"Ink Painting and Danqing" has been broadcast on China Education TV since 20 12. Based on the field of calligraphy and painting culture and art, it shows its academic, avant-garde and keen professional temperament, is determined to reform and boldly innovate.
With its unique communication perspective and professional TV operation means, the column has won a high reputation among painting and calligraphy artists, calligraphy lovers and TV viewers, as well as a high popularity and reputation in national painting and calligraphy TV programs, which has promoted the development of painting and calligraphy art industry in China.
Ink Painting and Calligraphy Institute is an art group in the column group of Ink Painting and Calligraphy and Famous Lectures of China Education TV Station.
The mission of the Painting and Calligraphy Institute is to strengthen foreign exchanges and cooperation in the fields of Chinese studies such as calligraphy, painting and poetry. , and take it as our responsibility to extensively explore the domestic and international art market, tap the artist's potential, respect the artist's creation, promote new artists, conduct member contact, service and business training.
Deng Shuilong, word: Yin Zhi. Lord of Yang Xian Zhai. Male, born in June of 196 1, from Huanggang, Hubei, graduated from 1979, joined the army in the same year, and joined the party in 1983. 1984 after leaving the army, he started a business in Kunming and opened Yangxianzhai painting and calligraphy studio. Good at European style, Zhao Ti regular script and running script. Flowers and birds, landscapes, calligraphy and painting are freehand brushwork, and have won many awards. 20 15 became a member of Xishan District Poetry and Calligraphy Association. In the same year, he founded the Calligraphy Art School. Grade 20 17: registered teacher of China Calligraphers Association.
Although thousands of people have left, they are willing to come and do their best.
-Appreciation of Deng Shuilong's works
Oriental aesthetic context has always paid attention to the homology of painting and calligraphy. Those who have dabbled in the history of China's painting and calligraphy can cite many ancient masters of painting and calligraphy, such as Wang Wei, Mi Fei, Zhao Mengfu, and modern masters such as Qi Baishi, Wu Changshuo, Huang and Pan Tianshou.
They paint with books, and paint with books; Use a virtual pen to set off the reality, and use a real pen to lay a virtual environment. There are rules in the chest and the charm should be distinct. Their paintings and calligraphy works are as deep as a line-mounted song version and as long as the moonlight of the West Lake. Their brushwork is as beautiful as the faint fragrance and book fragrance floating from a snowy night. It is really a model for future generations to learn. Zhao Mengfu wrote a poem on the painting "Shrubbery with Stone": "Stone is as white as flying wood, and bamboo needs eight strokes. If anyone can know this, you should know that painting and calligraphy are the same. " In other words, calligraphy and painting are all good at it.
The first idea of Deng Shuilong's art is to explore the printing and recording of contemporary calligraphy and painting with his own case.
The difficulty of seal cutting lies in the understanding of ancient Chinese characters, because the academic content is the highest. First of all, through the study of characters, we should at least master the configuration principle of ancient characters, the stage characteristics of the development of physical structure, the evolution of calligraphy and its aesthetic significance. Therefore, I personally think that the art of knowing Mr. Deng Shuilong lies in seal cutting.
From the details, Mr. Deng Shuilong's seal cutting is full of efforts to construct "I am for me". Writer Wang Xiaobo said: "Life is a process of being hammered slowly." Teacher Deng Shuilong, with the weight of the stone carving knife, slowly pressed down, for decades, fell on his heart, not on the facade. Therefore, it is good to have a solid work framework and smooth work, or to have a beautiful and brilliant freehand brushwork, that is to say, the knife method is so clear and good. Knife and stone, together, are a fire, and when they are scattered, they are all over the sky. It is both the responsibility of traditional culture and the growth of individual spirit.
Mr. Deng Shuilong plays a very calm person in the fashion of people collecting firewood and ignoring the wise. This calmness destroys his desire day by day and makes him rich. At this moment, while appreciating Mr. Deng Shuilong's painting and calligraphy art, he suddenly felt a sense of belonging reborn in contemporary urban culture. He has a home in his pen and a self in his chest.
Teacher Deng Shuilong is interested in plum blossoms. His double hooks are inclined to the front, and the ink color is light, dry and thirsty, so as to draw the flying Bai Mo flavor, then dye it with light ink, and finally point the moss with thick ink to show the vigorous texture and spirit of plum trees. Write its rhyme, beautiful words, slow qualifications in flowers, and light heart of stone. No one in this world can appreciate it and make you miss it at night. It seems that the storm will last for a few days and the fragrance will spread to the first branch of the garden. It is good not to open nature, and lofty will never be out of date.
What you see in your eyes can only be externalized into shape if you internalize it in your heart, that is, "images are presented in nature, sublimated in the soul and born in the collision of pen and ink." Numerous artists engaged in creative behavior have proved that it is futile to capture meaning with pre-existing symbols (words or images). This is Xizhe Lacan's view, and Zen also has the same explanation: "Saying one thing is not one thing." When a painter has mastered the law of language generation in the traditional pen and ink program, he should update the language through new things. Only at this time, that is, at the beginning of his creative conception, can pen and ink language, form, emotion and things themselves be integrated, and the language can remain vivid and direct. A close study of Mr. Deng Shuilong's paintings shows that his paintings are meticulous and concise, and his peony works are well-organized, colorful, full of charm, incisive in conception and ups and downs in pen and ink, which is enough to cope with the perceptual transformation from rich imagination to solid foundation.
Practice has proved that it is not easy to condense artistic wisdom in the pen. It is not easy to form an artistic style full of the spirit of the times and self-appearance! Different aesthetic tastes have different orientations, but they all have the same attributes in essence.
Those who are good at regular script are embarrassed by their books, and those who are original are embarrassed by big books. Regular script is the earliest compulsory course for ordinary calligraphers, but the degree and result of practice mostly fall into the same old pattern. The reason is also caused by antique. Teacher Deng Shuilong has always adhered to the idea of learning ancient books in the creation of regular script. Those who strive for exquisiteness and neatness should show a relaxed manner, while those who are freehand and unrestrained should show a quiet and deep atmosphere.
As far as this regular script work is concerned, it is exciting that it seems that any stippling can inspire the overall situation, but it is just right, making the pen beautiful and successful; On the basis of regular script in Jin and Tang Dynasties, the factors of "respecting meaning" of Song people were added, and then the structure of characters was naturally shown, and then the nutrition of Weibei was absorbed, so that the expression of lines was heavy without losing tension and elasticity. In the rhythm of nature, with the humble and adaptive literati mentality of "I am the only one who can't hold the king", the harmony and unity of love, interest and law are completed. "As the saying goes, there is something new in statutes and something wonderful in unruly. It does not emphasize blind creation, nor does it stick to inheritance, but cleverly walks on the golden mean. "
In a word, Mr. Deng Shuilong's pen and ink art embodies the traditional literati dream, but it awakens the passion of life in reality.