The poem "Green Silk and White Hair" is as follows:
1. After experiencing all the hardships in the world, looking back at the end of the day, my hair has become gray.
2. A hundred years of life is short, and the youth of the past is now gray.
3. Flowers bloom and fall, flowers dance in the wind, and people come and go but nothing happens.
The full text is as follows:
In an instant, black hair and black hair turn gray, who will I tell you when I grow old? If the spring breeze feels pity for the flowers, can it allow me to be young again? I am still afraid that the frost will deceive me. "It is difficult to leave love". My eyes are full of pain and I am leaning on the railing alone. I am single and tired by the thin willows on the embankment. Looking at the river full of water in the middle of the night, I hunker down at my desk and collect hundreds of books. The wind is the finger and the rain is the string. It popped up several times and I felt sad. Even though I feel lovesickness in the sky today, I am still afraid that the frost will deceive me into ruining my dream.
Having black hair and white hair is natural, and you can spend your old age carefree and leisurely. As long as there is still childlike innocence, the sunset can also fill the sky with red. Black hair and black hair are natural, and you will feel at ease when you grow old. Even if the spring breeze is full of pity for the flowers, no one will be young again twice. Only when you grow old can you realize the beauty of youth, and cherish the afterglow of time.
I lament that the years are flying by, and the past will never come back. The spring breeze of the willows is leisurely tonight, and I ask the blue sky with a cup of turbid wine. Why do flowers come back one day, but people can never be young again?
Introduction of Chen Zhiping:
Chen Zhiping, Ph.D., is from Ezhou, Hubei. He is currently the director of the Calligraphy Research Institute of Jinan University, a second-level professor, and a doctoral supervisor. He was selected as one of the “Two Hundred Outstanding Talents” (Category A) of Jinan University.
Concurrently serves as a member of the first and second session of the Education Steering Committee for Fine Arts Majors in Colleges and Universities of the Ministry of Education, the deputy director of the first session of the Guangdong Provincial Department of Education’s Fine Arts Major Teaching Steering Committee, and the eighth session of Chinese Calligraphers Director of the association, member of the academic committee of the 7th Chinese Calligraphers Association, vice chairman of the 5th Guangdong Provincial Literary Critics Association, and member of the 6th Guangdong Provincial Calligraphers Association.
He once served as a visiting scholar at Sun Yat-sen University College of Liberal Arts, Kyoto Garden University, Japan, and Peking University Institute of Humanities and Social Sciences.
Research fields:
Engaged in calligraphy research, teaching and creation. Published "Research on Huang Tingjian's Calligraphy"), "A Series of Calligraphers of the Northern Song Dynasty", "History of Calligraphy in the Tang and Song Dynasties", "History of Calligraphy", "Research on Chen Xianzhang's Calligraphy" (articles and other monographs.
Participated in the compilation of the "Research Series on Calligraphers of the Past Dynasties in Guangdong" (2nd series, 22 volumes, published by Lingnan Fine Arts Publishing House in 2012 and 2018). In 2011, the "Zhongshan Calligraphy Doctoral Workstation" was established in Zhongshan and organized a series of works. calligraphy activities