Huang Qishan changed from a weak girl to a tough aunt because of the split timbre of vocal ligament. The G5 of Beijing Workers' Stadium is gone forever after it is hinged, and it is probably cracked. Gong Linna itself is not a popular way, but a way to make money from the Youth Song Contest to commercialization. On the other hand, Sa Dingding has high notes and low notes, and now his voice is seriously declining. Live rarely has absolute intonation and high-quality articulation, while Sun Nan wants to make money from people in the last century, which is extremely aesthetic fatigue.
There are four reasons for four people, the most regrettable one is Huang Qishan, and the other three have their own problems. Simply analyze it from the perspective of singing.
1: Huang Qishan, the perfect pioneer of pop soprano, said at the peak that the China version of Maria Kelly is not too much; Huang Qishan's timbre in 2000 was not as mature and thick as it is now, stuck in the throat and backward in pronunciation. It sounds like a 150 kg aunt. I'll just say one thing about her previous timbre-China's all-around Daniel Maria Kelly.
Huang Qishan at that time, below G5, was an enhanced version of Charlie. Fine and greasy, soft and full of overtone space, but at the same time it has perfect explosive power that Charlie does not have. Above G5, it has three layers of perfect silky switching: mask sound, strong mixing and head sound. But a little abstract. Listen to the top ten song "Only You" sung by Huang Qishan in Beijing Workers Stadium in 2000, and you will know what Live is, the peak of China pop music.
Yes, even after 22 years, no Live will be more educational and promote the development of the industry than this Live in Huang Qishan. What combination? No need. What is the key drop? No need. What tuning? No need. Not to mention lip-synching Huang Qishan was the first.
Han Hong expressed how much he envied Huang Qishan more than once in the program. I can't remember whether it's daily progress or happy camp. Han Hong means that Huang Qishan's talent for the acoustic ligament is far stronger than Han Hong's. Singers' abilities are divided as follows: monophonic sound quality is the absolute core, and pure treble has only the outermost comparison point. The core of singing is always the quality of a single tone.
The quality of a single tone is judged according to people's hearing. Any single tone can have a overtone of 12, and the high quality of vocal music refers to the balance of low, medium and high notes, which will not be very serious. For example, compared with Huang Qishan's G5 and Han Hong's peak G5, with the embellishment of bass and chest sound, the thyroarytenoid muscle ability is much worse. The overall hearing is more slender, of course, this is on the premise of singing pop music without Tibetan.
The real strength of Huang Qishan is as follows:
Timbre: chest sound * * * sound, vocal cord marginalized, strong mixed, weak mixed, metal core, weak mixed overtone empty inspiration, throat sound, throat singing, head sound, natural treble (throat sound+strong mixed).
Cavity capacity: abdominal support, chest tone embellishment, throat position confrontation, mask ringing.
Scope: C3-G#5, high quality. A5, B5 weak mix/head tone.
But, I have to say, I don't like listening to Huang Qishan sing now. Indeed, the timbre is terrible. There is no early sense of exquisiteness and fashion. When I sang "Only You" at the Workers Stadium, I could hear the burr of Huang Qishan's voice. At that time, I was in a very dangerous stage of falling tone.
Today's Huang Qishan can maintain F5' s strong articulation and can attract most professional singers. This is a man who is still recovering his voice.
2: Gong Linna; A few years ago, Gong Linna won enough attention with a D6 famous song "The River of Dripping Water". A lot of people said that she was tired of singing people's songs, only the world-beater played pop music, saying that she was the national team and blew Gong Linna to the sky. In fact, what people write casually are all great artists. There is a refreshing feeling of face contrast. Actually, it's not necessary
The aesthetics of singing is really not the brainless treble of Hunan Satellite TV Tianyu Media. Gong Linna's commercial success lies in simplifying folk songs, taking her husband Lao Gong's composition as the breakthrough point of combining Chinese and Western styles. This is Gong Linna's Chinese Art Nouveau music, but when I went to discuss what is Chinese Art Nouveau music, I found that he just turned over the combination of Chinese and Western music over and over again. There is no musical level at all. What is the form of orchestration, what is the free thinking at the bottom of composition, or the design of arrangement and music details? Just a word: as long as it is a song written by her husband Lao Gong, she can sing it. This is Chinese art nouveau music. Well, good business idea, turn yourself into an art form. It's good.
I think Gong Linna is a bit like Na Ying. They all like to play. However, unlike Na Ying's carelessness, Gong Linna has an advantage in playing music. The China Art Nouveau School founded by Gong Linna in his early days is a typical organization that makes profits under the guise of concepts. When I found myself nervous enough to earn enough money, I immediately gave up China Art Nouveau. ..
