1, Luo Shenfu
Wang Xianzhi's masterpiece of regular script in the Eastern Jin Dynasty, written in original ink on hemp paper, is the famous poem "Luo Shen Fu" by Cao Zhi, a famous writer in the Three Kingdoms.
In this work, Wang Xianzhi's pen is tall and powerful, with beautiful style and spacious structure. The strokes in Chinese characters, such as left and right strokes, tend to stretch very long but not frivolous, and the end of the pen is carried by the pen force, which is vigorous and powerful. The font is symmetrical and harmonious, and the combination of each part has subtle and vivid changes. The size of words is different, and the spacing and spacing of words naturally change.
2. scenery
Ling Fei Jing is a famous Taoist classic, which mainly expounds the methods of keeping thinking. Today, there is a collection of "Shangqing Gong Qiong, Ling Fei, Liu Jia and Zuo Fu", a volume. Because the size and height of the whole word are uneven, the density is natural, and the whole word is taken care of from word to word and from line to line. The whole word is integrated. Although it is regular script, it has the smooth and elegant charm of running script, which is varied and interesting.
The Book of Ling Fei in Lower Case was written by Zhong Shaojing in Tang Dynasty, which has always been valued by calligraphy circles and regarded as a model of lower case, which can only be used for reference by learners. Ming Dong Qichang's Thought Tang Zhong Shao Jingshu.
3. Confucius Temple Monument
There are several kinds of Confucius Temple Monuments, the most famous of which was written by Yu Shinan in the Tang Dynasty, so it is called Confucius Temple Monument or Confucius Temple Monument, which refers to this kind of monument.
This monument was built to record that Confucius, the thirty-third grandson of Emperor Gaozu Wude in the ninth year of Han Dynasty, was the holy Hou and rebuilt the Confucius Temple. Zhenguan is seven years old, and there is no writing date.
4. Preface to Big Wild Goose Pagoda.
Chu Suiliang's Preface to the Wild Goose Pagoda is a famous piece in the history of calligraphy. It was written by Chu Suiliang at the age of 58, and it is the most representative work of Chu Suiliang's regular script style. The font is beautiful and vigorous, and the brushwork is skillful and mature. In the word structure, it changed the long characters of Europe and Yu, and created a slim but full font.
The preface to the sacred teachings of Yanta is written by Fiona Fang, which is the opposite; Horizontal painting is vertical painting, and vertical painting is horizontal painting. There are ups and downs between the beginning and the end, and the rules are fascinating.
5. "Multi-Pagoda Monument"
The full name of the multi-pagoda monument is the multi-pagoda induction monument of Qianfu Temple in Xijing in Tang Dynasty. It was written by Cen Can, a scholar at that time. In the 11th year of Tang Tianbao, it was inscribed by Xu Hao, calligrapher Yan Zhenqing and stone carver Shi Hua. It is a regular calligraphy work. Overall beautiful and vigorous, refreshing and pleasant, with a sense of simplicity and vividness. The pen is rich and beautiful, smooth and steady.
The structure is rigorous, compact, regular, smooth and well-proportioned, and the tablet has excellent body and many words. People who study Yan style mostly start from this monument and enter its temple.