As many stars in the entertainment industry have faded away from the screen, their lives have become full of leisure and elegance. Many people are good at playing chess, calligraphy and painting at their fingertips. Especially in recent years, the calligraphy and painting of celebrities have become very popular objects, but for laymen Just watch the fun, and the insider knows the rules. After celebrity calligraphy and painting became popular, many people in the industry sneered at it. Zhang Tielin's live broadcast of selling calligraphy attracted many netizens to watch.
Zhang Tielin is fascinated by calligraphy
Someone once joked that the current entertainment industry is the easiest talent base to produce "calligraphers". Come to think of it, over the years, it has been common for many entertainment stars to be keen on painting with pen and ink. Some of them are quite calligraphers and are called "cross-border calligraphers" and "amateur calligraphers". For example, the famous film and television actor Mr. Zhang Tielin is such a combination actor and calligrapher. He has also become the vice president of the International Calligraphers Association.
Although acting is Zhang Tielin's main career, for some reason, it seems that in Zhang Tielin's mind, practicing calligraphy is more important than acting. He once said to people, "When it comes to acting, I am a fan. In fact, calligraphy and painting are my major. To be honest, it was a coincidence that I became an actor but not a calligrapher." An old actor views calligraphy in this way. Important, I am afraid it is also extremely rare in today's entertainment industry. It seems that Zhang Tielin is really fascinated by calligraphy.
Outsiders' evaluation of Zhang Tielin's calligraphy
Zhang Tielin's calligraphy has no foundation. First of all, it is unfamiliar to people. The shape is exaggerated, the composition is not beautiful enough, and there is no echo between characters. The key is Don’t know a single word! Some people think that Zhang Tielin wrote an ugly book. This kind of ugly book challenges traditional aesthetic habits with its exaggerated structure, strange organization and unconventional writing, and has a certain impact on the public's attention and psychological endurance.
Zhang Tielin has relatively learned some posts, and overall he is quite impressive and complete in one go. In terms of composition, he is unruly and unruly, paying attention to the rhythm of the strokes and the use of the pen, the strong whitening of the muscles, and the pursuit of stability in danger. Many people in the calligraphy field comment that Zhang Tielin's calligraphy is very professional, and he obviously learned from the calligraphy of Zhang Ruitu, a calligrapher of the Ming Dynasty.
After seeing Zhang Tielin’s calligraphy, many netizens praised his calligraphy for its strong force, ease of movement and positive breath. There are many things in life that require perseverance, not just calligraphy. Isn't there a saying that goes like this: "If you focus on doing something for a long time, you will become an expert in it in a short time."
Zhang Tielin is “dissatisfied” with professional calligraphers
Mr. Zhang Tielin once again “defied” professional calligraphers when they were talking about calligraphy. He believed that without a comprehensive knowledge structure, you are just calligraphers. . Based on his personal experience, Zhang Tielin said that a writer only writes one way in his life and never writes well, because the inheritance of Chinese calligraphy has never been passed down by people who only write. It is politicians, thinkers, and social activists who have passed down their calligraphy. Words are passed down.
Zhang Tielin believes that every great calligrapher who can be passed down to this day has a story. It is difficult for someone who is just a calligrapher without a story to pass on the calligraphy. Zhang Tielin often talks about calligraphy with Liu Zhengcheng, chairman of the International Calligraphy Association, and often talks about this issue, that is, calligraphers need to integrate knowledge structure and knowledge interests. Only on this platform can we talk about calligraphy, otherwise we are just calligraphers.
Zhang Tielin’s reason is that calligraphy does not exist independently, nor does it develop independently. The origin of calligraphy has never been just about writing. Chinese characters are interesting, and they are even more interesting when Chinese characters are formed into words and sentences line by line. The articles written by each calligrapher and his life lead to the origin and inheritance of his calligraphy style. This is a complete history of calligraphy.
Just as everyone has their own preferences for vegetables and radishes
There are also some calligraphy experts who hold the opposite opinion and even defend Zhang Tielin by saying that Lao Zhang’s calligraphy is extremely advanced and he is diligent in practicing his pen. Coupled with his innate artistic inspiration, Zhang Tielin's calligraphy lines are of good quality, extraordinary and methodical.
His vision and knowledge are beyond the imagination of trolls. Almost all the manuscripts at the big auction were taken away by him. You have to be professional when evaluating others, okay?