Wen Jia was first taught by Wucheng and later by Zheng Xue of Hezhou. Can write poems, exercise books, clear and energetic fine print, and good writing. He is good at identifying the stone carvings in Gu Shuhua, which is the best next generation. Inheriting family knowledge, the lower case is light and bright, just like a thin crane. When they are older, the evacuation will not end, and the running script will not end. Can't catch up with my father and brother, good at painting landscapes, and the brushwork is simple, which is quite close to Ni Zan. The colorful landscape is quiet, even imitating Wang Meng's dyeing, which is also quite beautiful and also used for flowers. Amin Wang Shizhen commented: "His book cannot be like a brother, but is painted as a whole (Wen Zhiming)." Zhan Jingfeng also said: "Jia Xiaojie is light, clear and refreshing, just like a thin crane. The evacuation of a small stool will not end, and the running script will not end. " However, Wen Jia has been pursuing it all his life. After "Nineteen Ancient Poems of Wenjia", Wang Shimao said: "If you don't make wonderful progress in your later years, you will lose your Beijing omen."
Handed down from ancient times, there are ten landscape and flower paintings in the 19th year of Jiajing (1540), which are now in the Guangdong Provincial Museum, and in the 20th year (154 1), they have been hung in the Hongting Museum in Suzhou. In the first year of Wanli (1573), the Map of Cold Forest in Zhong Kui was collected in Nanjing Museum. "Jiangnan Spring Color Map" is collected in Shenyang Palace Museum; The axes "Looking for Sentences in Shuige" and "Painting Landscape" are collected in Liaoning Provincial Museum; "Red Lotus in Autumn Pond" in Tianjin Art Museum; The Palace Museum has collected Small Scenery Axis of Shihu Lake, Hidden Map of Summer Mountain, Pipa Travel Map and Two-year Travel Map of Xishan Mountain (1574); Cangjiang Fishing Flute Map and Qushui Garden Map are collected in Shanghai Museum. He is the author of Qian Shan Tang Painting and Calligraphy and Hezhou Poetry Collection.
He was 83 years old.
Wen Jia's works
The running script "Four Poems" is an axial paper book with a length of 12 1.3cm and a width of 25.3cm, which is collected in the Palace Museum in Beijing.
Explanation:
Bananas are planted on the stone bank of Taihu Lake, and the window of the pavilion is smoky. The skinny owner is as clear as water, and the tea is fragrant across the bamboo bridge. It's raining in the mountain village, burning incense, and several clean windows make the bamboo forest cool. There is nothing wrong with taking a nap, but writing Xiaoxiang in ink. I have been on the scale for less than 30 years, and I remember to come to the map every time. When to lean on the loose side of the stick and see the Qianfeng forest. It's autumn, Maoyuan, Wen Jia. The seals of "Hugh Cheng" and "Wenshui Taoist". The collection seal is "easy to hide". "Jimao" was the seventh year of Wanli in the Ming Dynasty (1579), and Wen Jia was 79 years old. Seven Unique Poems are three poems written by Wen Jia himself. Calligraphy is beautiful and delicate, simple and refreshing. Throughout the strokes, the strokes are round and slender, oblique, straight, connected, light and heavy, and the reality is natural, just right. The body potential is densely alternated, and more inclined potentials are taken. Wen Jiashu was influenced by his father Wen Zhiming's style, and changed again.
Wen Jia's Song of Three Days
Yesterday's song (not written by Wen Jia)
Yesterday, yesterday, yesterday was great! Yesterday has passed, and today is just a worry. The world regrets yesterday, but does not feel that today has passed again. Water gurgles away, and less time is spent in the sunset. Don't wait for the Ming Dynasty to regret what you can do today.
Today's song
Today after today, how few today! If you don't do it today, when will it happen? Today is a hundred years, and today is not a pity. If we wait until the Ming dynasty, there will be something in the Ming dynasty. Write today's poem for you. Please start today.
Make Way for Tomorrow
The day after tomorrow, how many tomorrows! Tomorrow will never come. If the world is tired tomorrow, it will go to Qiu Lai as a veteran in spring. Watch the water flow eastward and the sunset at dusk. What will tomorrow be like in a hundred years? Please listen to my song tomorrow.
The Guangdong inkstone carved by the writer himself.
This kind of inkstone combines stone eye, burnt leaf white, blue and white, fish brain, fire control and insect skin, which is extremely rare. The head of the inkstone is engraved with a deep relief of golden crucian carp playing in the water, which is alternating with reality. There are poems, books, seals and engravings on the back of the inkstone, which are harmonious and wonderful. The engraved content is a poem saying: "Purple bamboo is tied with thin lines, like a dragon and a tiger with a scholar. I am thirsty for jade inkstone and covered in paper. " Beautiful calligraphy is what Wen Jia is best at. Poetry is also neat and smooth, and the love for calligraphy and painting art jumps out. Carving knives drift with the tide, iron and silver hook force, nuanced, well-versed in the beauty of calligraphy stippling, I am the only one. The inscription "Taoist Wenshui" is engraved with the seal of "Wen Jia", which is exactly the same as the seal of "Wen Jia" in Ni Zan's Poems of Spring in Jiangnan, Shu Zhen (1523) and the Travel Atlas of Two Cave in Wen Jia (1544). It is conceivable that the pen, ink, paper and inkstone in Four Treasures of the Study played an important role in Wen Jia's life. He used poetry, calligraphy, painting, carving and other techniques to cast his deep feelings for Four Treasures of the Study and his profound attainments in literature and art on this beautiful stone in Duan Xi, which made this inkstone rich in aesthetic connotation and showed the literati's various artistic talents incisively and vividly.