Qing Wan Jing commented on his book cloud: "I am quite good at playing with his calligraphy, but I am afraid I am not good at copying. I have no brushwork at all, and my yin is particularly heavy. "
Qing Sun retired from the valley to comment on his book cloud: "Calligraphy is elegant and elegant, which is rare in Han stone."
Yang Shoujing's Pingbei Ji in the Qing Dynasty said: "The ancient (ancient) people suspected that it would be re-engraved, and this tablet was elegant and refined, with natural peeling marks. It's the original stone, and Gu Shan studied it but didn't learn it, so he said this. " Another cloud said, "How long is the seal script? This quantity is flat and unique. The yin of the tablet is particularly clear, and the brushwork opens the Wei and Jin Dynasties. This source began in The West Chamber, and it flowed in the folding head of Huang San Nian Monument (Zun Hao Shou, Chan Biao, Kong Xian Monument), followed by the authentic copy of the Northern Wei Dynasty and the stone tablet. "
Modern times cost money to win: the handwriting of ""seems correct, but it is actually beautifully written. When you write, you must look at the essence through the phenomenon, pay attention to the brushstrokes between stippling, and beware of rigidity. (Appreciation of Historic Sites)
Comments: Zhang Qianbei was unearthed late and well preserved. His calligraphy is mainly based on rigorous and rich brushwork, and his strokes are simple and vigorous, which can be called the top grade in Han stele. Calligraphers in ancient and modern times gave the highest evaluation to this monument, which can be described as a monument to the unity of Han and stele.