Chinese name: Mou Yinglong
Alias: Bocheng
Nationality: Song Dynasty
Ethnic group: Han nationality
Place of birth: Yuan (now Zhejiang).
Date of birth: 1247
Date of death: 1324
Occupation: scholar, calligrapher
Main achievements: beginning school in the late Song and Yuan Dynasties. He is also a scholar of Song Xianchun.
Representative works: atlas of celebrities and sages, cursive script to posts.
brief introduction
Mou Yinglong (1247- 1324) was a beginner in the late Song and Yuan Dynasties. He is also a scholar of Song Xianchun.
Mou Yinglong (1247- 1324) was born in Xing Wu (now Zhejiang). He went to Shu first, and then to Xing Wu. Zuzi was an official in the Song Dynasty, and as a token of loyalty, he was given a seal to Dr. Guanglu. Father _, Shao Qing from Dali. Young policemen in Ying Long are extremely sensitive, and their diaries and energetic articles have thousands of words. Ying Long should reward the world to form a Beijing official, make all his followers, and make Xianchun the first scholar. Song Xianchun was a scholar. When Jia Sidao was lured by Gaudi, Ying Long refused to see him. When it comes to countermeasures, it seems that the internal and external feelings are incompatible and the country is in danger. At that time, Jia Sidao was a country, and called Ma Tingluan from Iraq and Zhou, saying, "Your father traveled with him, and his grandson was lucky enough to meet him, so he should be punished with a high rank." Ying Long refused to see it. And the countermeasures, the words are ambiguous, the national situation is critical, and the examiner dare not put it in the first place. "In the past, my ancestors responded that Hong was rewarded for opposing history. Now, he deserves his position. " The coastal system turned into a genus, and the word was not official, and it died in Song Dynasty. Therefore, Xiang Liu Meng Yan served his ancestors, and he was the official minister. He beckoned him with a book and said, "If you arrive, Hanlin can have it." Ying Long didn't answer. He started as a professor in Liyang Prefecture, and later became an official in Shangyuan County. At the beginning, when the Song Dynasty perished, Dali Qing had already resigned. He is a father and son, he is a teacher and friend, discussing Confucian classics and grinding people with righteousness. He said that all the classics were successful, but the "Five Classics Phonetic Test" prevailed in the world. Ying Long is a writer, and he is good at narration. When people asked him to write, rut turned to the door. In this paper, Meishan Su and his son are called, and scholars call Mr. Longshan in response to the name of the dragon. Taiding died in the first year at the age of 78.
story
Zhao Meng _( 1254- 1322) was born when Mou Yinglong was eight years old. Zhao Meng is a native of Xing Wu (now Huzhou, Zhejiang). Mou Yinglong's ancestors were Shu people, and from his grandfather Mou Zicai (? -1265), moved to Xing Wu, Xing Wu, and was the birthplace of Mou Yinglong. They are similar in age and live in the same place, which laid the foundation for their later communication.
When it comes to the communication between Mou Yinglong and _, we can't help but mention Mou Yinglong's father Mou _ (1227-1311). In the Southern Song Dynasty, she was a girl from Dali who died in the Song Dynasty. There are 24 volumes of Mu's Lingyang Collection.
Huang _ "Literature Collection" Volume 6 "Preface to the Collected Works of Mr. Longshan Mou" said: "For example, when Song Dongsheng was in full swing, the Su family in Meishan and Shu Wen were buried in the sea. After crossing the river, Xinjiang was shocked and scattered. Shu Wen was collected from the southeast for a long time, and the centenarians died one after another, while the Mu family in Lingyang suddenly became Shu scholars. I appreciate Mou's moral articles very much. Volume 15, Tombstone of Mou Bocheng, Records of the Ancient History of Yuji, records: "Only those who are successful in martial arts must seek for the great public from senior officials, and do their best without saying a word, and they will be proud of it all their lives." Visible seeks _ prestige and influence in the local.
