Huang Tingjian put forward poetic theories such as "turning stone into gold" and "taking fetus as bone", which had a far-reaching impact on Song poetry and later generations.
Huang Tingjian's cursive script is mainly lingering, so his brushwork is always endless. He didn't repeat it, but there was a shadow. The pen is round and muddy, and the pen should be collected as naturally as possible. There are few pens, and occasionally they are very lively. In particular, he greatly developed the "point" method.
There is grass all around, and the pen is swept on the paper. It is of course simple not to mention it or press it. Painting with dots will inevitably increase the ups and downs of brush strokes, but its effect will greatly adjust the layout, and interest will naturally follow.
? This is a great contribution of Wang Jian since he ran around. Huang Tingjian was the initiator of the extensive use of primitive non-ancient laws, and later Zhu Yunming also benefited from this.
Explanation:
Thinking of Dong's rotten grave in Luoyang yesterday, he built a restaurant in the south of Tianjin Bridge. Gold and white jade buy songs and laugh, and when they are drunk, they despise princes. Noble people in the sea must never go against your heart. It is not difficult to turn a mountain into a sea, but there is nothing to cherish. I climb cassia twig to Huainan, and you stay in Luobei. Reluctant to say goodbye, but still follow. Accompanying)
All the way to visit Xiancheng, thirty-six waters haunt my heart. At the beginning of a stream, a hundred flowers blossom and thousands of valleys are exhausted.
Silver saddle reached the ground, Han Dong satrap to meet him. ? Ziyang invited me to play Yusheng. Yue Xian moved to the upstairs of Ding Xia.
Noisy as a phoenix. the sleeve length
Urging Yi, Hanzhong is too obedient to dance and drunk.
Put a robe on me. I'm drunk and sleep on a pillow. Banquet songs blow the sky, the stars don't rain, and fly away from the mountains and rivers. I have returned to the mountain to find my lair, and you have returned to your hometown to cross the Weihe Bridge. Your family is strict and brave. You are Yin Bing.
Stop Rong Lu. May is called Ling Taihang, and the wheel cannot be destroyed. I have been in Beijing for a long time, and I think your loyalty is more important than gold. Joan's case of eating sapphire made me drunk and didn't want to go back.
Looking to the west of the city from time to time, Jinci flows like jasper. Upright flute and drum, Longlin blowing sedge green.
If it is like snow, it is nothing. Red makeup is drunk, leaning against the sun, and writing Cui E in the clear pool. Cuie Chanjuan's first moon photo, beauty singing and dancing. The breeze blew the song into the air, and it spread all over Yun Fei.
It's hard to meet each other again at this time, and I'm traveling to the West because I'm long in yangfu. North Que Qingyun lived up to expectations, and Dongshan White.
Go home first. The southern end of Weiqiao meets Jun, and Tan Tai is separated from the north.
Ask me how much I don't hate it. The Spring Festival Gala is controversial. The heart is endless, and the feelings are extreme. Hu Er knelt down, sealed this speech, and sent you a thousand miles (Wan Li) to remember.
Li Bai's cursive tour is Huang Tingjian's cursive masterpiece in his later years. This work is the representative work of Huang Tingjian's cursive script, which is tight and steep, thin and strong, vigorous and changeable. As Shen Zhou said in the preface and postscript of the poem: "The greatness of calligraphy in the valley hides the truth of his later years (Huai Su). This pen is fascinating and fascinating. It is just right to call it' Cao Sheng'! " At this time, Huang Tingjian's cursive art has reached the point of perfection.