Fu on Dead Trees is a poem and fu written by Yu Xin, a poet in the Southern and Northern Dynasties, the Northern Dynasties and the Northern Zhou Dynasty. What he did in his later years also reflected the social unrest at that time. Chu Suiliang, a great calligrapher in the Tang Dynasty, described Fu's calligraphy works handed down from generation to generation. Yin Zhongwen is romantic and elegant, and is very famous in China. When the world changed, he was the satrap of Dongyang. Often suddenly unhappy, Gu Tinghuai sighed: This tree is crumbling and business is exhausted. As pure as a white deer, as pure as a pine tree and as green as A Niu. Gendapan, inside and outside the cliff. Why is Gui dead and Tong dead? In the past, three rivers were transplanted and nine villages moved their roots. Flowers bloom to build a temple and implement the Yangyuan Garden. The sound contains the valley, and the song embraces the "Cloud Gate". Gather the chickens together and spend their honeymoon in a nest. Chatting in the wind pavilion and singing in the Moon Gorge. However, the fist bends and expands, and repeatedly sinks. Xiong Biao looked around, and the dragon rose and fell. The festival is vertical and the mountain is even, and the text is horizontal. The workman was surprised, and the crowd was dazzled. Start from scratch, but add it anyway. Flat scales shovel nails, falling corners destroy teeth. Heavy broken brocade, patches of real flowers. The grass grows and the warbler flies, and the haze clears. If Fu Songzi, Gu Du, and Jun move, the bamboo shoots will be hundreds of hectares and rubbed for thousands of years. Qin is a doctor and Han is a general. It was the moss that buried the bacteria, and the bird peeled the worms and put them on. Or droop in the frost, or tremble in the wind and smoke. There are Baimu Temple in the East China Sea, withered mulberry society in Xijiang River, poplar leaves in the north and Megan in Nanling. The mountains are crowded with people and the wind is long and loose. Is it that the city is above the thin willow and stuffed under the peach forest? If it is blocked by mountains and rivers, it will fall away. Pull out your tears and hurt your roots. When the fire enters the cavity, the paste flows out of the joint. Lie on the opposite side of the cave, climb halfway up the mountain, be surrounded by ice obliquely, and look for cracks. Carrying a tumor, hiding in a hole, charming in the wood, evil in the mountains. If the situation is complicated, there is no feeling and no return. If you can't pick kudzu vine, you can still eat Wei. If you sink into a poor lane, there will be no weeds in Fei Jing, which will not only hurt your health and degenerate, but also decline. Huainanzi said that "the leaves fall, and it is sad all the year round", so it is called "Yi". It is said in a song: Fire in March, Yellow River in Wan Li. If the golden valley is full of trees, it is the flower of Heyang County. Hearing this, Huan Gong sighed and said, "I used to plant willow trees, which made me feel like Hanan. It looks like it will fall off today, and Jiangtan is very sad. If the tree is still like this, why are people inferior! " The author uses two stories of Jin people and Huan Wen recorded in Xu Jinyang Qiu and Shi Shuo Xin Yu to interpret perfunctory stories, explain the rise and fall of trees and express his homesickness. Zhang Kun in the Tang Dynasty recorded such an anecdote: "Yu Xin, from the early Southern Dynasty to the north, was mostly a light scholar. Show the letter to the dead tree, and no one will dare to speak in the future. " In fact, before Yu Xin went north, his literary name had already shaken the whole country. Poetry and painting "how can people get down without it?" can't be despised as mentioned in the article. So we can only look at this story as novelists. However, it also reflects the view that scholars from the Northern Dynasties to the Sui and Tang Dynasties regarded Fu on Dead Trees as Yu Xin's masterpiece. When describing the ups and downs of trees, Fu on Dead Trees is gorgeous, boastful and dazzling, and tries its best to use allusions to express the richness of writing and thinking, which also makes it full of emotion and vitality, with the gorgeous face of Qi Liang literature, which is the embodiment of Yu Xin's literary style. The writing period of this essay can't be determined, but it is believed that it was formed in the early days of Yu Xin's imprisonment in the north according to the quotation from One Book of Ruling and Opposition. But from this article, his emotional distress and despair are closer to his depressed mentality in his later years.
Adopt it