The rough fate has influenced his outlook on life and artistic creation, and most of his paintings are full of hatred for the Qing Dynasty and attachment to the Ming Dynasty. Landscape painting has formed its own unique artistic style, which is based on Huang's simplicity and innocence under the patriarchal clan system and Dong Qichang's elegance and agility in Ming Dynasty. Flower-and-bird painting draws lessons from the painting methods of Shen Zhou, Xu Wei and other literati in Ming Dynasty, and at the same time, it integrates its own strong subjective consciousness, pays attention to the personification of fish, insects, birds and other things, and expresses obscure meanings by symbolic means. In his later years, the department wrote his name "Badashanren" in cursive script, which seemed to be "crying" and "laughing" to hide his helplessness in the face of drastic changes in life. They are also called "Four Monks in the Early Qing Dynasty" together with painters Shi Tao, Hong Ren and Kun Can who are also adherents of the Ming Dynasty. Calligraphy, living in Wang Xianzhi and Yan Zhenqing, is simple, mellow and unique. In middle age and old age, Zhu Da used "Badashanren" in his calligraphy and paintings.