Gong Linna's commercial nature is relatively heavy. Is there a problem? No problem. However, we have to think about Gong Linna's songs "Uneasy" and "Fahai, You Don't Know Love".
From the singer's singing skills, Live in Gong Linna is a qualified singer in the Youth Song Competition, with a high range and a low voice. However, I have to say that the tenor of Gong Linna LIVE, without mixing, is very sharp, as sharp as the articulation of Wu Bixia's five consecutive groups. The kind that blows up your ears.
Gong Linna's ballad from the Youth Song Competition seems to be a silver prize in a certain year. There is not much problem with singing, and of course I don't think there are too many highlights.
3. Sa Dingding: It's completely changed after plastic surgery. Sa Dingding, I remember I had a good impression of Sa Dingding when I was a child. The Grammy-nominated Anime performed amazingly in the Spring Festival Evening, but it has been going downhill sharply since then.
I found that she looks more and more homogeneous than the early uniqueness and exotic uniqueness. Then suddenly one day, it was her online celebrity face. Even if the later "Left Hand Pointing at the Moon" was a hit, it still didn't change the specialty of this online celebrity. As far as live singing is concerned, I think Sa Dingding paddles very hard.
Since Chang Wei made "Left Hand Pointing at the Moon", he began to lip-synch and asked for a chorus. My explanation is that Sa Dingding's voice has deteriorated seriously. Singing Pilgrim's Road on the CCTV music stage turned out to be the usual key for girls and the key for boys, which gave me a great shock.
Then in the famous scene of Voice of Nature, Sa Dingding and Wang Leehom sang "Bridge of Destiny", Wang Leehom dropped three keys for Sa Dingding, then Wang Leehom sang the girl key and Sa Dingding sang the boy key. As a result, Ding Taisheng, a poisonous snake, scolded him and collapsed. Then I sang a song "Left Hand Pointing at the Moon", and I haven't finished singing. Speaking of stuffy nose.
Generally speaking, Sa Dingding's problem is a simple decline in singing. The most widely circulated live video of "Left Hand Pointing at the Moon" on the Internet is obviously lip-synching, and there is no close-up. The whole process is falling and falling, and the high-pitched body movements are obvious. Because Sa Dingding's high-definition subconscious singing can't stand still in such a beautiful way.
However, live Sa Dingding, who needs real singing, asked male singers to sing in chorus. Paddle by yourself. At that time, she was the first person to object to lip-synching and holding the microphone, and she turned out to be her most annoying person. Singing is hard to recover, because it will disappear like Terry Lin for more than ten years. Obviously, Sa Dingding can't accept this commercial blow, so it has to bite the bullet.
4: Sun Nan; Sun Nan's question is simple. Too many times on the stage, the singing method is not advanced, and the audience is tired. When I was four or five years old, every major program was led by Sun Nan and Sun Nan. I went to primary school, junior high school, high school and university, all in Sun Nan, and there was no shortage at every stage. This man is still singing that guttural voice.
Pharyngeal sounds were very popular at the end of last century, but in the new century, driven by Huang Qishan's rich study of European and American timbre, they are no longer popular. Moreover, any song you sing is the same sound, because the timbre is homogeneous.
To sum up, it is probably these four people. It's a pity that Huang Qishan and Gong Linna are fine, and there is no big problem. People can play commercial games if they want. Sa Dingding himself narrowed the road, and his anxiety, aesthetics and ability declined. Sun Nan is really tired of listening, both in character and singing. The point is that he still thinks he is a brother. Jay Chou debuted for more than 20 years, and the Chinese music scene has already turned over.
Bel canto is very good, but most people don't want to listen. Both the nation and the public like to listen.
Cai Guoqing's girlish accent and Yu Junjian's gentleness make me sick! I am flattered by my love for the tracker, the mouse and the business!
Light is beautiful and pleasing to the ear, not an excellent work. Status and fame alone are not good artists! Good songs are songs with vitality, enduring songs and songs that are deeply rooted in people's hearts!
Liu Bingyi, Guo, Li Guyi, Mao Amin, Long Piaopiao and Anita Mui are the real music artists!
Gong Linna, Sa Dingding, Su Jianxin and Hua Chenyu all seem to be quite popular, but maybe my appreciation ability is limited and I can't appreciate them. Personally, I prefer Eason Chan.
You said that the singer's singing skills are quite high, but the songs she sings are always not appreciated. I think his representative figure is Sa Dingding. From his left hand pointing to the moon to his endless life, I really can't appreciate what he sings.
I can't enjoy pop songs now, but I always feel that they are not as good as old songs.
Susan Huang
Tia Ray
Hua Chenyu
Laure Shang