How to write running script?

There are many schools of calligraphy. The pictures of Zhang Zi's three calligraphy styles are as follows:

Running script has great flexibility in structure and has three structural characteristics:

First, based on the model, grass is the god.

The structural form of running script is generally not far from that of regular script. Although there are some changes in strokes, it is not as difficult to identify as cursive script. Running script pays attention to the ease and convenience of writing, and the lines pursue carefree and dynamic. It forms an indispensable part of the structure through the hairspring between stippling, which makes stippling connected from top to bottom, dense and substantial, and produces a flowing charm.

Second, stippling jumps and changes.

Although the stippling of running script is not as easy as cursive script, it jumps and rolls freely and is more vivid than regular script. The stippling of running script should avoid parallelism and similarity, and the brushwork and gesture are different, which is expensive to change. For example, how flat Jin people are, how long Tang people are, and there is no difference between the right army and the right army. Wen Yao has rich and colorful products, so it has a natural flavor.

Third, harmony.

The structure of running script is full of agility, changeability, roundness and fluency, and pays attention to vividness. There are two ways to ventilate the running script: one is by changing pens; The second is through structural changes. The former is called "gesture" and the latter is called "posture". The structure is either "uneven left and right", or "following the trend", or "opening and closing density", which seems unstable in some parts, but harmonious and full of charm in the whole.