Zhao Ti's calligraphy
If you want to learn Zhao Ti well, you should start with Zhao Ti's brushwork. Zhao Ti's poems are full, full, flying and poetic. Zhao Ti absorbed the flowing, beautiful and elegant features of Wang Xizhi, Wang Xianzhi and Chu Suiliang in the Eastern Jin Dynasty, and joined the elegant style of Li Yong in the Tang Dynasty, making the fonts more beautiful and vigorous.
Dong said to him, "It is difficult to make a pen, but it is difficult to work hard. And vigorous is not the name of angry wood, but as a strong man, it is strength, but it can be done. ″
Zhao Ti used the pen method.
First, use a pen
Zhao Ti's brushwork is exquisite. For example, the point method, the point on the top of the Zhao character, the hidden front or the exposed front. Zhao's character is that the left is high and the right is low. The dragon is facing Zhao's character, taking advantage of the situation in the volley, revealing the front into the pen, first light and then heavy, and collecting the pen back. The echo points of Zhao characters are often connected by connections, which are smooth and free.
Fiona Fang is also used.
Zhao's handwriting is horizontal and smooth, slightly thin in the middle and full of momentum. Zhao's strokes are horizontal, and when he is finished, he will raise his strokes. The brush strokes are obvious, the brush strokes are square, the brush strokes are round, and Fiona Fang has both.
Balanced fluency
Zhao's words are folded and picked, and the strokes are reversed, that is, the strokes are quick and clean. Zhao's handle pickaxe and folding pickaxe have similar strokes, and the angle changes greatly.
Zhao's character is vertical, with a pen to the front and a pen to the back, which is smooth and long. The middle and vertical are short and thick. Such as "mountain". Zhao hangs the needle quickly and uses the pen quickly. Such as the word "bell".
Zhao's words are as straight as willow leaves, and there are songs in them. Grab the pen in front of you with a draw and write it quickly. Such as the word "item".
Zhao's straight, arrayed, full and powerful when squatting. Zhao Zi used Tang Liyong's brushwork to bend the arc hook, which was vigorous and powerful. Zhao Zige's hook strokes faster and straighter.
Second, the structure of Zhao Ti.
The structural characteristics of Zhao Ti's characters are: graceful and natural stippling, freely retractable, rich and changeable structure, absorbing a lot of calligraphy styles, emphasizing the intricate changes of the structure, moving long and vertical, or flat and horizontal, which increases the vivid aesthetic feeling of the characters.
Zhao Ti structure
1. Calligraphy pens can be divided into main pens and auxiliary pens, so we should avoid each other and make them harmonious. Zhao's main brushstrokes are obvious, such as the horizontal painting in Ji, which is fluent. The hanging needle in the word "Hua" is quick to use the pen vertically. To master the relationship between the main pen and the auxiliary pen, such as avoiding and inserting, all parts of the Chinese character structure should take care of each other.
Hanging needle vertical pen is fast and sharp.
2. It's uneven when it's put away. For example, the word "no" is longer on the left and shorter on the right. Left hand and right hand make it harmonious and natural. In a word, it is necessary to receive and release to be unfair. A rhythmic change.
3. Taking potential is one of the strokes of calligraphy. There is physical potential only when there is potential, and physical potential is form and weather. Take the potential vertically and horizontally, and take the method individually. There are few ways to determine whether Zhao Ti's power is long or even. The potential in the word has also changed.
The skill of calligraphy lies in the use of pens and the use of pens. There are many kinds of pens, which are embodied in Zhao Ti's "Danba Monument". Graceful and vigorous, writing can gain momentum, or hidden or obvious, closing the front can gain momentum, going out or returning home, all have bones and muscles, wind and plastic outside, gentle and elegant. A beautiful, graceful and vigorous pen, a solemn and rigorous book, is vivid in modesty and has high art.
Third, radical.
1. Stroke Association
Zhao Ti's calligraphy is good at running script, such as the word "Qing", and the word "De" has the characteristics of running script, line and body connection.
United pen
preserve
In order to make the writing more fluent, the radicals of some words are omitted, such as the first point of the word "Sui".
3. Deformation
In Zhao Zi, the radicals of some words are deformed according to the running script, such as the left side of the word "fu" and the prefix "fu".
Finally, thank you for your comments!