Although Preface to Lanting is not as good as Wang Shu's cursive script, as an elegant, leisurely and chic style of the times, no one can surpass it and accompany it. That kind of elegant layout, elegant style, changeable brushwork, and easy borrowing make later generations of literati feel that they are facing an ordinary and mysterious tower, which is often impossible to enter.
2. Yan Monument:
In the tablet, the ending and turning point of stippling are emphasized to the maximum extent, and the brushwork of lifting pressure has risen to a dominant position compared with the predecessors. The strokes at both ends and turning points are more changeable, and the hidden front and pen use in regular script are of great significance, while retaining the pen-turning method in regular script in the early Tang Dynasty.
3, "Lang Guan Shi Zhu Ji":
Notes on nirvana in fire is the most reliable original work of Zhang Xu handed down from generation to generation. The original stone has been lost for a long time, and only Wang Shizhen's Song Tuo Jiu Ji has been handed down from generation to generation, which is precious and has been highly respected. This stone was carved in the Song Dynasty. The font uses the brushwork of Ou Yangxun and Yu Shinan, which is dignified and rigorous, without losing the rules, showing the exquisiteness of regular script.
4. Thirteen lines of Luoshenfu:
At the moment, the calligraphy pen is powerful, beautiful in style and spacious in structure. The strokes such as left and right strokes in characters often stretch very long, but they are not frivolous and powerless. The stroke force is delivered to the stroke tail, which is vigorous and powerful. The font is symmetrical and harmonious, and the combination of each part has subtle and vivid changes. The size of words is different, and the spacing and spacing of words naturally change.
5. The mysterious tower:
Xuanta Monument is the representative work of Liu Gongquan's regular script. The brushwork is vigorous and graceful, vigorous and sharp, rigorous and open in structure, vivid and stable, elegant in weather, vigorous and fresh. The strokes actively cooperate with the structure, and the characters are closely distributed in space, thus pushing the regular script to the peak of ending.