As follows:
Cizhou Kiln is the largest folk ballad system in ancient northern my country and is also a famous folk porcelain kiln. It is located in our Guantai Town and Pengcheng Town area. According to experts, Cizhou kiln was created in the mid-Northern Song Dynasty and reached its peak. It continued to be fired in the Southern Song, Liao, Jin, Yuan, Ming and Qing dynasties. It has a long history of firing, has strong vitality, and has many relics that have been handed down.
The shape and decoration of Cizhou kiln are popular among the people and have a wide influence. The central kiln farm is centered on Guantai Town, forming a huge Cizhou kiln system.
The unique style of Cizhou kiln porcelain occupies a very important position in the history of the development of porcelain in my country. It inherits the characteristics of the folk kilns in the north and south of the Tang Dynasty, integrates local characteristics, coexists fine and rough, and combines bold workmanship.
Compared with the five major folk kilns at the same time, it is very different. Its works have a strong folk interest, and the decoration has both form and spirit. It is unique and has northern characteristics. Cizhou Kiln is famous for its white-glazed and black-colored porcelain. In the world, the contrast between black and white is strong and vivid, and the pattern is very eye-catching. It can be used for engraving, scratching, ticking and color filling.
And creatively apply Chinese painting techniques to the pottery in the form of pattern composition, cleverly and vividly. It has fascinating artistic charm.
Historical documents related to the Cizhou kiln porcelain of the Song Dynasty. Concentrated in the Ming and Qing dynasties. In the early Ming Dynasty, there were Cao Mingzhong's "Essentials of Gegu", Wang Zuo's "New Essentials of Gegu", the early Qing Dynasty's "Cizhou Chronicles", "Minghuidian", Lanpu's "Jingdezhen Taolu" and Xu Zhiheng's "Yinliuzhai". Books such as "Speaking of Porcelain" have recorded and described to varying degrees the shape, glaze color, firing and process characteristics of our Cizhou kiln porcelain.
I feel extremely proud to live in a hometown with such cultural heritage. I believe that in the embrace of the motherland, my hometown will become better and better!
Cizhou Kiln is a treasure of traditional Chinese porcelain making technology. It is the largest folk kiln system in northern China in ancient times and is also a famous folk porcelain kiln. It is said that "Jingde lies in the south and Pengcheng lies in the north". Cizhou kiln was founded in the mid-Northern Song Dynasty and reached its peak, and continued in the Southern Song, Yuan, Ming and Qing dynasties. The kiln sites are in the area of ??Pengcheng Town in Fengfeng Mining District, Handan City, Hebei Province, and Guantai Town in Cixian County. Cixian County was called Cizhou in the Song Dynasty, hence the name.
The craftsmen of Cizhou Kiln absorbed the traditional ink painting and calligraphy art techniques and created the decorative art of black painting on white background with ink painting style, which pioneered the painted decoration of Chinese porcelain.
Cizhou kiln has many varieties, among which the most famous ones are black flowers on white ground (rust flowers), carved flowers, and kiln-turned black glaze. Its decorative techniques broke through the limitations of the single-color glaze of the five famous (official) kilns (Ru, Guan, Jun, Ge, and Ding) that were popular at the time, and used dozens of colorful decorative techniques. In March 1998, a Yuan Dynasty Cizhou kiln black-glazed jade ewer and spring vase was recovered from the UK.
Cizhou kiln is famous for its production of white-glazed and black-colored porcelain. The contrast between black and white is strong and clear, and the patterns are very eye-catching. It can be used for carving, scratching, ticking and color filling. It creatively combines the techniques of Chinese painting with The composition of the pattern is cleverly and vividly painted on the porcelain, which has a fascinating artistic charm.
It created a new way of painting and decorating porcelain in my country, and also laid the foundation for the great development of Jingdezhen blue and white and painted porcelain after the Song Dynasty.
The glaze colors of Cizhou kiln are rich, including white glaze, black glaze, sauce glaze and green glaze. The white glaze is especially famous.
Black and white contrasting methods are mainly used in decoration, among which flower painting, flower cutting and pearl ground are the most popular.
The flower painting system uses locally produced piebald stone as the painting material, and draws black patterns on the white glaze ground. The decorations are mostly leafy branch flowers and vivid and colorful Uoma kiln With unique creativity, he changed the monochromatic decoration method of southern green and northern white in my country before the Song Dynasty, and pioneered the decoration of underglaze painted ceramic products with black flowers on a white ground.
And create a series of decorative patterns. On the basis of color glaze, the world's earliest overglaze painting "red and green color" of the Song Dynasty was created by adding color to the surface of fired white porcelain and baking it into color twice. The above two technical achievements and artistic achievements alone have established an important position in the history of world ceramics.
The creative Cizhou potters created more than 30 decorative ceramic techniques in the Song, Jin and Yuan dynasties, such as: "white ground carving", "rust flower", "pearl ground" ", "brown color on white ground", "white flower decoration", "black glaze flower decoration", "pyrene pattern engraving" and so on.
It can be said that it is a collection of ceramic decoration methods that has influenced future generations. In particular, the black flowers on the black painting and white ground are drawn with only a few strokes to create a figure, which is extremely vivid.
It has formed a unique artistic style that is disciplined, unconstrained, vigorous, bold, and unrestrained. In terms of subject matter, it depicts everything from worldly sights, flowers, birds, fish and insects, dragons, phoenixes, deer and horses, philistine scenes, children, old people and officials, poems and rhymes, and children's songs. It can be said to be a historical folk image.
The unique contribution of Cizhou kiln in the history of Chinese ceramic development has two points: one is the black and brown painting on white ground, which combines traditional calligraphy and painting art with porcelain making technology; the other is the combination of poems, proverbs, Aphorisms and literary works are used as decorations, which are cultural heritages of great historical value.
The Northern Song Dynasty Cizhou kiln rectangular pillow with the inscription "Pillow Fu" now in the Guangzhou Museum, and the Yuan Cizhou kiln Bai Di Hecai Journey to the West square pillow now in the Guangdong Provincial Museum are representative works in this regard.
The products of Cizhou kiln have rigorous composition, elegance and simplicity, lively and interesting images, showing the social customs of the Song and Yuan Dynasties, and providing rich information for the study of folk paintings and other arts of this period.