the country in times of injury, Either they express their depression and frustration, or they express their endless emotions of being convicted and demoted. However, Mao Zedong's poem breaks away from the ancients' sad autumn habits, sweeps away the air of decline and desolation, and evokes people's heroic spirit and noble sentiments in striving for their ideals with its magnificent poetic realm and high-spirited pride, making it unique in the poetry world.
The poem starts with a very philosophical aphorism: "It's easy to grow old, but it's hard to grow old". It starts suddenly and with great momentum.
?Life is easy to grow old? It is the cosmization of personality. Time is fleeting and life is short. However, it is fleeting and short. It is more important to work hard and make progress, to make achievements, and not to let the New Year's goods go to waste. "It's hard to grow old" but it personifies the universe. Cold comes and summer comes, the sun rises and the moon sets, spring and autumn change, and the scenery is always new. But "hard to age" is not "immortality", because metabolism is a universal and irresistible law in the universe [Mao Zedong's "Contradiction Theory"]. "Life is easy to grow old" and "Heaven is difficult to grow old", one is endless, the other is infinite; one is short, the other is long-lasting; one changes quickly, and the other changes slowly. There are similarities in differences, differences in similarities, both opposition and unity. This is not a simple adhesion to the ancient motto "The key to heaven's movement, a gentleman is constantly striving for self-improvement", but is based on the height of clear knowledge and profound understanding of the universe and life, revealing the true meaning and eternal truth of life, shining with dialectical materialism The ideological brilliance of Marxism has a strong aesthetic inspiration. "Double Ninth Festival every year" comes from the first sentence, which is not only a further extension of "it is difficult to grow old", but also speaks of the time and season, and highlights the purpose, which leads to the following: "Today is the Double Ninth Festival, and the yellow flowers on the battlefield are especially fragrant." "Today is the Double Ninth Festival" is a progressive recurrence of the "Double Ninth Festival every year". There is a Double Ninth Festival every year. It seems to be the same, but in fact it is also changing. It is different: now is the festival again, and this place has a unique scenery.
In ancient times, there was a custom of climbing high to look far into the distance during the Double Ninth Festival, admiring chrysanthemums and singing about autumn. In the poetry of the past dynasties, the Double Ninth Festival has an indissoluble bond with the chrysanthemum. Poets who lived in troubled times often expressed their war weariness and anti-war feelings by writing about chrysanthemums, that is, chrysanthemums appeared as the opposite of war. But the "yellow flower" described by Mao Zedong is linked to the victory of the People's Revolutionary War. These yellow flowers are neither the autumn bushes on the east fence for the hermits to recite the beautiful music, nor the garden bonsai that makes the sick man feel sad. Instead, they have been baptized by smoke and fire, and are still in the autumn wind and frost. The wild chrysanthemums blooming yellow and fragrant all over the mountains and plains are ordinary and simple but full of vitality. They have the duality of reality and symbol, and have the characteristics of endowment and comparison. The lyricist savors the beautiful scenery of the Double Ninth Festival with joy. Yellow flowers decorate the battlefield on the Double Ninth Festival, making the battlefield on the Double Ninth Festival even more beautiful. "Extraordinarily fragrant" describes the feelings of the chrysanthemum appreciator here and now. People are in high spirits when happy events happen, and victory is gratifying. The yellow flowers also look extremely beautiful; the yellow flowers are extremely beautiful, and even her fragrance is far better than usual. This sentence is full of emotion, scenery, color and fragrance. It combines poetry, painting, wild interest and philosophy to form a vibrant poetic environment. It not only praises the Agrarian Revolutionary War, but also shows the heroic and unrestrained feelings of the author, poet and soldier. . Although life is easy to grow old, the youth of revolutionaries is linked to battles, battlefields, and the noble cause of liberating all mankind. They do not lament the old age and waste time, but strive for the best. The spirit of fighting for the revolution day and night is still alive and the struggle continues.
The next piece inherits the spirit of "Double Ninth Festival every year" and "Double Ninth Festival again now". It is written with a high and distant view, and the meaning and realm of the poem are expanded to a deeper and wider place. There is a Double Ninth Festival every year, autumn comes and goes, and once a year the autumn wind is strong. This word "jin" is extremely powerful, and it describes the fierce and powerful force of the autumn wind that destroys dryness and decay and drives away decay. The writing is vigorous and extremely powerful. There is the beauty of vigor and strength. This heroic feeling is different from the swaying east wind, the red peach and green willows, the singing of orioles, and the gentle and charming spring scenery. But the strong west wind and the chilling autumn air arouse not sadness in the author's heart, but excitement. The poet's emotions and warrior's temperament determine his aesthetic choice: "Better than spring scenery, vast rivers and thousands of miles of frost". The sky is bright and clear, the rivers are clear and the water is blue; the mountains are covered with colorful clouds, and the fields are covered with clouds, stretching as far as the eye can see. Isn’t this magnificent scenery better than the spring scenery? To the horizon, isn’t this magnificent scenery better than the spring scenery?