Give Wei twenty-two rhymes.
Never starve to death, and the Confucian crown will be mistaken.
The mother-in-law tried to listen, and the bitch asked Chen.
Just yesterday's Youth Day, I visited the ambassador.
After studying more than 10 thousand books, one can write with divine power; Adequate reading produces fluent writing.
Feed the enemy, and learn from the children to build relatives.
Li Yong seeks knowledge, and William Wang is willing to be a neighbor.
Boasting to be quite outstanding, Li Deng wants Jin Lu.
To the monarch, Yao and Shun, and then make the customs pure.
This idea is actually suppressed, and the songs are not hidden.
Riding a donkey for thirteen years, traveling and eating jinghua spring.
At the door of the rich, dusk carries the dust of fat horses.
There are broken cups and cold roast everywhere.
God saw this sign, but he longed to expand it.
The green ghost hangs its wings and has no vertical scales.
I am ashamed of my father-in-law, and I know his father-in-law is true.
Every time I go to Liao Bai, I will recite new beautiful sentences.
Stealing gong is difficult to be poor in Yuanxian.
How can you be dissatisfied and just wander around?
If you want to go east to the sea today, you must go west to Qin.
I still pity Nanshan and look back at Weibin in Qing Dynasty.
I often plan to sign up for a dinner party, Minister Kuang Huaici.
Bai Ou is not strong, but who can tame Wan Li?
This poem has been praised by historians and literary critics as Du Fu's first masterpiece as a great poet. Everyone thinks that Du Fu's poetry creation has reached a very high level since then, and it is very necessary for Du Like's poets to understand this masterpiece.
Du Fu spoke his mind as soon as he came up, without any state of begging for mercy, and his voice of resentment was undisguised. The "father-in-law" here refers to Wei Ji (the honorific title of the elder), and the "base son" refers to Du Fu himself.
Children from rich families will not starve to death if they play every day. No matter how hard the poor scholar struggles, there is still nothing he can do. Master Wei, you can listen quietly, and I will tell you about my past.
Later, Du Fu recalled his experiences as a teenager, including "Yesterday's Youth Day, he became a national guest early", and Tang Xuanzong had an imperial edict: anyone with talent in the world can take the court exam directly through recommendation, and Du Fu, 24, took part. This "national guest" Du Fu refers to this matter. I (Du Fu) "read thousands of books and write like a god". My words are comparable to those of Yang Xiong and my poems are comparable to those of Cao Zhi. Li Yong begged me to know him, and William Wang was willing to be my neighbor, all because I became famous as a teenager.
Here's an explanation: Yang Xiong, a teenager, is studious, stuttering, well-read and good at ci. He is the most famous writer of Ci and Fu in the Western Han Dynasty after Sima Xiangru. The so-called "Ma Xie came alone to find a story, and the article was ashamed of Yang Xiong". Not to mention Cao Zhi, Xie Lingyun of the Northern and Southern Dynasties once commented on Cao Zhi: If the "talents" in the world are measured by ten buckets, Cao Zijian accounts for eight buckets, and I (Xie Lingyun) accounts for one bucket, and all the scholars in the world add up to one bucket, which is also the source of "people with great talents". Li Yong is a great calligrapher, famous as a teenager and charming in calligraphy style. William Wang was also the most famous frontier poet at that time.
Du Fu's study in Luoyang and Chang 'an when he was young was highly appraised, full of lofty aspirations and lofty ideals. This dry poem is absolutely not inferior, but a high-pitched and confident self-recommendation.
It is precisely because I (Du Fu) am so excellent and outstanding that once I enter the officialdom, I will immediately occupy a very important position with my talent (Li Deng wants Jin Lu). I will occupy this very important and high position, not for my own name and interests, not for seeking land and home, but for "being a gentleman and then purifying the customs." Du Fu was deeply influenced by Confucianism. He hoped that he could help the Lord and make the king king.
And now I (Du Fu) not only didn't "go to Tianjin" but also sang loneliness all the way. But I don't want to be a hermit. I'm just a frustrated scholar. I live in Beijing, and life is very difficult. I am rich in the morning, fat at night, and sad everywhere. Seeing this, I not only burst into tears, but also a great poet went to the "rich gate" and ate other people's "broken cups and cold roast" every day. The poet's fate is too tragic.
The sharp decline of these poems has formed a very strong dramatic conflict effect in art, and people's emotions have shown a huge and strong contrast from "Jun Yao Shun makes customs purer" to "broken cups are baked everywhere". The huge gap between ideal and reality made the young Du Fu mature and gradually turned his eyes to the bottom of society. This is also the reason why later historians value this poem so much.
Then, I wrote that this time, Tianbao's six-year system is "to sign one's mind, but to extend it", and "death" means suddenly. This time, Li Linfu didn't recommend anyone, which is the famous "wild legacy" in history. Du Fu first compared himself to "Qing Ming", and he wanted to fly to the sky. As a result, the big bird broke its wings, and he tried to jump the Longmen, but the carp ran into a wall everywhere. Alas, only "grandfather" is good to me! I often recommend my new works among officials! I'm really ashamed of you!
Pedal: a state of drowsiness. Accusation: This is a modest word, which means I appreciate your care for it.
Du Fu used two allusions here, "Gong" and "Yuan Xian is poor". Gong Gongxi means that Gong Yu and Wang Ji were good friends in the Han Dynasty. When Gong Yu heard that Wang Ji was reused by the emperor, he was very happy, because Gong Yu could be recommended after Wang Ji was reused. Here Du Fu compares himself to Gong Yu and Wang Ji to Wei Ji, expecting Wei Ji to quote himself again, and frankly speaking, he doesn't want to live a poor life like Yuan Zhen, but has no future. (Yuan Xian, a student of Confucius, is willing to be poor and hide in the ruling and opposition parties), but he has always been depressed, and "wandering" means that he has been in a dilemma, and even sprouted the idea of leaving Chang 'an (going west to Qin State) and "going east to the sea" to live in seclusion, but he is very fond of it and expresses it.
At the end of this poem, Du Fu used two allusions,' Often plan to report meals, but minister Kuang Huaici', which came from [In the second year of Zuo Zhuan, Zhao, the minister of the State of Jin, once went out hunting and saw a big man under a mulberry tree. He was starving to death, so he asked his entourage to bring him a bowl of food. Unexpectedly, the big man only ate half, and the rest was ready to take away. Zhao Dun asked him why he took it away, and the big man told him. Many years later, Zhao Dun was chased by the emperor and was about to be arrested. At this time, a soldier turned around and saved Zhao Dun. Zhao Dun asked the soldiers why they had to save him. The soldier said I was an elf who brought me food. Du Fu originally wanted to express his intention to leave, but he didn't express Wei Ji's feelings as Lingfan did.
Bai Ou is not strong, but who can tame Wan Li? Another allusion: from Liezi, it is said that a father and son are playing by the sea. Seagulls on the sea are always close to people, and you can catch one with your hands. In the evening, the son went back to tell his father, and his father would tell him to catch one to feed tomorrow. The next day, seagulls will never go near the coast or people again when they see their son. Du Fu said that I want to be a seagull and I will never be caught again.