Yao Tai Shang comes from the flower shadow of Su Shi in Song Dynasty.
Hua Ying [Song] Su Shi
Overlapping on Yao's platform, a few phone calls to the children will not sweep it away.
Just cleaned up by the sun, also called the bright moon to send the future.
The flower shadows on the pavilion are layer after layer, and the children have cleaned them several times, but how can they be swept away? In the evening, the sun went down, and Huaying just retired, but the moon rose again and Huaying appeared again.
Su Shi was a writer and painter in the Northern Song Dynasty. The word Zizhan, also known as He Zhong, is called Dongpo lay man. Han nationality, Meizhou Meishan people. Together with their father Su Xun and brother Su Zhe, they are called Su San. He is an all-rounder in literature and art, and his writing style is unrestrained and fluent. He is also known as Ou Su with Ouyang Xiu, one of the eight masters in Tang and Song Dynasties. His poems are fresh and vigorous, and he is good at using exaggerated metaphors. He has a unique style in artistic expression, and is called Su Huang with Huang Tingjian. Bold ci school has a great influence on later generations, and it is called Su Xin with Xin Qiji; Calligraphy is good at running script and regular script, and it can be innovative. Writing with a pen is ups and downs, full of childlike interest. And Huang Tingjian, Mi Fei and Cai Xiang are also called Song Sijia. Painting, like literature, I like to be a strange stone. On painting, I advocate similarity. Poems include "Seven Chapters of Dongpo" and "Dongpo Yuefu".
What is the poem on Yao Tai?
Yao Tai Shang comes from the flower shadow of Su Shi, a poet in the Song Dynasty.
The whole poem is as follows:
The pavilion on the pavilion is another floor. I have asked the children to clean it several times, but how can the flower shadow be swept away?
Just cleaned up by the sun, also called the bright moon to send the future.
Vernacular translation:
The flower shadow on the pavilion is layer after layer, and the children have cleaned it several times, but how to sweep it?
In the evening, the sun went down, and Huaying just retired, but the moon rose again and Huaying appeared again.
Extended data
A brief analysis of Huaying;
In the final analysis, the change of writing light and writing shadow is to convey the poet's inner feelings. Treatise on febrile diseases wrote about Huaying's movement, which already contained the meaning of despising Huaying; It is hard to get rid of "can't be swept away", and more obviously, I hate Huaying; "Cleaning up" wrote that Huaying disappeared, making me feel lucky; "Send to the Future" is about the reappearance of flowers and shadows, with no choice but to sigh. The poet skillfully put his inner feelings in the sudden change of the shadow of flowers, which made his poems have the implicit beauty of saying near and meaning far.
Some people commented that "going to Yaotai" means that the villain is in power at a high position; "Can't be swept away" means that it is useless for honest ministers to repeatedly write letters and expose them; Three or four sentences: the ethereal masculinity falls, the flower shadow disappears, the bright moon rises, and the flower shadow reappears, which means that the villain disappears temporarily, but finally appears on the political stage.
From the analysis of the poet's bumpy career and political frustration in his life, he may have feelings of despising small groups and hating official corruption. However, poetry, as a literary work, obviously cannot be a record of life. It should be more general, more concentrated and more typical than life itself. So if you want to sit down and say which sentence refers to who or what, it will inevitably be a bit far-fetched.
References:
Baidu Encyclopedia-"Flower Shadow"
What's the name of the poem "On the Yao stage, I can't leave after several calls"?
"On the Yao stage, a few calls can't go away" comes from Su Shi's flower shadow.
The full text of Huaying is as follows:
The pavilion on the pavilion is another floor. I have asked the children to clean it several times, but how can the flower shadow be swept away?
Just cleaned up by the sun, and taught the moon to send it to the future.
The flower shadows on the pavilion are layer after layer, and the children have cleaned them several times, but how can they be swept away? In the evening, the sun went down, and Huaying just retired, but the moon rose again and Huaying appeared again.
The poet skillfully puts his inner feelings in the change of flower shadows, which makes his poems have the implicit beauty of saying near and meaning far. The whole poem is ingenious and subtle, with novel and appropriate metaphors and easy-to-understand language.
This is a poem about things. The poet expressed his feelings of wanting to do something, but he was helpless. The whole poem is lyrical, figurative and novel, meaning new words, with profound and implied beauty.
What do you mean by "overlapping on Yao's platform, so that children can't sweep away even a few times"?
The poem "Children can't sweep away after several calls" means that the shadows of flowers are reflected on pavilions, layer after layer, and children can't sweep away after several calls.
This poem comes from the Flower Shadow written by Su Shi, a poet in the Song Dynasty.
The pavilion on the pavilion is another floor. I have asked the children to clean it several times, but how can the flower shadow be swept away?
Just cleaned up by the sun, and taught the moon to send it to the future.
This is a poem about things. The poet expressed his feeling that he wanted to do something, but he could do nothing.
This poem revolves around the word "change" from beginning to end The change of writing shadow is the change of light, and the change of writing light is the change of shadow. The first sentence "Go to Yaotai" is the action of writing shadows, implying the action of light. Why use "up" instead of "down", because the red sun is gradually sinking in the west. The second sentence "can't sweep away the light" indirectly illustrates the immobility of light. The light does not move, and the shadow does not move. You can't just "sweep away" by sweeping vertically. Three or four sentences, a "receive" and a "send", are the changes of writing light, which leads to the changes of a "go" and a "come" shadow. The flower shadow is static, and the poet grasps the relationship between light and shadow, focusing on the change of the flower shadow, which makes his poems have the dynamic beauty of ups and downs.