How was Huang Tingjian's calligraphy, spear and spurge influenced by famous monuments in the Southern Dynasties?

Calligraphy achievement

Semi-cursive/running/calligraphy (China's calligraphy)

Huang Tingjian's Calligraphy Works

Huang Tingjian is good at running script and cursive script, and regular script is also his own. Learning books especially admire Wang Xizhi's Preface to the Lanting Pavilion. There is a poem praising Yang Ningshi, which can explain his profound experience in studying the Preface to Lanting: "The world tries its best to learn Lanting noodles, and wants to change every bone instead of elixir. Who knows that Yang Fengzi of Luoyang went to Wu Si Bar when he was writing. " This is inseparable from his profound understanding of Wang Xizhi's calligraphy learning.

When Huang Tingjian traced back to the Jin and Tang Dynasties and studied the classic calligraphy of his predecessors, Su Shi had the greatest influence on him. It can be said that Huang Tingjian's calligraphy was largely imitated by Su Shi. Huang Tingjian, as one of the "Four Scholars of Su School", cannot but be influenced by Su Shi's calligraphy style. In Huang Tingjian's book theory, there are many comments on Dongpo's books, and most of them are admired. Su Dongpo is not only a teacher and promoter of Huang Tingjian's literature, but also a model of his calligraphy. Huang Tingjian's inscription reflects some news that Huang Tingjian learned calligraphy from Su Shi, such as "learning from Dongpo Yan Pingyuan". However, if you are all thumbs, you will never find a job. " Another example is "Dongpo's post is very similar to the inscription on Princess Yu Shinan's tomb. It is my nature to comment on Dongpo's good books. When I went to Dongpo, I saw two capsules of Shouze, including several pieces of paper like Liu Gongquan and Chu Suiliang, which were definitely better than Xu Hao's calligraphy. I also tasted a roll of Lu Gong's post to Yu Lin, and all 20 pieces of paper got six or seven, which was almost beyond my knowledge. " Huang Tingjian and Su Shi are eight years apart. Between two friends, a teacher and a friend. Judging from Huang Tingjian's handwriting, it is obvious that his calligraphy is characterized by a sharp pen, a flat shape and a rising trend to the right. It is even exaggerated and emphasized, but it is not as familiar as Sue. Huang Tingjian took the book of Zen Enlightenment as the interaction with Su Shi. For example, Su Shi's "Pray for Rain" is very similar to Huang Tingjian's, especially the numbers at the end are calm and elegant, and the pen is slow to fade, almost like Huang Tingjian's ghostwriting.

The formation of Huang Tingjian's Chinese calligraphy style is due to his self-discipline after seeing the cliff "righteousness and brightness" in Jingkou. There is a misunderstanding in Huang Tingjian's "Tuoheming", that is, he took "Tuoheming" as a book written by the right army and believed it, so he tried his best to figure out the teacher's knowledge. But it was also a mistake, which promoted the formation of Huang Tingjian's long gun and short gun style. Objectively speaking, Huang Tingjian and Su Dongpo are calligraphers who surpassed the cover of the calligraphy style of the Tang Dynasty 800 years earlier than that of the Qing Dynasty in the history of calligraphy in China, and traced back to the inscriptions before the Tang Dynasty or merged into one. As far as the origin of Su Shi's calligraphy style is concerned, a clear answer can be obtained by comparing his masterpiece "Cold Food Poetry" with Luoyang's "Longmen Twenty Products". Huang Tingjian clearly flaunted the model of "righteousness and clarity".