Full pen and ink: pen and ink are used freely and full. Describe calligraphy and poetry.
The dragon and snake in the pen: the dragon and snake jumped into the pen. Describe the vigorous and free brushwork of calligraphy. Also for the conductor.
Huang Ting: There is the Taoist classic Huang Tingjing, and the Jin people have the lower case Huang Tingjing. In the old days, there was an idiom to comment on calligraphy: "Writing Huang Ting at first is just right". Later, the metaphor was just right.
Spring earthworm autumn snake: metaphor for poor calligraphy, bending like the trajectory of spring earthworm autumn snake.
The sword was drawn from its sheath and the bow was opened. Describe the situation as tense and explosive. Later, it also refers to the vigorous and magnificent calligraphy.
2. What idioms are there to describe calligraphy, such as dragon snake at the bottom of the pen, exquisite brushwork, dragon snake in the pen, swallow-tailed silkworm head, hiding its head and protecting its tail, enjoying diving, being calm, learning graffiti, ups and downs, Ding Zhenkai grass, Ding Zhenyong grass, flying dragons and dancing phoenixes, being rich in muscle and strength, falling in a phoenix park, flying dragonflies and returning from a phoenix dance, longing for spring in ancient times, and longing for cooperation with others. Thirsty horse rushes to the spring, angry and thirsty horse rides, flies high, floats like a cloud, drifts with the current, draws sand like a cone, gets into the wood, writes a good book without choosing paper and pencil, Tang Linjin posts, iron-painted silver hooks, spit jade hooks and silver, Wang Yang wantonly, Wang Yang wantonly, literary talents are ice-magic, and writes Lei Feng and Lu Xian.
The sword was drawn from its sheath and the bow was opened. Describe the situation as tense and explosive.
Later, it also refers to the vigorous and magnificent calligraphy. For example, Zuo Qiuming wrote Chunqiu Zhuan, and summarized and explained the calligraphy of Chunqiu into several examples.
Later, because of the classification examples, the style of the book was described as "draw inferences from one instance and draw inferences from another". See "Draw inferences from one instance".
Penetrating the back of the paper: Originally, calligraphy was vigorous and powerful, but now it is also used to describe vivid and profound poems. Fly like a dragon, fly like a phoenix.
The original description is unrestrained and magnificent. Nowadays, calligraphy is described as a lively, flexible and lifelike plastic arts of dragons and phoenixes.
Flying dragons and snakes: describe the vitality and vividness of calligraphy strokes. Su Shi's Xijiang Moon? Pingshantang: "I haven't seen the old fairy for ten years, and the dragon and snake fly to the wall."
Luan Piao Feng Bo: Luan: a legendary bird like a phoenix. Originally, calligraphy was used to describe chic.
It is also a metaphor for the separation of husband and wife in high flyers. Luan Xiang: Jane: Fly high.
Metaphor calligraphy flying posture. Beauty hairpin: describes the beauty of calligraphy or poetry style.
Get to the point: the original description of calligraphy is strong (according to legend? Wang Xizhi wrote on the board, and the ink penetrated into the board for three minutes. Now he has described profound and powerful analysis, description and discussion. Iron painting silver hook: painting: strokes; Hook: hook.
Describe the vigorous and beautiful calligraphy. Graffiti: letter pen: write casually.
Graffiti: The figurative words are poorly written and scribbled casually. Later, people used "letter graffiti" and "graffiti" to describe poor handwriting or careless writing.