There is no doubt that Mou _ became the object of imitation by the students at that time because of his moral articles, and they were all proud to communicate with him. As a royal aristocrat, I interacted with 27-year-old Mou and left a lot of cooperation. Many inscriptions were written by Mou. Such as Baoyun Temple in Songjiang River, Fu Confucianism in Jiaxing (for the above two kinds, see Textual Research on Stone Carvings, Volume 16), Miao Yan Temple Monument in Huzhou (Volume 16 in the Collection of Paintings and Calligraphy in Gufengtang), Taoist Confucian Monument in Jiaxing (Volume 99 in Six Arts) and Monument to the Martyrs' Temple (Continuation of Wudu) and Three Topics on the Mysterious View (Continuation of Wu Cui) For example, The Story of Rebuilding Sanqing Hall in Pingjiang Building and Three Questions about the Mysterious Temple were written by Mou Suo (Volume 28 of Wu Cuixu).
In the first year of Dade (1297), Zhao Menggui returned the book and poems for friends to copy and publish (Volume 23 of Tongjiang Continued). After Mou's death, he wrote Mou's Epitaph (Volume 24 of Xing Wu Northern Annals). And Jian Jun, on the 10th, Chrysanthemum celebrated the birthday of a son (see Mu's Lingyang Collection, Volume I), and on the 17th, Xie Meng Nengjing and his relatives and friends (see Mu's Lingyang Collection, Volume IV).
This also records the unusual friendship between them. Mou also wrote an inscription and praised it.
The unusual communication between Zhao Meng and Mou Yinglong naturally continued to the next generation of Mou Yinglong.
Mou Yinglong inherited the genes of his grandfather Mou Zicai and his father Mou _, and showed his talent for composing music at an early age. "He is a little longer and more vigilant. He keeps thousands of words in his diary as articles, and his interest is high." (The Ancient Records of Daoyuan Studies, Volume 15, Tombstone of Mu Bocheng) When the Song Dynasty died, both Mu and his son had resigned and studied Taoism behind closed doors. "A father and son are teachers and friends, discussing Confucian classics and grinding Confucian classics with righteousness." (Yuan Shi (volume 190)) And Mou Yinglong, in his father's moral articles, has a tendency to be more shine on you than blue. "Ying Long is a writer, he is good at narrative. When people look for his screenwriter, they all turn to the door in rut. People call the article southeast, and people call Meishan Su and his son. " (Yuan Shi 190 Volume) * * * The same hobbies and pursuits made young talents in Xing Wu naturally gather together at that time. They swam among the mountains and rivers, recited poems, expressed their ideals and pursuits, and had a pleasant time. Among them, Zhao Meng _, Mou Yinglong, Xiao Zizhong, Chen Wuyi, Chen Zhongxin, Yao Shi, Qian Xuan and Zhang Fuheng are the best. ("Xing Wu Beizhi", Volume 12) The relevant documents of Zhao Meng _ recorded his association with Mou Yinglong.
1305 Mid-Autumn Festival, Zhao Meng _ and his friends gathered in the Lotus of Wuxing Zhou, drinking and writing lyrics, and regarded enjoying the moon as a scene. Mou Yinglong gave Zhao Meng a poem from Su Shi as a gift. Zhou Furong is also the place where Zhao Meng and his friends often go. Facing the rising of the bright moon, recalling the high-spirited gathering of friends when I was young, and recalling the ups and downs of my career over the years, Zhao Meng couldn't help feeling a lot. He responded to Mou Yinglong with a song called Shuidiao, and condensed his feelings about the intertwining of time and space and the change of fate into one sentence: "But I remember my old place and look back at Qingshan!" This word is included in Song Xuezhai Collection, Volume 10: Water Regulating Song Tou and Wei Hetai Drinking Zhou Furong, and Mou Chengfu presented Dongpo Rhyme as the Mid-Autumn Festival (1305).
Is it manpower? Everything is always decided by heaven. Yan Nanbei about pommel horse, running in a fleeting time. Now, on the lotus continent, the dust of life has been washed away, and the silver man is overflowing with cold. But I remember the old place and look back at the mountains! Ding Hai (1287) and Cheng Fu met in the Eighth Wing, so they were floating clouds.
