First: font accuracy.
First of all, you should post a good post. Due to the development of modern science and technology, the ancient inscriptions mentioned in the previous book theory can basically be printed and published now, and they are cheap and good. Therefore, it is unimaginable for predecessors to see such a rich ancient monument now. Inscriptions handed down from ancient times to the present often mislead beginners. Therefore, how to choose a good position suitable for beginners has become a difficult point.
Second, we must face good words. It is easy to master fonts when learning ancient Chinese characters, and it is easy to master brushwork when learning ancient Chinese characters. Therefore, the learning efficiency of combining ancient inscriptions with calligraphy will be higher. Of course, if conditions permit, it is best to read the original. Because the tablet is written first and then engraved, which word is broken can be changed. For beginners, once the inscription is modified and processed by the seal engraver, some brushwork is not easy to see. To put it another way: it is easy to say that chaos is endogenous. There are many epitaphs unearthed in modern times, but the study of epitaphs requires a little skill and cannot reach a clear standard, which restricts the development of historical research. As an ancient post, it is inevitable to write it once, and it is not easy to save it. Even the famous players you see today are not necessarily excellent, so when learning from the successful experience of others, we should pay special attention to selective learning. The levee of a thousand miles was destroyed in the ant nest. If you don't learn well together, it will lead to endless troubles. I'm talking about the big picture. Some ancient monuments can also express brushwork well, but after all, they are few.
Finally, we should know the principle. There are 5000 commonly used Chinese characters, which are divided into five styles, and each style sometimes contains several writing methods. The ancients said that there are 36,000 days in a hundred years, and they are either sick or worried. The beauty of words is the most important threshold in calligraphy learning and appreciation. If you don't master many of the secrets, even if you are extremely poor, you will never be able to master the whole picture of China. So we can often see a calligrapher learning only one post in his life.
Second: sufficient pen power.
Boxing spectrum cloud: practicing boxing does not pile up until it is old and empty. If the study of fonts is compared to boxing, then the practice of calligraphy is piling, if cursive script is compared to boxing, then the writing of seal script is piling, and if the creation is compared to boxing, then copying is piling. Of course, the two are still slightly different when used. From the combination of rigidity and softness to the martial arts of Wenzhi, both of them have the same merits and the same name, and they cannot be neglected. The pen and ink method without pen power is artificial. The power of the pen should meet the needs of skills, just like consumption in advance, and it should not be excessive, and overeating is harmful. With proper methods, the writing ability will meet the requirements after 3-5 years. I took a detour in this respect, so it took a little longer. Therefore, calligraphy learning is not without shortcuts, but it is difficult to learn quickly. Generally speaking, learning quickly is easy to be eliminated, and rare achievements can last.
Third: full of charm.
The foundation of charm comes from primary school, which is the embodiment of calligrapher's accomplishment, the beauty of connotation, and the beauty of by going up one flight of stairs based on the beauty of strength and glyph. In a sense, calligraphy is a vassal of literature. The style of calligraphy depends on the content of writing. An article can be expressed in different writing forms, but it is absolutely impossible to interpret articles with different artistic conception with the same style of calligraphy. The wonderful cooperation between the two can't be solved by craftsmen. A calligrapher should know where and how to use some skills properly, and he should be able to do it, otherwise it will be like a castle in the air, out of reach.
Fourth: more experience.
The ancients said that people and books are old, and the way to learn and create calligraphy, like the experience of life, is a process of edifying people's hearts. If an author who flaunts himself as a work of art does not have enough life experience, no matter how rich his skills are, they are empty and tasteless, and it is difficult for a craftsman to impress people. The dynamic expressive force of calligraphy is the materialization of human body language and an effective supplement to unsatisfactory words in literary works. It can express the richest and most delicate life feelings in the most direct and concise form. Therefore, the calligrapher's understanding of life is comprehensive and profound, and the more expressive it may be. Calligraphy is the sublimation of literature and art tempered by life, so it is more direct to people's hearts than other art categories.
Good calligraphy has 16 elements:
1, the correct way to write the principle of Chinese characters.
2. Explain the ins and outs of strokes clearly and accurately.
3, stippling and lines get excellent performance at the same time.
4. The writing method of Chinese characters is rigorous.
5. The font structure has a high grade.
6. The pen is full of ink.
7. Dotted lines change.
8. The structure and composition are seamless.
9. The charm of pen and ink is natural and smooth.
10, pen and brush eco-characters look very similar.
1 1, one word for one table is the same as lightning protection.
12, statutes are harmonious and harmonious.
13, the work echoes the hearts of the people.
14, the work is generous and elegant.
15, tradition * * * and personality style match each other.
16. The works strive to avoid defects and reflect the model effect.