He used to be the deputy director of the Editorial Committee of National Cultural Heritage Administration Cultural Relics, the vice chairman of China Cultural Relics Protection Foundation, the member of the judging committee of China Calligraphy Association, the vice chairman of the Central State Organs Branch of China Calligraphers Association, and the consultant of Taiwan Province Calligraphy and Painting Education Association. Seal cutting loved calligraphy since childhood. When he was a teenager, he learned from Mr. Liu Boqin, a famous stone calligrapher, and later learned from Mr. Qi Gong, a master of contemporary calligraphy. He is also familiar with all kinds of styles, and is good at making seal script and official script with chicken Bo, which is full of characteristics. The running script is smooth and implicit, with a strong charm. Seal cutting belongs to the Qin and Han Dynasties, which embodies its own meaning in the ancient style. He has compiled large-scale calligraphy reference books such as Zhuan Zi Bian, Li Zi Bian, Kai Zi Bian and Xing Shu Bian, as well as large-scale calligraphy books such as China Shuji Daguan and China Zhenji Daguan, and has written China Calligraphy Art Qin Han Juan, etc. In 1997, he was awarded the title of "One Hundred Members of China Federation of Literary and Art Circles" and "Young Experts with Outstanding Contributions" by the Ministry of Personnel in 1999.
It's a little too young. As long as it's alive, it won't be too valuable. If you collect it well, it will appreciate in many ways in a few years.