Appreciation of the works of contemporary strict calligraphy masters
Pictures of contemporary Yan calligraphy masters 1
Pictures of contemporary famous Yan calligraphy works 2
Fig. 3 Contemporary works by famous Yan calligraphers
Fig. 4 Contemporary works by famous Yan calligraphers
Yan ti kai Shu brushwork
The Tang Dynasty was the mature period of regular script, and three regular script masters, Ou Yangxun, Yan Zhenqing and Liu Gongquan, appeared. Their calligraphy skills are complete, which is a shining example in the history of calligraphy in China. When they first learned regular script with a brush, most of them started in Tang Kai.
Because of the thick strokes of Yan style, beginners, especially primary school students, are difficult to get started because of unstable skills and heavy movements, so it is more realistic to choose Yan style as an introduction. In order to make it easy for primary and middle school students with low appreciation ability to understand and master the model, it is of great benefit to choose ink copybooks for training. Because the number of characters in Yan Zhenqing's mature regular script works is slightly less, here we choose the ink characters in Yan Zhenqing Tan Magu Fairy Altar Story as a model to explain and let primary and secondary school students copy. Tan Yan (1880~ 1930), during the Republic of China, many dignitaries in the DPRK could write good handwriting, but the most famous ones were Tan and Yu Youren. 19 12 Join the Kuomintang. After 1922, he followed Sun Yat-sen and served as Minister and Secretary-General of the Office of the Grand Marshal. Tan Yankai has always been a senior official of the Kuomintang government, serving as the chairman and executive dean of the National Government. His writing, like his people, has a strong flavor, and he is broad-minded and complacent. He was another person who wrote strict characters after Qian Feng in Qing Dynasty. Yan Zhenqing's regular script has been ignored since it was criticized by Min Nangong, and Song Yuanming did not produce a good writer. From the Republic of China to the present, no one who writes Yan characters is right for Tan.
It is precisely because Tan's copying level is quite high that students can fully feel the shape and spirit of Yan Zhenqing's regular script from his lines. After learning strokes well, copying Yan Zhenqing's original works will naturally be handy. This is a good way to learn Yan Zhenqing's regular script. To say the least, even if we continue to study Tan's regular script, the price range in primary and secondary schools will be enough. Tan Jieshu's height is beyond the reach of ordinary people. This learning method of Yan Ti is rare in calligraphy education, but it has been recognized and effective in children's calligraphy teaching practice for more than 10 years.
Brush strokes are directly completed by the pen tip running on the paper. Because the pen tip is soft, different paper laying methods will produce different forms. A person who can only write in pen and ink will take a pen to copy ancient calligraphy works. I'm afraid there is nothing he can do to accurately write this varied stroke shape. Where the brush strokes should go in and out and how the brush strokes swing in the operation are all important contents of the brush strokes.