As mentioned above, they drank water, drank wine, composed poems, and talked about their secret love. How painful it was! How happy! How happy! However, "the traces of admiration for them have already

As mentioned above, they drank water, drank wine, composed poems, and talked about their secret love. How painful it was! How happy! How happy! However, "the traces of admiration for them have already faded away". In this regard, the author thinks "it's not painful"! Therefore, collecting their poems will not destroy them, but let them be famous for centuries, so that "those who read them later will also feel the elegance of the text", such as The author generally feels that "death and life are no different". Why is this so? Because "Although things are different in the world, the excitement and nostalgia are all the same", because "the future will look at the present, and the present will also look at the past." This can't but make people sigh at what a kind heart the author has! The first historical evaluation of Chinese calligraphy: "Lanting Preface" was a proud pen written by Wang Xizhi, the right-wing general of the Eastern Jin Dynasty when he was 51 years old. The spectacular scene of literati gathering at the Orchid Pavilion and cultivating rice fields expresses his lament about human life and death, as well as how to cultivate and grow at will. Under the lofty mountains, by the edge of lush forests and bamboos, drunk and splashing with ink, he composed prefaces for poems and poems for everyone. His articles were fresh and beautiful, and his calligraphy was vigorous and elegant. It has been regarded as the best in the book circles of all dynasties. Mi Fu, a great calligrapher in the Song Dynasty, called it "the first calligraphy in Chinese running script". Wang Xizhi was therefore revered as the "Sage of Calligraphy" by later generations. Later generations praised a lot when studying his calligraphy art: "The point painting is beautiful and the movement of Qi is smooth", "The breeze comes out of the sleeves, the bright moon enters the arms", "Floating like floating clouds, as powerful as a frightening dragon", "Emotional, vigorous and unparalleled" "Nothing", "There are no more valuable products than in ancient and modern times." Indeed, it is said that Wang Xizhi also wrote the "Lanting Preface" again later, but they were inferior to the original work. Therefore, the original manuscript of "Lanting Preface" has always been regarded as a family heirloom by Wang Xizhi, collected by the descendants of the Wang family, and passed down to the seventh generation of Wang Xizhi. After being "deceived" by Emperor Taizong Li Shimin of the Tang Dynasty to enter the imperial court, Emperor Taizong of the Tang Dynasty obtained the "Lanting Preface" and ordered famous masters such as Zhao Mo, Feng Chengsu, Yu Shinan, Chu Suiliang and others to copy several fake copies and distribute them to his close relatives. After that, it became popular among the people. They were copied, but none of them were better than Wang's original work. Therefore, the original "Lanting Preface" was regarded as a rare treasure by Emperor Taizong of the Tang Dynasty and was eventually buried. This made later generations revered the original "Lanting Preface" and dubbed it the best calligraphy in China. The reputation is undisputed.