Ms. Liu Yuwan, whose words are in dreams and her pen name is in dreams, is good at cursive writing and attacking Ou Kai, and has made great achievements. Her view of works makes people feel clean and distant, full of charm, peaceful and calm beauty, calm and capable, and has no tendency to drag on, and no worries about bringing water, such as bathing in the spring breeze, like seeing Buddha's light, and feeling. The following is what I arranged for you, I hope it will be useful to you!
Appreciating
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Liu Yuwan's personal profile
Ms. Liu Yuwan, whose word is in a dream and her pen name is changed into a dream, is a young teacher, diligent, meticulous and diligent, with a soft and firm personality, modest nature, knowing books and courtesy, and showing off her wisdom. She loves and appreciates China's traditional culture, and she has her own insights in learning and practicing. She works hard in poetry, singing and calligraphy. In particular, the study of calligraphy has a unique interpretation and aesthetics. He is good at cursive writing and attacking Ou Kai, and has made great achievements. His view of works makes people feel clean and distant, full of charm, peaceful and calm beauty, calm and capable, without dragging his pen, without worrying about water, such as soaking in the spring breeze, seeing Buddha's light, feeling auspicious and peaceful, cleansing the soul, being quiet and meditating, and moving.
Yu Meng joined the army for ten years until he worked in a local area. He has been devoted to the study of Chinese calligraphy. His calligraphy is mostly composed of his own poems, which are innovative, concise in content, simple in style, self-explanatory, refreshing to read, unpretentious, tactful and to the point, lyrical but not straightforward, and all of them are vivid products. She is not only diligent in calligraphy and poetry, but also clever in guzheng, such as the clarity of mountain springs and the fragrance of orchids, and her dance is amazing. In today's environment, it is a model for today's youth to combine the virtues of traditional culture with the spirit of personal cultivation. I have the opportunity to introduce her calligraphy works and excellent poems to you, please sign them!
Calligraphy style and metal carving of materials
The history of carving and casting characters on metal is earlier than that of stone tablets, and the early bronze inscription world left us with a mysterious atmosphere. It seems to be a sacrifice to the ancestors. Anyway, it is very solemn. Seeing those Zhong Ding artifacts displayed in Shaanxi Museum, I imagine that in ancient times, tribal ancestors knelt in front of the earthen platform, and there was smoke between Ding and Yi. Tao wished more farming and hunting, and good weather. This is the rule of history and the enlightenment of history. The next question is: bronze inscriptions are everywhere. In ancient times, there were sacrificial vessels, and in modern times, there were also imperial seals and treasures. In the eyes of politicians, this was a symbol of power, during which there were plenty of bloody infighting and wars.
In the calligrapher's view, this is a materialized form of artistic view: the special structure and lines of bronze inscriptions seem to indicate something to future calligraphy fans. It is rare to see that the lines of inscriptions on bronze are sharp and sharp. When we extend the inscriptions on bronze from the general narrow sense: Zhong Dingwen to the inscriptions on bronze, bronze mirror, bronze seal, ancient coins and ancient weapons, we can see that different production processes of casting and engraving bring different lines and structural effects. Oracle Bone Inscriptions is also unique in materials, because its scope in the history of calligraphy is too small. However, compared with Oracle Bone Inscriptions, whose bones are hard and carved with metal, its lines have to be sharp all the way, the bronze inscription is much richer. Because the inverted inscription is poured out of the mold first, the lines that may be angular on the mold will inevitably turn round on the re-condensed bronze ware. In addition, when the two lines cross vertically and horizontally, due to the process of inverted casting, the junction will inevitably expand, resulting in a thick line at the densely interspersed part of the line bundle, but a thin line at the head of the line. This is the general line law of bronze inscriptions, which leads to the formation of a unique bronze calligraphy style.
The style of seal writing is not out of this, except general print, which is a kind of special seal that is urgently needed in the battlefield. Because it is not cast but carved, the process is simple, and the copper seal is directly punched with a harder knife, the sharpness and vastness of its lines will naturally be strengthened, reflecting a different style from the cast seal and the cast inscription. In addition, another phenomenon is that the texture of bronze is tough, and it is also different from the brittleness and hardness of stone, which makes the style of bronze rubbings quite different from that of stone rubbings.