1. According to the traditional method, the painting and calligraphy works are mounted into a lens, and then directly mounted.
2. After painting and calligraphy works are mounted into lenses according to the traditional method, apply 1cm latex around the back of the lenses (or use double-sided tape) to fix them on the back of the frames, and then frame them.
3. The calligraphy and painting works are directly mounted after being supported and fixed.
4. After the calligraphy and painting works are well supported and edged, apply about 1cm of latex (or use double-sided tape) around the edge protection paper on the back of the calligraphy and painting, and fix it on the back plate of the mirror frame before taking photos.
5. After the painting and calligraphy work sheet supports the edge protection, apply about 1 cm of latex (or use double-sided adhesive) around the edge protection paper on the back of the painting and calligraphy and fix it in the middle of the back plate of the picture frame, and then paste the decorative materials (wallpaper, embroidered silk, cardboard, etc.). ) Surround the painting center and frame it.
6. After supporting and cutting the calligraphy and painting works, apply about 1cm of latex around the back of the calligraphy and painting (or fix it in the middle of the back plate of the picture frame with double-sided tape), and then paste the decorative materials (wallpaper, embroidered silk, cardboard, etc.). ) Around the center of the painting, and then mounted.
Through the restoration of mounted paintings and calligraphy in recent five years, it is found that 1 and the third mounting method have the best preservation effect on paintings and calligraphy works; The second framing method is the second; The fourth and fifth framework modes are repeated again; The sixth mounting method is the most harmful to calligraphy and painting works.