The four major calligraphers of the early Tang Dynasty: Ouyang Xun, Zhu Suiliang, Yu Shinan, and Xue Ji
Yu's representative works include "Confucius Family Temple Stele", and Ouyang's representative works such as "Jiucheng" "Gong Liquan Inscription", "Yong Zen Master's Relic Pagoda in Huadu Temple", "Yu Gonggong Wen Yanbo Monument", "Huangfu's Birthday Monument", Chu's names such as "Yanta Sacred Preface", "Master Meng's Monument", etc., Xue's representative works Such as "The Monument of Zen Master Xinxing" and so on.
The four great calligraphers of the Song Dynasty: Su Dongpo, Huang Tingjian, Mi Fu and Cai Xiang.
The four great masters of regular script: Yan Zhenqing, Liu Gongquan, Ouyang Xun, Zhao Mengfu
The four great calligraphers in China generally refer to the founder of the four styles of regular script, Yan Liuou and Zhao: Yan Zhenqing , Liu Gongquan, Ouyang Xun and Zhao Mengfu [trillion pages]. Among them, Yan Zhenqing and Liu Gongquan are not controversial, but Ouyang Xun and Zhao Mengfu are controversial.
The "Four Great Masters" of the Yuan Dynasty: Ni Zan, Huang Gongwang, Wu Zhen, and Wang Meng
The Four Great Masters of the Early Qing Dynasty (Wang Shihong, He Zhuo, Jiang Chenying, Chen Yixi)
The "Four Great Masters" during the Kangxi period (Da Chongguang, Jiang Chenying, Wang Shihong, He Zhuo)
The "Four Great Masters of the Qing Dynasty" (Liu Yong, Weng Fanggang, Wang Wenzhi, Liang Tongshu)
(Weng Fanggang, Liu Yong, Liang Tongshu, Wang Wenzhi)
At the end of the Qing Dynasty and the beginning of the Republic of China, there were four famous calligraphers in Tianjin, namely Yan, Hua, Meng, Zhao, Yan Xiu, Hua Shikui, Meng Guanghui, and Zhao Yuanli. These four fonts are different and each has its own uniqueness.
The seal script of Wu Zhihui, the official script of Hu Hanmin, the running script of Yu Youren, and the regular script of Tan Yankai.