Calligraphy structure of regular script

China's calligraphy is a dynamic art of life, which integrates poetry, painting, craft and dance. It combines colorful points and lines to create vivid and strong dynamic effects in static beauty, which contains the life feelings of harmonious coexistence between man and nature. She is the core of China culture, and advocates the aesthetic beauty of caring, self-satisfaction, calmly supporting life and isomorphism between man and nature. The following is the structure of regular script calligraphy. I hope you like it.

Appreciation of regular script calligraphy structure:

Regular script calligraphy structure 1

Regular script calligraphy structure II

Regular script calligraphy structure 3

Several essentials of regular script structure;

It is generally believed that the main points of regular script structure are as follows.

Horizontal and vertical: mainly to shape a stable character. Although some strokes are oblique, such as oblique horizontal and vertical, the overall situation of the whole word is stable. What is that? Awkward? Want it, too? Tilt or not? . This is the charm of calligraphy. For example? Positive and rich? .

Density and symmetry: so-called? It's easy to go, but it's airtight, okay? Generally speaking, lines with fewer strokes can be thicker, and lines with more strokes can be thinner. This will make the words more symmetrical. Like what? Eye, field? .

Distinguish between primary and secondary: in the combination of Chinese characters, the radical is always in a secondary position, and it should be isomorphic with the main body, modest and not self-centered. Like what? Throw, shine? .

The echo of stippling: stippling and structure should pay attention to each other, meet each other, set each other off, and care for each other, so that they have internal relations, so that the pen can be broken and the meaning can be alive. Like what? Big, first and eighth? .

Uneven change: refers to the same strokes and parts of a word, which should be changed as much as possible to avoid repetition and similarity of strokes and structures. Like what? Lin and Yan? .

Back-to-back symmetry: pointing and drawing should be attached to a gesture. That is, the opening, closing, wrapping and stretching of the gesture should present different postures. Pay attention to the coordination and unification of fonts. Like what? North India? .