Graffiti of letter: letter: listening, freedom; Letter pen: write casually; Graffiti: The figurative words are poorly written and scribbled casually. Later, people used "toot toot" or "letter toot toot" to describe poor or scrawled pen and ink writing, with blunt and dangerous brushwork, full brushwork, spring insects and autumn snakes, thin and Mo Miao pens, long and snake pens, spring breeze at the bottom of the pen, sweeping a thousand troops, old and vivid pens, clear words, Ding Zhenkai grass, Ding Zhenyong grass, and wood three points. The middle is magnificent, vivid and fluent, beautiful in style and changeable in charm, floating in the phoenix, dancing in the phoenix, flying in the dragonfly, flying in the phoenix, peaceful and fluent, taught by foreign teachers, better than nature, dancing in the dragon and phoenix, dancing in the dragon and snake, dancing in the dragon and snake. Stiff and powerful, combining rigidity with softness, stiff and clumsy, vigorous and simple, naturally stretched, natural and natural, self-interested, flowing, like a cone painting sand, vigorous and vigorous, restrained and concise, smart and beautiful, gorgeous and natural, smart and beautiful, Wang Yang is arrogant, Wang Yang is arrogant and vigorous. You can't learn the sword, draw sand and ink, draw insect graffiti, be ingenious, smart and delicate, smart and unrestrained, smart and carefree, fat and thin, learn books in clinic, doodle with letters, pheasant, pheasant, tense, willow bones and muscles, tense, iron painting silver hook, Tang Linjin post, silkworm. Luan Piao storm, Luan Jing, Luan Xiang Feng Zhen, beautiful women like flowers, falling cigarettes, iron-wrapped cotton, ink-debt mountains, angry rocks, thirsty horses rushing to the spring, angry thirsty horses, flying high, floating like clouds, playing in the sea, spitting jade and silver, Yan Gu, Yan Gu Liu Jin, Yan Gu, Yu Chu, to achieve implication, crane knees and bees waist, hide the head and protect the tail, thick and plump. Compact structure, beautiful structure, steep trend, smooth air, free style, hearty, pleasing to the eye, elegant and charming, fresh and frank, attractive and vigorous, meaningful and handsome, delicate and rich, falling from the peak, bold and unrestrained, simple and vigorous, simple and elegant, simple and peaceful, generous and graceful.
3. What are the words that describe good calligraphy? They are: the pen is full of ink, the pen is full of dragons and snakes, and the arrogance is arrogant, while the dragon and the phoenix dance, penetrating the back of the paper and penetrating the wood.
Full pen and ink: pen and ink are used freely and full. Describe calligraphy and poetry.
The dragon and snake in the pen: the dragon and snake jumped into the pen. Describe the vigorous and free brushwork of calligraphy.
Also for the conductor. The sword was drawn from its sheath and the bow was opened.
Describe the situation as tense and explosive. Later, it also refers to the vigorous and magnificent calligraphy.
Fly like a dragon, fly like a phoenix. The original description is unrestrained and magnificent.
Nowadays, calligraphy is described as a lively, flexible and vivid plastic arts of dragons and phoenixes. Penetrating the back of the paper: Originally, calligraphy was vigorous and powerful, but now it is also used to describe vivid and profound poems.
Get to the point: Calligraphy used to be descriptive, but now it is more profound and powerful in analysis, description and discussion. See sogou Q: /z/q385503423.
4. Idioms that describe the art of calligraphy are dragon and snake at the bottom of the pen, ink skillfully uses a fine pen, dragon and snake use a pen, swallow tail uses a silkworm head, hides its head to protect its tail, sinks happily, is calm and happy, doodles beginners, ups and downs, Ding Zhenkai grass, Ding Zhenyong grass, flying dragons dancing with phoenix, full of muscle and strength, flying dragons and floating dragons, flying dragons and flying dragons, flying dragons and flying dragons, ancient fertilizers. Eager to rush to spring, eager to be angry with horses, eager to rush to spring with deer, eager to learn from the back of paper, study in the pool, stick one's bones and tendons, fly and dance, fly like dragons and phoenixes, fly like dragons and snakes, stretch and bend like dragons, jump and lie like tigers, change like Rowen Hu Zhen, Rowen Hu Zhen and leopard. Thirsty horse rushes to the spring, angry and thirsty horse rides, flies high, floats like a cloud, drifts with the current, draws sand like a cone, gets into the wood, writes a good book without choosing paper and pencil, Tang Linjin posts, iron-painted silver hooks, spit jade hooks and silver, Wang Yang wantonly, Wang Yang wantonly, literary talents are ice-magic, and writes Lei Feng and Lu Xian.
