(Yuan Dynasty) Zhao Mengfu, courtesy name Zi'ang, also known as Xuesong Taoist, also known as Crystal Palace Taoist, was born in Huzhou (Wuxing, Zhejiang). Descendants of Qin Wang Defang, the son of Emperor Taizu of the Song Dynasty. After the fall of the Song Dynasty, he returned to his hometown to live idle. Later, he was recruited by the emperor of the Yuan Dynasty and served in five dynasties. He became a scholar in the Hanlin Academy, received the imperial edict, was honored as a doctor, was granted the title of Duke of Wei, and was given the posthumous title of Wenmin. He is good at seal script, Li script, Kai script, Xing script and Cao script, and is the best in ancient and modern times. He is the author of "Songxue Zhaiji". Zhao Mengfu was an influential calligrapher in the early Yuan Dynasty. "History of the Yuan Dynasty" says, "Meng Fu's seal scripts, seal scripts, and official scripts are all unparalleled in ancient and modern times, so he became famous all over the world for his book." High praise. According to Song Lian of the Ming Dynasty, Zhao's calligraphy learned from Siling (that is, Emperor Gaozong Zhao Gou of the Song Dynasty) in his early years, who "enlightened the eight methods wonderfully, and paid attention to the ancient elegance". . In addition, he also touched the Dingding Monument of the Yuan and Wei dynasties as well as Yu Shinan, Chu Suiliang and others of the Tang Dynasty, and gathered the great achievements of the previous dynasties. As Wen Jia said: "Wei Gong imitated all the excellent calligraphers of the ancients." Therefore, Zhao's success in calligraphy is inseparable from his ability to absorb the strengths of others. What is particularly valuable is that most calligraphers in the Song and Yuan Dynasties were only good at running and cursive styles, but Zhao Mengfu was able to master all styles. His articles are unparalleled in their time, and they also refer to the learning of Buddhism and Laoism. Many later generations learned Zhao Mengfu's calligraphy, and Zhao Mengfu's calligraphy was very popular in Korea and Japan. There are also excellent works in Zhao's regular script, such as "Sanmen Ji", which has a broad, profound and stable structure, smooth and rounded writing, and is most suitable for use as copybooks. Most of Zhao's handed down works are written in regular script, and most of them are written with exquisite penmanship and precise wording. For example, "Chibi Fu" can be regarded as a classic.