There is nothing wrong with the guests. Do not dance. I want to sleep. If you get a cup, who will get drunk first? Don't be afraid to laugh often, lest a few people have fun. I hope I am all right, I will always be on the moon!
In his later years, Zhao Meng returned to his hometown of Xing Wu, where he was going to die.
My health is getting worse, and I miss my old friends more and more. In a letter to Mou Yinglong, he said this: Goodbye to Cheng Fuzai, my brother and Meng Jinfeng. Meng _ ten days don't look at each other, such as yi, to show that people are safe and sound, deeply comforted. The servant's illness seems to have eased slightly in the past two days, but he has not seen signs of gradually returning to normal. He is very worried. Fortunately, however, his feet were swollen, and he had a little retreat. He didn't stagnate, and he knew the taste of food. It's sunny and warm, so we might as well skip the conversation for half a day. It's too late to come here. Goodbye, Meng. Cheng Fuzai officially announced that he was in politics, your Excellency, on the seventh day of leap month.
See Zhao Meng's Miscellaneous Books and Four Postings in the Palace Museum. According to Mr. Dan Guoqiang's textual research, this post was written in Zhi Zhi for two years, namely 1322, more than one month before Zhao Meng's death (for the initial compilation of Dan Guoqiang and Zhao Meng's letters, see Essays on Zhao Meng Studies, Shanghai Painting and Calligraphy Publishing House). At this time, Zhao Meng was sixty-nine years old and Mou Yinglong was seventy-seven. As a Han Chinese, _ has reached the highest position that Han people can reach in Yuan Ting, but in the face of aging body, these are just passing clouds, while the friendship between old friends is becoming more and more precious and the yearning is getting stronger and stronger. "I haven't seen you for ten days, and I am like a sigh." Even an ordinary physical greeting can make an old friend so warm and moved.
The Begging Written by Zhao Meng for Mou Yinglong is also included in Four Essays of Zhao Meng Miscellaneous Books. Mr. Dan Guoqiang thinks this post belongs to the same volume as the above letter. The content of "Begging for a Meal" is also recorded in Volume 7 of "Inscription and Postscript of Painting and Calligraphy" edited by Yu Fengqing in Ming Dynasty: friends are rich and poor, and incense is called a cone. No one, still hungry in good years, sorry for this shortage, why look at his stomach and look forward to his old age! Yuan Ming begging, Lu Gong begging, and the ancient sages and sages of Laiduo can all be used as ammunition. Renyi, who can refer to Lu Su's _, but who is the real amateur? ! White.
When the Southern Song Dynasty perished, Mou and his son had already retired. According to the second volume of the Textual Research on Confucianism in Yuan Dynasty, Liu (12 19- 1295) in Southern Song Dynasty was demoted to Yuan Dynasty, and he was the official to Shangshu. He once recruited Mou Yinglong as an academician, but Mou Yinglong refused, making his family even poorer. Zhao Meng _ wrote "A Note for Rice" for Mou Yinglong, hoping that the benevolent people can help, and the cordial care of old friends will come to the fore. In the book, _ compares Mou Yinglong with Tao Yuanming and Yan Zhenqing, and highly praises Mou Yinglong's integrity from another side.
