I. Introduction to Long Live Tian Tong Post
Long Live Tian Tong Post, also known as Wang Xizhi's Book and Wang Zhang Bao's Collection, is a copy of Wang Xizhi's letters handed down from the Tang Dynasty and the only calligraphy treasure close to Wang Xizhi's original works. At the end of the volume, Wang inscribed "Long live the sky", so it was called "Long live the sky post".
"Long Live Tian Tong Post" is broken, leaving only ten calligraphy books by Wang Xizhi, Wang Hui, Wang Huizhi, Wang Xianzhi, Wang Sengqian, Wang Ci and Wang Zhi, and there are traces of fire on the scrolls. After the volume, there are inscriptions of York in the Southern Song Dynasty, Changyu in the Yuan Dynasty, Wen Zhiming and Dong Qichang in the Ming Dynasty, which are said to be very accurate.
Second, the Tian Tong Post contains works.
The first post: Wang Xizhi's aunt post, running script; The second post: Wang Xizhi's "Early Moon Post", cursive;
The third post: Wang Hui's "Furuncle and Swelling Post", cursive; The fourth post: Wang Hui's "Weng Zun Ti Tie" ("Guo Guiyang Tie"), cursive;
The fifth post: Wang Huizhi's "New Moon Post", running script; The sixth post: Wang Xianzhi's "Twenty-nine Posts", in line with;
The seventh post: Wang Sengqian's "Prince Sheren's Post" ("The Death of Wang Yan" and "On-the-job Post") meets the requirements;
Eighth post: Wang Ci's White Wine Post, cursive script; The ninth post: Wang Ci's "Redjade Post", cursive;
Tenth Sticker: Wang Zhi's "Sore Pain Sticker" ("Don't apply for Sticker for a day").
* * * Seven people and ten posts. At the end of the volume, there is the title "Long live the original work of Wang Yu in two years".
Brief introduction of Wang Xizhi's life and calligraphy style
1 and a brief introduction to Wang Xizhi
Wang Xizhi (303-36 1 year, 32 1-379), Han nationality, was a famous calligrapher in the Eastern Jin Dynasty, and was known as the "book saint". Langya (now Linyi, Shandong) was born, then moved to Huiji, Yin Shan (now Shaoxing, Zhejiang), and lived in seclusion in Jinting County in his later years.
2. Calligraphy style
Wang Jian is good at following the laws of reason, grass, model and behavior. He carefully studied his body, imitated his heart and chased his hand, learned from others, prepared his body and melted into a furnace. He got rid of the style of writing in Han and Wei dynasties and became a family of his own, with far-reaching influence.
His calligraphy is peaceful and natural, and his brushwork is euphemistic and subtle, graceful and graceful. The world often uses Cao Zhi's Ode to the Goddess of Luo: "If you are amazed, if you are graceful, if you are in Youlong, you will be glorious and autumn, and Hua Mao will be spring pine. It seems that if the moon is covered by light clouds, it will float like the wind flowing back to snow. " Praise the beauty of Wang Xizhi's calligraphy.