life experience
In December of the fourth year of Jiaqing, He and Di Shaoye were born together in a farmer's home in Dongmen Village, Dongmen Township. When he was a child, his family was poor. He and his younger brother followed his mother to eat in Xiaoping Liao Jia, Xizhou. He went to Beijing with his mother at the age of 8, and was a protege of Ruan Yuan and Cheng Enze in his early years. 18 years old, to take the Jingzhao test, record it as soon as possible. In the 11th year of Daoguang (183 1 year), he was awarded excellent tribute.
In the fifteenth year of Daoguang (1835), he was awarded the position of scholar in the middle of the following year and was awarded editing by the Hanlin Academy. He has served as a school manager of Wenyuange and promoted by the National History Museum, and served as an examiner after passing the examinations in Fujian, Guizhou and Guangdong provinces.
In the second year of Xianfeng (1852), he was appointed to study politics in Sichuan. He has only been an official for two years. The next year, he was accused of "spreading rumors at will" because he offended dignitaries. He was deeply hurt by rumors and was demoted and transferred. He resigned from his official position, founded Caotang Academy, and gave lectures.
In the sixth year of Xianfeng (1856), he set out from Sichuan, arrived in Jinan via Shaanxi and other places, and gave lectures at Zhuowu Academy in Shandong. After giving lectures, I visited Daming Lake, Baotu Spring, Pearl Spring and Qianfo Mountain in Jinan, leaving many poems.
In the tenth year of Xianfeng (1860), he left Jinan for Changsha at the invitation of Changsha Chengnan Academy. He has taught in Shandong Chengnan Academy and Changsha for more than ten years.
In his later years, he presided over Suzhou and Yangzhou Bookstore, published notes of Thirteen Classics, lectured at Zhejiang Xiaoliantang, and traveled to and from wuyue to teach students and apprentices. I've been drinking and traveling all my life, I've been to many famous mountains and rivers, I've visited many places of interest and I've also been to ancient times. Guangxu four years (1873), died in Suzhou and was buried in the southern suburbs of Changsha.
achievements of art
He calligraphy is vigorous and powerful, worships monuments and suppresses posts, and values bones and despises posture. The unique pen-holding method with the wrist hanging high is slow, and the nib is entangled in the middle of a line, and the line stops, but it is also astringent. The difficulty is quite close, and the dots are accumulated into a line, forming a dull and astringent feeling, showing a deep and strong main character, which is very consistent with Wang Xizhi's "Inscription and Postscript Pen Array".
Therefore, He Ji Shao's calligraphy of every line seems to be tempered by the blacksmith's fire and water, which can withstand random knocking. It is three-dimensional, slow, concise, seamless, rigid, majestic and without thickness!
His ink is full and abundant, and there is often a lot of ink at the beginning of the pen. He always swells up with ink, naturally fainting into groups of ink balls, which has a blocky feeling. In addition, the lines themselves, such as melting gold and smelting, flow away everywhere, and the sparseness and the width are integrated, and the virtual and the real coexist. One peak and one spoonful of Taihua is Wan Li in Jianghu, which is even more vigorous in knot and composition. This overall richness is the innovation and contribution of epigraphy to the aesthetic significance of composition.
The famous calligrapher is vigorous and powerful. There are many kinds of vitality, among which He's calligraphy is outstanding! But vigorous is far from being as simple as vigorous, not rigid, not crazy, not impulsive, not loose, not collapsing, not invincible, not sweet, not soft, not posing.
He's paintings are the most vigorous. He's paintings come from Yan Zhenqing's faithfulness, Ouyang Qu's danger because of the monument, and Zhang Hei's elegance. He Ji Shao's writing style, from the perspective of brushwork, is high-spirited; From the perspective of brushwork, it is calm and distant; Judging from the handwriting, it is thick and flowing, so it becomes vigorous and powerful.
Why did his knowledge accomplishment, unique experience that can't be copied, personal talent and unremitting pursuit of calligraphy all his life push the calligraphy aesthetics of stele to a very high level from the beginning and become a great master of calligraphy stele?
Calligraphy influence
He, such a Hunan native, has an unparalleled beauty in his works. He's appearance inherited Ruan Yuan's legacy, held high the banner of stele study in a clear-cut manner, and put it into practice with his whole life's energy.
Combining the breath of calligraphy with the realm of life, combining the spirit of calligraphy with the trend of the times, gives people a sense of excitement, which was originally called' one person has been clear for more than 200 years'.
He took Yan Zhenqing's calligraphy, participated in the epitaph of the Northern Dynasties, and integrated seal script into one furnace. His brushwork was strong and unique, and he was praised as "the first calligrapher in Qing Dynasty" at that time. The influence of He's calligraphy art is not local, but national, not only in the Qing Dynasty, but also in the history of China's fine arts. With his profound knowledge of Neo-Confucianism and unique vision, he advocated the beauty of neutralization, consciously avoided the overbearing works of the North Monument, and organically integrated the monument and the post. His calligraphy not only retains the charm of the inscription, but also has the charm of the monument, thus becoming a pioneering calligrapher who successfully integrated the inscription and displayed the unique calligraphy appearance since the Qing Dynasty.
The new territory of HarmonyOS system, He Ji Shao, has a great influence on future generations, and all future generations benefit from it. Influenced by what, Li Ruiqing's writing style of seal script is like a samurai's horizontal pen, which is magnificent. The bigger the word, the weirder it is. Every time he writes them, he carries a leak mark, and stippling is trembling and winding naturally.
Wu Changshuo, an artist, often talks about art with the "HarmonyOS System" and highly appreciates it. His book title "The History of He Zizhen" said: "I hope I can dream and be a Duke Lu, and I will be full of righteousness in the HarmonyOS system. Why not drive the dragon vigorously? "