Like his father Mou, Mou Yinglong cooperated with him. On June 7, 2008, there was a painting "There is a Zhai Ming on it" (made by Yan Qinian _ (1320)) at the calligraphy special session of painters of past dynasties, and the book was marked with _: "Brazil Chang. Zhao Meng advocated retro, aiming at Wei and Jin Dynasties. In his view, Su Dongpo and Huang Gu in the Northern Song Dynasty lost all the laws of Wei and Jin Dynasties, so he did not hold a positive attitude towards Su Dongpo and Huang Gu. Mou Yinglong held a positive attitude towards calligraphy in the Northern Song Dynasty. At present, it has not been found that Mou Yinglong has a special book theory, but from his postscript to Fan Zhongyan's ode to Boyi, we can still get a glimpse of some of his calligraphy ideas: Wen is an immortal teacher, but he is not in the book, but his brushwork is wonderful and he is self-sufficient in pursuing the past. Therefore, Su Gong claimed to be a scholar and thought it was rare to ask for it from the public. This book has been eulogized for 63 years, and it has only been published for one year. However, it is really admirable to write the model carefully. Although my husband's book is detailed, it is enough to meet people's best. If the public book is like this, the things in it can be bosom friends. At the same time, the works of literary, rich, Korean and European officials, if clumsy but different, are vigorous and dignified, will die different from those of four or five officials. Sitting in the temple, blessed _ vulgar, blessed? ! The world says that Wang Shuru is restless in the wind and rain. I want to be a country for a while, so I try my best to make it a constitution, and the world is so noisy that customs tend to be thin. After that, Wen Gong went back to the ancients and the country was safe, while Zhang Chong and Cai Chongxin were in chaos, and their good and evil did not escape between pen and ink. It is true that painting is good for self-confidence. However, if it comes down to it, the books before Xining are heavier and less frivolous; After Xining, the books are more frivolous and less heavy, which is the reason why the way of the world rises and falls. Before Song crossed the river, I wanted to learn the idea of ink from my hometown, but I said it secretly, so I learned it so that newcomers could take a test. Dade Gengzi was born in June, and Lingyang Mou Yinglong honored the book.
-"Zhao Tiewang Coral" Volume 2 "Xi Ning (1068- 1077) before the book is thick but not frivolous; The books after Xining are more frivolous and less heavy, which basically shows Mou Yinglong's calligraphy orientation.
Mou Yinglong's works handed down from ancient times are rare, and the postscript for Celebrity Album is one of them. This old album of Deng Tuo was originally composed of 29 paintings, two on each page and 52 on each side. Each painting has one more person, but there are also two or three people, and there are sixty-two people, all of whom are disciples of Confucius. At the end, there are three inscriptions by Mou Yinglong, which are written in 13 17. Therefore, Mou Yinglong's third opening inscription and postscript for Celebrity Album are very precious. The full text is as follows: There are stone chambers in the Han Dynasty in Chengdu, but the statue of sages from Pangu to Confucius Gate drawn by Zhang Shou is not in sight, and is called "Auditorium Map" by the world. Wang Yi seldom tried to watch it, but failed. His grandfather saw it in his early years. There are also square columns. At that time, the topic was left and right, and the ink color was new.
Duan Pingbing Shen Bing was on fire and no longer exists. The learned officer carved in Linjiang is gone, no longer exists.
Mou Yinglong's works are not like the style of Yuan people, but closer to the calligraphy style of the Northern Song Dynasty, with the meaning of Dongpo and Cao Zhang's brushwork, which is rich and simple. This is consistent with the aesthetic orientation of calligraphy revealed in Fan Zhongyan's postscript to Ode to Boyi.
At present, another book by Mou Yinglong is Postscript of Wei Liaoweng's cursive script (now in Shanghai Museum and published by Huangshan Bookstore in 2008), which was written in the first year of Zhi Zhi (132 1). Wei Liaoweng (1 178- 1237), a scholar in the Southern Song Dynasty, spoke highly of Zhu's Neo-Confucianism. Mou Yinglong's grandfather Mou Zicai once asked to learn from Wei, so there is such a sentence in the postscript: "My grandfather Guanglu Fujun tried to learn from the public and was obsessed with marriage because he never learned from home." Therefore, the late _ also said: "This volume is only known by Brother Mou, so it is particularly interesting at the end of the postscript." This postscript is consistent with the inscription style of Mou Yinglong's Celebrity Album.
In Fan Zhongyan's ode to Boyi and Wei Liaoweng's cursive script, we all saw the postscript written by Zhao Meng _, Mou Yinglong and their friends, which shows that there is a relatively stable appreciation circle around Zhao Meng _ and Mou Yinglong, which also confirms their close relationship.
Yuan Zhao recorded Mou Yinglong's works in Preface to Qian Yanbin, a manuscript of Dongshan Village. It can be seen that although Mou Yinglong is famous for his articles, his calligraphy is also valued by people of that time.