Full pen and ink: pen and ink are used freely and full. Describe calligraphy and poetry.
The dragon and snake in the pen: the dragon and snake jumped into the pen. Describe the vigorous and free brushwork of calligraphy. Also for the conductor.
Huang Ting: There is the Taoist classic Huang Tingjing, and the Jin people have the lower case Huang Tingjing. In the old days, there was an idiom to comment on calligraphy: "Writing Huang Ting at first is just right". Later, the metaphor was just right.
Spring earthworm autumn snake: metaphor for poor calligraphy, bending like the trajectory of spring earthworm autumn snake.
The sword was drawn from its sheath and the bow was opened. Describe the situation as tense and explosive. Later, it also refers to the vigorous and magnificent calligraphy.
For example, Zuo Qiuming wrote Chunqiu Zhuan, and summarized and explained the calligraphy of Chunqiu into several examples. Later, because of the classification examples, the style of the book was described as "draw inferences from one instance and draw inferences from another". See "Draw inferences from one instance".
Penetrating the back of the paper: Originally, calligraphy was vigorous and powerful, but now it is also used to describe vivid and profound poems.
Fly like a dragon, fly like a phoenix. The original description is unrestrained and magnificent. Nowadays, calligraphy is described as a lively, flexible and lifelike plastic arts of dragons and phoenixes.
Flying dragons and snakes: describe the vitality and vividness of calligraphy strokes. Su Shi wrote in the poem "Xijiang Yuepingshan Hall": "I haven't seen the old fairy for ten years, and the dragon and snake fly to the wall."
Luan Piao Feng Bo: Luan: a legendary bird like a phoenix. Originally, calligraphy was used to describe chic. It is also a metaphor for the separation of husband and wife in high flyers.
Luan Xiang: Jane: Fly high. Metaphor calligraphy flying posture.
Beauty hairpin: describes the beauty of calligraphy or poetry style.
Get to the point: the initial description of calligraphy was strong (according to legend, Wang Jinxi wrote on the board, and the ink penetrated into the board three points deep), and now the analysis, description and discussion are more profound and powerful.
Iron painting silver hook: painting: strokes; Hook: hook. Describe the vigorous and beautiful calligraphy.
Graffiti: letter pen: write casually. Graffiti: The figurative words are poorly written and scribbled casually. Later, people used "letter graffiti" and "graffiti" to describe poor handwriting or careless writing.
Graffiti of letter: letter: listening, freedom; Letter pen: write casually; Graffiti: The figurative words are poorly written and scribbled casually. Later, people used "graffiti" or "letter graffiti" to describe poor handwriting or careless writing.
5. Poetry describing calligraphy is at least 0.27 yuan. Open a library member and view the full content >
Original publisher: every plop plop.
