We have all seen the wheels of a car, and we can only drive forward and backward. If we want to drive left and right, we must turn the steering wheel to adjust the direction of the wheels. I'm so tired, so I've always had the idea of changing the wheel into a sphere, so that we can drive in any direction without steering the wheel.
People who can play with both sides understand a brush as a broom or a brush. The flatter the brush tip, not to mention the middle.
A person who can change the front in all directions must be a good player. He understood the pen tip as a sphere, which can ensure that the center writes in any direction.
My understanding of leak marks and cone-shaped painted sand. (The former pays more attention to the infiltration in the writing process, while the latter pays more attention to the pen holding and pen holding in the writing process. )
Of course, leakage marks refer to the traces of house leakage, but they cannot be literally understood as mottled marks. He showed us how to grasp the saturation scale of ink injection in center. The belly of the pen is full of ink, the center is like ink, the strokes are round, and the ink penetrates the back of the paper. However, if there are too many, it will be as smooth and light.
There are two understandings of drawing sand on a cone.
First, holding a soft pen, like holding a steel cone, can turn it into a steel bar with strong joints, and the strength of arms and wrists can directly reach the nib and paper.
Second, you can't understand without experience. You can imagine the weight of the cone, but you can't hold it without doing your best. Refers to the grip strength of five fingers. It is still difficult to grasp, and if you want to draw sand, you must try your best to hold the written test high. It must be exhausting for someone to ask you to write like this, but it's not. Hold your pen high and write in small print, and you will know the secret.
After studying the European book for two months, I changed from big characters to temporary writing slightly larger than the original inscription, and my understanding of the center was deeper.
As the old saying goes, "Don't droop, don't shrink, don't go, don't collect" is one of the basic rules of using a pen. It refers to the gesture of holding a pen, which must come and go, go back and put away. Only in this way can the pen be vivid and full of vitality. Therefore, every stroke has a starting point, and then it will be collected lightly, and then it will be pressed lightly. However, every time an author receives it, it will be rounded and sharpened. Avoid uncollected pens and missing pens. A pen that you don't accept is either sharp or impetuous, and the true spirit will dry up. If the previous pen is not collected, the next pen cannot be centered. )
4. Copy a book and paste it. It is best to enlarge the copy first, so that it is easy to master the essentials of stippling. However, after basically mastering the essentials of strokes, it is best to copy the original size of the copybook or inscription, so that one can easily get its shape, and the other can better understand and comprehend Shen Feng of the original inscription. Moreover, you will find that you can write strokes that can't be enlarged, which is why small words are easy to write with big strokes and big words are difficult to write with small strokes. )
After writing an article about the pen used in the center, I wrote a picture of "eight sides out and four sides showing off" and wrote the following inscription at the back.
"The big characters are easy, but the small characters are difficult, especially when the pen is pressed."
Writing a pen will make it "reverse". If you turn it upside down, Shi Niu will fall and sink like mud, and the pen will enter the paper. (How did Han do it on purpose)
7 The strokes on the Eurobook tablet were too clean and sharp. I suspected that there was a carver in it, so I found Chu Suiliang's. & lt Ni Kuanzan > Compare copybooks with their pens, so as to better understand the traces of pens used in European books (mainly starting and closing pens). In contrast, we find some shortcomings of Chu books, such as paying attention to the combination of books and showing them to people everywhere, while the brushwork is too ostentatious and restrained, which inevitably appears refreshing and boring.
The European calligraphy is round, flat and sharp, and hidden as righteousness, which deserves to be the first in the Tang Dynasty.
Writing a European book is like a relief. When you write, you will kill it bit by bit. When you write it down in a hurry, it will be covered with dust, like a sharp knife. Writing will be as detailed as carving, moist and round with a pen. (The round thickness here means that Fang Bi must be round and thick, but not too sharp and flat. )