What font was used in the Tang Dynasty?

Time: 2011-12-9 5: 23:16 What font was used in the Tang Dynasty? (question number. : thukaongmn7523412220) The answer is as follows: Xiao Zhuan was designated as the official font in Qin Dynasty, but writing Xiao Zhuan was troublesome, so officials in Qin and Han Dynasties mainly wrote official scripts, while in Tang Dynasty, regular scripts were the official font, so there should be more running scripts in daily life. In fact, the running script originated very early, and Wang Xizhi's Preface to Lanting is regarded as the best running script in the world. It can be seen that calligraphy is a unique art in China, the earliest ancient writing material in China, and Oracle Bone Inscriptions and bronze inscriptions in the middle and late Shang Dynasty. The preface to Shuo Wen Jie Zi says: "Shu Qin has eight styles, namely, big seal, small seal, seal cutting, insect book, copy, official book and official book." It basically summarizes the face of the font at this time. During the Spring and Autumn Period and the Warring States Period, there were great differences in inscriptions on Oracle bones among countries, which was a major obstacle to economic and cultural development. Qin Shihuang unified the world and unified the national characters. After the unification of Qin Dynasty, these characters were called Xiao Zhuan, which was based on Jin Wen and Shi Guwen. . The preface to Shuo Wen Jie Zi says: "Shu Qin has eight styles, namely, big seal, small seal, seal cutting, insect book, copy, official book and official book." It basically summarizes the face of the font at this time. The seal script Taishan stone carving (seal script) is a generation with all aspects of "seal script is true grass" in Wei and Jin Dynasties, and Han Li shaped the basic form of square Chinese characters. Regular script was conceived in the performance of official script, while running script and cursive script sprouted at the same time as official script. Regular script, running script and cursive script were shaped in Wei and Jin Dynasties. Wei and Jin Dynasties brought up two great calligraphers-Zhong You and Wang Xizhi. They opened a new page in the history of China's calligraphy development. It sets an example of the beauty of real books, running scripts and cursive scripts. Since then, in various dynasties, even in Japan in the East, scholars have always preferred sons to daughters. Wang Xizhi's Preface to Lanting (running script), Zhong You's seasonal recommendation (in small letters), Wang Xianzhi's Duck Head Pill Post (running script) and Wang Xun's Bowen (running script) The calligraphy of the Southern Dynasties inherited the atmosphere of the Eastern Jin Dynasty. Calligraphers in the Northern and Southern Dynasties are full of stars, and anonymous calligraphers are the mainstream. Wei Bei was the best calligrapher in the Southern and Northern Dynasties. Weibei is the general name of inscription calligraphy in the Northern Wei and Southern and Northern Dynasties, and it is the transitional period from official script in Han Dynasty to regular script in Tang Dynasty. The official script of Zhang Menglong's tablet (Weibei) appeared in the Han Dynasty, which is characterized by a swallowtail-shaped silkworm head, which makes Chinese characters tend to a square pattern and breaks through a single central stroke in brushwork, laying the foundation for various calligraphy schools in the future. The establishment of Cao Quanbei (Li Shu) in Zhang Qianbei in the Tang Dynasty ended the turbulent situation of nearly 300 years since the Western Jin Dynasty. The culture of the Tang Dynasty was profound and brilliant, reaching the peak of China's feudal culture, which can be described as "books flourished in the early Tang Dynasty". There were more ink marks in the Tang Dynasty than in the previous generation, and a large number of inscriptions left precious calligraphy works. Yan Bei (Yan Kai) Liu Gongquan Mysterious Pagoda Monument (Liu Kai) Ou Yangxun Jiuchenggong Li Quanming (Ou Kai) Zhang Xu Abdominal Pain Post (cursive script) Huai Su Autobiography Post (Wild Grass) Chu Suiliang Yanta Sage Teaching Preface (Regular script) Although the calligraphy art of the Five Dynasties and Ten Countries has continued from the end of the Tang Dynasty, it has formed a general trend of decline. When Su Shi commented on the calligraphy of the Five Dynasties, he once said: "Since Liu Yan's family was absent, the brushwork declined, and there was chaos at the end of the Tang Dynasty, the words were withered, and the literary talent was romantic, sweeping the floor." Unique style, outstanding calligraphy, Yan and Liu "two kings." This is really a hero of the book, not lost by the times. "Jiuhua Tie (running script) Yan Fa (crazy grass) The development of calligraphy in Song Dynasty was relatively slow. , Song Taizong people, pay attention to calligraphy, bought Mo Bao, a famous minister of the ancient emperor Wang, and ordered to copy the banned books, a total of ten volumes. This is the post of Chunhua Pavilion. "Every minister who goes to the second palace will get a gift. "Half of the posts are works of Two Kings. Therefore, calligraphy in the early Song Dynasty belonged to the "two kings". The same is true of kings. Song people are far inferior to Tang people. Therefore, some critics believe that when calligraphy is popular, it will decline. Huang Tingjian Songfengge (running script) Thousand-character writing (running script) Su Shi Sky Black Cloud Post (running script) Misutie (running script) The economic and cultural development in the early Yuan Dynasty was not great, and the overall situation of calligraphy was advocating retro, and the Jin and Tang Dynasties were patriarchal and had little innovation. Throughout the Yuan Dynasty calligraphy, its great achievements are still in the real cursive script. As for turning profits, although there are several famous artists, they are not very good. This kind of calligraphy with truth, line and cursive script as the mainstream didn't change until the Qing Dynasty. There was a style of calligraphy in Yuan Dynasty, which still prevailed in calligraphy from Song Dynasty to Tang Zongjin. Although each has its own merits, none of them can stand tall in the calligraphy world as a family. Compared with literature, painting and other arts, it is far from successful. Zhao Mengfu Ji An biography (running script) Tang Dynasty cursive script (running script) is fresh. Li Kang Kuikui's cursive script (cursive script). After Yelu Chucai made his capital in Beijing in the Ming Dynasty, he began to make sandwiches to attract scholars from all directions who were good at writing, enrich the court and write court documents. Scholar-officials in the ruling and opposition circles attached great importance to calligraphy, and they all liked elegant regular script and running script, which almost completely inherited Zhao Mengfu's style. Throughout the Ming Dynasty, the calligraphy style was mostly running script. During the years of Yongle and Zheng Tong, Yang Rong and Yang Pu successively entered imperial academy and Wen Yuan Pavilion and wrote a large number of inscriptions, which were called "Kuochang Style" or "Taige Style". Scholars compete to imitate calligraphy in order to make a fortune, which makes calligraphy lose its artistic interest and personal style. Dong Qichang Cursive Song Ci Volume (Running Script) Wen Zhiming Seven-character Poetry Axis (Running Script) Zhu Yunming's Long Quotations (Cursive Script) Tang Yin Running Script Seven-rhyme Poetry Axis: (Running Script)