Sentence about calligraphy: 1. Full of pen power: pen and ink can be used freely and incisively. Describe calligraphy and poetry. The dragon and snake in the pen: the dragon and snake jumped into the pen. Describe the vigorous and free brushwork of calligraphy. Also for the conductor. 2. flowing, flowing. 3. One move, one look, and you get rid of the steed and fly away; Another example is the dragon flying in the sky, which comes from nothingness and returns to nothingness. It is almost crazy and contains the aura of heaven and earth. 4. Calligraphy incorporates the perseverance, boldness and enterprising spirit of Confucianism, and also includes the emptiness, dispersion, quietness and leisure of Laozi and Zhuangzi, and often omits the worldly glitz in brushwork in order to be ethereal and far-reaching. 5. Look at its strength without losing, show its posture without boasting, and its pen is flowing. 6. Du Shijie's bone strength and calligraphy and painting are slightly thinner. If there are no leaves in the frost forest, the waterfall will fly. 7. Flourishing sea, flying cranes and swimming in the air (Liang Wudi, Xiao Yan, commenting on Wang Xizhi) 8. Floating like a cloud, agile like a dragon. Iron book silver hook, the most ancient and modern. 9. Huai Su, like a strong man wielding a sword, looks moving, but he twists and turns. 10. Pick up a pen and daub it a few times, and a flying dragon will jump out of the paper. The dragons he painted are lifelike, magnificent and varied. Chen Rong often doesn't draw the whole dragon, or the dragon head, or the dragon claws, but suddenly 7A68696416FE78988E69833133343623736. Now, it seems to smell its sound, see its shape, splash ink into clouds, spray water into fog, wonderful, called Weng Long (Chen Rong's name) 1 1. The glyphs are staggered, big and small, open and closed, and the line thickness changes obviously, with ups and downs. The last line is crooked, so crooked that it is almost overwhelming. But this tendency is not blunt, but more freedom, which embodies his arbitrary side and has his own style. Chen Rong's posture is steep, his writing style is inclined or positive, heavy or light, and she begins to vent her anger like a thunderbolt. He writes quickly,
6. Writing calligraphy that describes calligraphy:
Full pen and ink: pen and ink are used freely and full. Describe calligraphy and poetry.
The dragon and snake in the pen: the dragon and snake jumped into the pen. Describe the vigorous and free brushwork of calligraphy. Also for the conductor.
Huang Ting: There is the Taoist classic Huang Tingjing, and the Jin people have the lower case Huang Tingjing. In the old days, there was an idiom to comment on calligraphy: "Writing Huang Ting at first is just right". Later, the metaphor was just right.
Spring earthworm autumn snake: metaphor for poor calligraphy, bending like the trajectory of spring earthworm autumn snake.
The sword was drawn from its sheath and the bow was opened. Describe the situation as tense and explosive. Later, it also refers to the vigorous and magnificent calligraphy.
For example, Zuo Qiuming wrote Chunqiu Zhuan, and summarized and explained the calligraphy of Chunqiu into several examples. Later, because of the classification examples, the style of the book was described as "draw inferences from one instance and draw inferences from another". See "Draw inferences from one instance".
Penetrating the back of the paper: Originally, calligraphy was vigorous and powerful, but now it is also used to describe vivid and profound poems.
Fly like a dragon, fly like a phoenix. The original description is unrestrained and magnificent. Nowadays, calligraphy is described as a lively, flexible and lifelike plastic arts of dragons and phoenixes.
Flying dragons and snakes: describe the vitality and vividness of calligraphy strokes. Su Shi's Xijiang Moon? Pingshantang: "I haven't seen the old fairy for ten years, and the dragon and snake fly to the wall."
Luan Piao Feng Bo: Luan: a legendary bird like a phoenix. Originally, calligraphy was used to describe chic. It is also a metaphor for the separation of husband and wife in high flyers.
Luan Xiang: Jane: Fly high. Metaphor calligraphy flying posture.
Beauty hairpin: describes the beauty of calligraphy or poetry style.
Get to the point: the original description of calligraphy is strong (according to legend? Wang Xizhi wrote on the board, and the ink penetrated into the board for three minutes. Now he has described profound and powerful analysis, description and discussion.
Iron painting silver hook: painting: strokes; Hook: hook. Describe the vigorous and beautiful calligraphy.
Graffiti: letter pen: write casually. Graffiti: The figurative words are poorly written and scribbled casually. Later, people used "letter graffiti" and "graffiti" to describe poor handwriting or careless writing.
Graffiti of letter: letter: listening, freedom; Letter pen: write casually; Graffiti: The figurative words are poorly written and scribbled casually. Later, people used "graffiti" or "letter graffiti" to describe poor handwriting or careless writing.