What are the characteristics of Zhang Qianbei Lishu calligraphy?

Most of Zhang Qianbei's Chinese characters are written by Fang Bi, while Fiona Fang has both, giving people a rough feeling as a whole. Looking closely, it is not difficult to find that although his brushwork is basically the same as other official scripts and other regular scripts, and he also adopts the brushwork of "upside down and flat out", he still has his own uniqueness, which is another key to his unique font charm. One of the most striking is the obvious wave-picking pen.

The structure of most words in Zhang Qianbei is unbalanced, especially the words with upper and lower structures. The proportion of the upper and lower parts of the word is not harmonious, and most of them feel top-heavy. Strong sense of movement, striving for stability in sports, striving for change in stability, clumsy, but smart and agile, can be described as "cleverness in clumsiness."

Extended data:

Zhang Qianbei, as one of the representative works of official script in Han Dynasty, has a unique style in font structure and brushwork, thus forming a unique aesthetic feature, from which we can get a glimpse of the aesthetic and cultural features of Han Dynasty. The isomorphism and resonance between its glyph and human body is another important reason for its artistic charm.

Official script is born out of seal script, and Zhang Qianbei's font is between official script and seal script, which can be said to play a connecting role. For example, Cao Quanbei, which is also a high-quality official script in the Eastern Han Dynasty, is very neat in word spacing and line spacing, and the font size is in harmony with the writing structure, stretching without losing its rules. On the whole, there is a feeling of elegance, tenderness, elegance and agility. Zhang Qianbei mostly used Fang Bi as his word, "the Party goes in and the Party goes out".